7.7Yves Montand would have been 100-years-old in 2021. A journey through the 20th century by the son of an Italian immigrant who reached the peak of his art and popularity. The song, the cinema, the commitments, a film all in archives.
0.0Seeing is to painting what listening is to politics. Survival as an artist demands both. Paint Until Dawn is a documentary on art in the life of James Gahagan (1927-1999), who painted all night to push the limits of vision. His life and thought reveal a correlation between art and activism through an interesting angle: the creative process itself.
7.5Follows the story of "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in his attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
7.0The life of Frank Sinatra, as an actor and singer and the steps along the way that led him to become such an icon.
5.3A journey through the artistic life of the British-American rock band The Pretenders, formed in 1978, and a portrait of its leader, the charismatic singer and songwriter Chrissie Hynde.
0.0Sandra rummages in the fragments of her memory and photographs in order to reconstruct the portrait of the life and death of her brother.
0.0James Grashow is an artist who has built—among many other things-- giant 15 foot tall fighting men, a city, and an ocean-- using paper mache, fabric, chicken wire and cardboard. More recently, he has begun making sculptures entirely out of corrugated cardboard and twist ties.
A documentary about the 1999 discovery of a Mastodon skeleton in a Hyde Park backyard.
"All sounds travel in waves much the same as ripples in water." Educational film produced by Bray Studios New York, which was the dominant animation studio based in the United States in the years surrounding World War I.
0.0From Vogue magazine fashion photographer to filmmaker, painter and sculptor, Bailey is the working-class Londoner who befriended the stars, married his muses (Jean Shrimpton, Catherine Deneuve, Marie Helvin) and captures the spirit and elegance of his times with his refreshingly simple approach and razor-sharp eye. He is also the man whose life and work inspired one of the cult movies of the sixties, Michelangelo Antonioni's Blow-Up, and who has constantly travelled the globe either with the most beautiful models or chronicling the contemporary reality of Papua New Guinea, Brazil, Vietnam, Afghanistan and other countries with ground-breaking reportages. Above all, Bailey is a romantic with a delightful sense of humour approaching his 73rd year and showing no sign of slowing up. Director Jérôme de Missolz has created an engaging portrait of this very private man who bared the soul of the swinging sixties and seventies with his photographs and films.
7.6A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
7.6A documentary on the life and career of one of the most influential film directors of all time, Steven Spielberg.
6.9Director James Toback takes an unflinching, uncompromising look at the life of Mike Tyson--almost solely from the perspective of the man himself. TYSON alternates between the controversial boxer addressing the camera and shots of the champion's fights to create an arresting picture of the man.
Released on DVD as part of The Criterion Collection's "Martha Graham: Dance on Film" collection.
6.8Heaven Adores You is an intimate, meditative inquiry into the life and music of Elliott Smith. By threading the music of Elliott Smith through the dense, yet often isolating landscapes of the three major cities he lived in -- Portland, New York City, Los Angeles -- Heaven Adores You presents a visual journey and an earnest review of the singer's prolific songwriting and the impact it continues to have on fans, friends, and fellow musicians.
Dr. Helen Caldicott is the most prominent anti-nuclear activist in the world. She's been featured on CNN, 60 Minutes, CBC and Democracy Now. In the 80s, Helen Caldicott campaigned against nuclear weapons testing in the pacific (still responsible today for the majority of tritium we're exposed to), and against the notion of a winnable nuclear war. She was nominated for a Nobel Peace Prize for her efforts. She has always made inaccurate statements regarding civilian nuclear power. But, since the Fukushima-Diachii radiation release has caused (and is projected to cause) zero fatalities... http://www.unis.unvienna.org/unis/en/... ...her tone has changed when speaking to supporters. This has not been acknowledged by prime-time media, as they continue to use her as a source. Any person or media outlet should check Caldicott's history of statements (on any subject) against a domain expert before using her as a source.
0.0Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.
10.0In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”