Burnham Beeches
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An essay film that interweaves meditations on travels with stories of journeys in China across a century: A student expedition into the heart of China in the 1930s, a young traveler's visions of the melancholic landscapes of his homeland, the narratives of movements in early Chinese silent films. Through these fragments of travelogues, the film explores the nature of consciousness in motion and what it means to use archives, images, and cinema as documentations as well as vehicles for travel.
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Renault 12(fr)
Shortly after his mother’s passing, playwright and stage director Mohamed El Khatib receives a phone call from his uncle in Bab Berred, the family’s village in the Moroccan Rif, instructing him to come as soon as possible to collect his inheritance – mysteriously insisting that he should make the trip in a Renault 12. Coaxed by his father, El Khatib decides to make the journey from Orléans to Tangier. Structured like a road movie, Renault 12 is also the filmmaker’s quest to discover his own origins, in which he both documents chance encounters and stages situations to bring social, political, and cultural landscapes to light.
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