The Metropolitan Opera: Adriana Lecouvreur

All'Opera Le Barbier De Seville(en)

Probably the most famous Opera Buffa in music history, The Barber of Seville is an eternal source of joy. The director Vittorio Borelli, has set the action in its original context, during the time of Beaumarchais indicative of the change in social attitudes before, during, and after the French Revolution, but still fully adorn with powdered wigs and silk trousers. We are in Seville where the young and beautiful Rosina is kept locked up by her guardian, Don Bartolo, who intends to marry her in order to keep her dowry. However, Rosina is in love with the young Count Almaviva who, with the help of Figaro, will try everything to save her to finally be with his beloved.

Amadeus(en)

Wolfgang Amadeus Mozart is a remarkably talented young Viennese composer who unwittingly finds a fierce rival in the disciplined and determined Antonio Salieri. Resenting Mozart for both his hedonistic lifestyle and his undeniable talent, the highly religious Salieri is gradually consumed by his jealousy and becomes obsessed with Mozart's downfall, leading to a devious scheme that has dire consequences for both men.

Eugene Onegin(ru)

In Trelinski's timeless production he leads a superb, first-class young cast headed by Artur Ruzinski as Onegin and Kristīne Opolais as Tatyana. Mariusz Trelinski, Polish filmmaker and theater director, has created a series of dream-like, surrealist tableaux of great suggestive beauty.

Verdi: Don Carlos(en)

For the first time in company history, the Met presents the original five-act French version of Verdi’s epic opera of doomed love among royalty, set against the backdrop of the Spanish Inquisition. Patrick Furrer leads a world-beating cast of opera’s leading lights in this March 26 performance, including tenor Matthew Polenzani in the title role, soprano Sonya Yoncheva as Élisabeth de Valois, and mezzo-soprano Elīna Garanča as Eboli. Bass Günther Groissböck and bass-baritone John Relyea are Philippe II and the Grand Inquisitor, and baritone Étienne Dupuis rounds out the all-star principal cast as Rodrigue. Verdi’s masterpiece receives a monumental new staging by David McVicar that marks his 11th Met production, placing him among the most prolific and popular directors in recent Met memory. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.

The Metropolitan Opera HD Live Gounod's Romeo et Juliette(fr)

The world’s most famous love story comes to operatic life with superstars Anna Netrebko and Roberto Alagna playing the star-crossed young couple. The abandon and ardor of their performances brought audiences to their feet in both the opera house and in movie theaters. And the unique, up-close-and-personal camerawork takes the viewer onstage to witness some of the production’s most memorable images and sultriest moments as never before.

Strauss: Salome(de)

It is no wonder that Met audiences have gone wild over Karita Mattila’s sizzling Salome. Indisputably one of the greatest Salomes of our time, Mattila utterly incarnates Oscar Wilde’s petulant, willful, and lust-driven heroine. With Strauss’s groundbreaking music magnifying the degenerate atmosphere and building the erotic tension, this is one opera that is as shocking today as it was at its premiere in 1905.

Il Barbiere di Siviglia(it)

Giuseppe Verdi: Simon Boccanegra(it)

This evocative production by Giancarlo Del Monaco sumptuously captures the look and feel of 14th century Genoa and is a perfect compliment to Verdi’s setting of this story of searing conflict between public duty and private grief. Plácido Domingo is Gabriele Adorno, sworn enemy of the doge of Genoa, Simon Boccanegra (Vladimir Chernov). Gabriele is in love with the beautiful Amelia (Kiri Te Kanawa at her most affecting) who turns out to be none other than the long-lost daughter the doge. James Levine’s authoritative conducting of the Met orchestra and chorus reveals the dark power of Verdi’s score. Performed January 26th, 1995.

Verdi: Don Carlo(it)

Elizabeth of Valois is promised in marriage to Don Carlos of Spain, as part of a peace treaty between the two kingdoms. They meet and fall in love – but no sooner have they declared their love than news comes that the terms of the treaty have changed: Elizabeth is to marry Carlos’s father Philip instead. Politics and religion are dangerously entwined in Giuseppe Verdi’s Don Carlo. Performed on November 30th, 2016, at the Opéra national du Rhin, Strasbourg.

Love Me Forever(en)

A man who loves an aspiring opera singer is prepared to sacrifice everything to help her with her career, even though he knows she doesn't love him.

La Traviata - The Met(it)

James Levine leads a remarkable cast in one of Verdi’s most enduringly popular operas and brings fresh insights to this beloved score. Ileana Cotrubas is poignant and touching as Violetta, the consumptive courtesan who finds true love with Alfredo, sung with style and passion by the great Plácido Domingo. Cornell MacNeil is Germont, Alfredo’s father, who forces the two apart, setting in motion events that lead to a shattering and tragic conclusion. Colin Graham’s production features design by Tanya Moiseiwitsch and choreography by Zachary Solov.

Moonstruck(en)

37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.

MeTube 2: August Sings Carmina Burana(en)

The sequel to the 2013 short, August sings Carmen 'Habanera'. After Elfie and her nerdy son August successfully proved themselves on their home webcam in MeTube 1, the odd pair venture onto the street to present the biggest, boldest, and sexiest operatic flash mob the internet has ever witnessed!

Aida(en)

Any performance of Giuseppe Verdi’s Aida at La Scala, Milan, is guaranteed to be an experience – but, when it’s a new production, it becomes a major event, especially given the theatre’s notoriously critical audience. Legendary stage director Peter Stein succeeds in delivering a lucid production acclaimed in equal measure by the press and public: “a perfect coup de théâtre” (Giornale della musica). A “stellar cast” (La Stampa) contributes to the production’s success under the musical direction of Verdi specialist Zubin Mehta, who leads the orchestra in a “gorgeously colourful performance”, while “the entire ensemble is brilliant in its portrayal of the characters” (Die Presse).

The Cunning Little Vixen(en)

An adaptation of Leos Janacek's opera Prihody Lisky Bystrousky (1925), based on the novel Liska Bystrouska by Rudolf Tesnohlidek. It follows the life of Sharp-Ears, a fox who is captured by a forester as a cub and raised in his home prior to escaping back into the forest.

Mozart and Salieri(ru)

Film version of the Rimsky Korsakov opera from the Pushkin story. Motsart i Salyeri (Mozart and Salieri), based on a legend that Salieri poisoned Mozart, meditates on the nature of creativity while introducing, in brilliantly compressed speeches, what was to be one of the important Russian themes—metaphysical rebellion against God.

The Phantom of the Opera(en)

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Cavalli: Eliogabalo(it)

Systematically overturning accepted morals, Elagabalus dresses men as women, and names women to the Senate, favours sinning servants and humiliates generals. Baroque and carnivalesque, Eliogabalo is not, however, an opera that advocates a return to order. Leonardo García Alarcón, a finder of baroque gems, and Thomas Jolly are careful not to transform Eliogabalo into a sublime icon who would abase virtue. On the contrary, the conductor and young director, who are presenting their first production for the Paris Opera, accept the character’s contradictions and ambiguities

Offenbach: The Tales of Hoffmann(fr)

This adaptation of three tales by E.T.A. Hoffmann, with a sprinkling of Goethe’s Faust, portrays the German poet as both narrator and hero recounting his love affairs with Olympia, Antonia and Giuletta. Robert Carsen’s spectacular production highlights the melancholy genius of a man marked by life, with a coherence and dramatic sense remarkable for a work that leaves numerous questions unanswered. Under the baton of Philippe Jordan, Stéphanie d’Oustrac, Ermonela Jaho, Kate Aldrich, Yann Beuron and Ramón Vargas and Stefano Secco in the main role, interpret the legendary airs of this work whose brilliant mystery will continue to dazzle opera houses for countless years to come.

Portrait of a Knight(en)

Portrait of a Knight is a musical romance about the way in which historic ideals inform contemporary urban life. Rachel is a young archivist living and working in Wellington, New Zealand. Feeling alone and disconnected from life, she projects her romantic fantasies onto the paintings she loves, until one day her song brings Reginald - a Knight of the Realm - to life. His carefree innocence and zest for life begin to open Rachel up to the beauty around her, but the fates have a way of making trouble when miracles occur...