Crazy with the Heat
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Donald Duck
Goofy
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The Lost Whirl(en)
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The Little Mitten(uk)
Once in winter a gray mouse ran through the forest. She was cold, so she was very glad when someone had dropped a mitten on the ground. Having climbed inside and warmed up, someone suddenly knocked at it. It turned out that many more animals also needing warmth and comfort will visit the mitten.
O Conto da Sereia(pt)
I'm OK(en)
Following the end of a stormy love affair, Expressionist artist Oskar Kokoschka enlists in the First World War. After suffering serious injuries in battle, he experiences a series of memories and visions as medics transport him through the forests of the Russian front. Playful and imaginative, I'm OK explores the wounds of heartbreak and trauma. Inspired by the life and art of Oskar Kokoschka (1886-1980).
Routine: The Prohibition(es)
It's business as usual for the mutant denizens of a dystopia not entirely unlike our own in this beguiling stop-motion fantasia.
Solar Sight(en)
In describing the foundations for SOLAR SIGHT, artist Lawrence Jordan writes, "A question I had in mind was: what's the place of the human being in the cosmos? More and more we think about what is 'beyond.' Less and less is art concerned. I don't know why. The question seems a bit grandiose but I approached it quite simply. I have never worked with color photography as primary background to cut-out animation before. I was surprised that the result was so powerful (helped by John Davis' very resonant music). It was liberating to release human figures into an apperception of suggested space, along with the primordial enigma of the revolving sphere."
Shrek the Halls(en)
The Christmas tree isn't the only thing green in this new holiday classic. Shrek is back and trying to get into the spirit of the season. After promising Fiona and the kids a Christmas they'll remember, he is forced to take a crash course in the holiday. But just when he thinks he has everything for their quiet family Christmas just right, there is a knock at the door.
The Snowman(en)
A young boy makes a snowman one Christmas Eve, which comes to life at midnight and takes him on a magical adventure to the North Pole to meet Santa Claus.
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The Colours of My Father: A Portrait of Sam Borenstein(en)
The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein. It was nominated for an Academy Award for Best Documentary Short. In Canada, it was named best short documentary at the 12th Genie Awards.
Ouch, Chou Chou(ja)
A touching saga of a cabbage and pea’s friendship across bullying and interdimensional travel.
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The Botanical Avatar of Mademoiselle Flora(fr)
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There Are No Saints(en)
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Jethro Tull: Living With The Past(en)
A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.
Lord of the Streets(en)
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Scrooge: A Christmas Carol(en)
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Jigen Daisuke(ja)
Feeling unhappy with his gun, Jigen is looking for the world’s best gunsmith. He finally finds out that Chiharu, who runs a watch shop, is the person he’s been seeking. Then, Jigen meets Oto, who comes to Chiharu’s shop looking for a gun. Jigen finds out about Oto's secrets and the mysterious organization that’s after her. After Oto is kidnapped, Jigen gets into a desperate battle to save her.
Hunt Club(en)
Follows a group of male hunters who regularly lure women to their island with the chance to win 100K in a hunt, only to discover that they are the hunted, but this time they mess with the wrong girls and must deal with the consequences.
Carnaval 2019(pt)
Kensuke's Kingdom(en)
A young boy Michael is taken by his family on a round-the-world sailing trip. But when a storm strikes, Michael and his dog Stella are swept overboard and washed up on a remote island. They struggle to survive, but one day Michael wakes to find fresh fish and coconut milk by his cave. He discovers his mysterious benefactor is Kensuke, a former Japanese soldier, creator of a treetop kingdom and protector of the orangutans. Slowly, communicating through drawings rather than words, Michael and Kensuke form a friendship. But something threatens to destroy the fragile world Kensuke has created.
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Hunters(en)
As John T. Wrecker continues his task of protecting a group of refugees from a virus, the threat of something new and even more dangerous grows ever closer in the form of monstrous mutants.
One More Shot(en)
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AA(ja)
"AA" is a documentary about Akira Aida (mostly known as Aquirax Aida), a japanese music critic who introduced free jazz, improvisation, and progressive rock to Japan. It's based on interviews with 12 critics and musicians who had connections with him. This is a documentary that considers the past, present and future of improvisation.
SSS(en)
Marina Abramovic collaborated with videomaker Charles Atlas on this striking work of autobiographical performance. Abramovic delivers a monologue that traces a concise personal chronology. This brief narrative history, which references her past in the former Yugoslavia, her performance work, and her collaboration with and separation from Ulay, is intercut with images of Abramovic engaged in symbolic gestures and ritual acts—scrubbing her feet, staring like Medusa as snakes writhe on her head. Closing her litany with the phrase "time past, time present," Abramovic invokes the personal and the mythological in a poignant affirmation of self.