O Pistoleiro de Serra Talhada

Reparation(pt)

In 1968, Orlando Lovecchio was made victim of a guerilla's bomb terrorist attack, which main objective was to fight against the Military Regime. Orlando lost one leg after the world-reckoned attack against the U.S. Consulate in Sao Paulo.

Triste Trópico(pt)

In this "fake documentary", a doctor returns to Brazil after his studies in Paris. Setting out to practice Medicine, he becomes an indigenous messiah and, in time, a cannibal.

O Brasil Deu Certo. E Agora?(pt)

3 ex-presidents of Brazil, 12 ex-ministers of State, 7 ex-governors of the Central Bank, bank owners and finance specialists tell the Brazilian economic history and speculate about the present and the future of the country. 125 years ago Brazil was a poor country with slavery. 60 years ago 50% of Brazilians were illiterate. 25 years ago inflation rate reached 84% a month and 35% of the population was extremely poor. In 2013, Brazil ranks the seventh world's largest economy, inflation reached 5,4% a year, poverty was reduced to 12% and the country is looking forward to be wealthy. Will it happen? Agile cutting, simple language and smart graphic arts allow the answer to this and other questions to be interesting and available to all audiences.

AI-5 - O Dia que Não Existiu(pt)

Documentary about a political episode during the Brazilian military dictatorship, which resulted in the issue of the Institutional Act #5 (AI-5), abolishing freedom of opinion in Brazil, and marking the transition to the toughest period of violation of human rights in the country. The episode was the Congress Assembly on December 12th, 1968, in which its members denied permission to punish congressman Márcio Moreira Alves, as was the Government's wish.

3 Champions(pt)

An intimate look at the history of Brazilian drivers from the '70s to the '90s, an era in which Brazil dominated Formula 1 racing, from the colorful point of view of its protagonists, especially Fittipaldi, Piquet and Senna, but without forgetting the drivers who failed to reach the profession's pinnacle, and the many behind-the-scenes helpers.

We Feed the World(de)

A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.

Mr. Untouchable(en)

The true-life story of a Harlem's notorious Nicky Barnes, a junkie turned multimillionaire drug-lord. Follow his life story from his rough childhood to the last days of his life.

Você Também Pode Dar um Presunto Legal(pt)

Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.

Stories Our Cinema Did (Not) Tell(pt)

Filled with raunchy laughs, this documentary compiles outrageous scenes from sex-comedies that shaped Brazil's "pornochanchada" boom of the 1970s.

Pablo(en)

Documentary that follows Pablo, a man that used to live on the streets in Brazil

Good Copy Bad Copy(en)

Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.

The Zodiac(en)

The history of the infamous serial killer known as the ‘zodiac’ in the late 1960s. It takes you through his kill rampage and to the case that still to this day has not been cracked.

Lost for Life(en)

A documentary about juveniles who are serving life in prison without parole and their victims' families.

Maria Bethânia: Música é Perfume(pt)

Brazilian singer Maria Bethania has a 40-year singing career. A documentary shows her concerts and famous family.

Where Are You, João Gilberto?(de)

Where are you, João Gilberto? sets out in the footsteps of German writer Marc Fischer who obsessively searched for the legendary founding father of Bossa Nova and last great musical legend of our time, Brazilian musician João Gilberto, who has not been seen in public for decades. Fischer described his journey in a book, Hobalala, but committed suicide one week before it was published. By taking up Marc Fischer's quest, following his steps one by one, thanks to all the clues he left us, we pursue João Gilberto to understand the history, the very soul and essence of Bossa Nova. But who can tell whether we will meet him or not?

A Farra do Circo(pt)

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

How Do You See Me?(pt)

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.

Wild Brazil(en)

Go up-river and deep into the jungle far from Brazil's cities and stadiums, where families of giant otters, tufted capuchin monkeys and mischievous coati (South American raccoon cousins) rally their wits to survive in a breathtakingly beautiful yet dangerous land.

O Que Trago do Chumbo - Os 50 Anos do Golpe Militar(pt)

Our Indians(pt)

Yndio do Brasil is a collage of hundreds of Brazilian films and films from other countries - features, newsreels and documentaries - that show how the film industry has seen and heard Brazilian indigenous peoples since they were filmed in 1912 for the first time: idealised and prejudiced, religious and militaristic, cruel and magic.