The relationship between Greenland and Denmark is full of fantasy and myths. And these are exactly what Danish artist Lasse Lau reflects upon – and in turn documents – in his first feature-length film. But how do you give a form to the Greenlandic experience when you are an outsider yourself? Lau has created a sensitive film about authenticity and recreation by letting both elements become a part of the work, together with his performers. But also by watching and listening intently. The colonial history is entrenched in both Greenland's infinitely beautiful landscapes and in the collective consciousness. But so is the willingness to break with it and look ahead with a new political self-awareness. 'Lykkelænder' is the result of a long-term research project, but talks about its extremely complex topics in a way that grounds the postcolonial perspective in a recognisable life experience. It does so with both a sense of humour and with emphasis.
2018-08-10
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A story about acts of terrorism that have impacted Denmark over the past 30 years—from the bombings in Copenhagen in 1985 to the attacks at Krudttønden and the Synagogue in 2015. A story told by the officials and politicians who bore the responsibility for the safety of the Danish population in the most critical moments. How did they react when terror came to the country?
Beautifully filmed by New Zealand nature photographer Richard Sidey over the past decade around the polar regions, Speechless: The Polar Realm is a visual meditation of light, life, loss and wonder at the ends of the globe. This is the second film in Sidey’s non-verbal trilogy which is comprised of: - Landscapes at the World’s Ends (2010) - Speechless: The Polar Realm (2015) - Elementa (2020)
Tommy Seebach Mortensen; or just Tommy Seebach to the whole nation; were born in Copenhagen in 1949 and passed away far too early in 2003. "Tommy" received four stars out of six by Politiken,[6] Berlingske Tidende[7] and Ekstra Bladet;[8] B.T. awarded it six stars out of six.[9] Dagbladet Information described it as "... a story of an artist who became a victim of the musical genre which he himself had helped innovate, and who, instead of gaining the broad recognition he had longed for his entire life, ended up with a status somewhere in between national heritage and kitsch clown..."[10] Politiken called the film "worthy, worth seeing and moving", Ekstra Bladet "a moving portrait of a man caught between the music, his family and the bottle".
The meals based on indigenous ingredients and sustainability at the forefront. Project managers are soon faced with problems ranging from sourcing ingredients to staffing a high-end restaurant in a location inhabited by only 53 people.
Starting as a documentary on the sexually liberated culture of late-Sixties Denmark, Sexual Freedom in Denmark winds up incorporating major elements of the marriage manual form and even manages to squeeze in a montage of beaver loops and erotic art. All narrated with earnest pronouncements concerning the social and psychological benefits of sexual liberation, the movie, is a kind of mondo film dotted with occasional glimpses of actual sex.
The world's largest island has been part of Denmark since 1721, but a significant majority of the 56.000 inhabitants now want independence. They feel their culture and language is threatened and is the main reason for the many suicides among young people. But the Danish speaking Greenlanders feel discriminated and want to keep the ties to Denmark. The film follows four strong young Greenlanders, who each in their own way insist on taking responsibility for the future of their country. The documentary explores the difficult balance between the right to self-determination and xenophobic nationalism. Between traditional culture and globalization.
How in 1959, during the heat of the Cold War, the government of the United States decided to create a secret military base located in the far north of Greenland: Camp Century, almost a real town with roads and houses, a nuclear plant to provide power and silos to house missiles aimed at the Soviet Union.
When Danish filmmakers Mira Jargil and Christian Sønderby Jepsen try to find balance in their stressful lives, they seek guidance from a renowned Danish HIV researcher turned monk deep in the mountains of Sri Lanka. But their filming process goes differently than expected. When they hear that the renowned Danish doctor and HIV scientist Jan Erik Hansen has burned all boats to live as a Buddhist monk on a mountain in Sri Lanka, the two Danish documentary makers Mira Jargil and Christian Sønderby Jepsen decide to make a film about him. to make. Jan Erik Hansen, as monk Bhante, has become an important voice in the Buddhist community. He has a YouTube channel with many followers, and people from all over the world ask him their life questions. The film project ends unexpectedly when the monk and the filmmakers appear to have different ideas about the film.
Armed with skulls, black makeup, wild outfits and high mohawks, this gothic trinity fights to gain control of and thus free themselves from their loneliness and inner demons as well as pressure from authorities, which they feel disturbed and controlled by. But one day, Josephine meets the beautiful guy, Jan, on Instagram and falls head over heels in love with him and the precious trio friendship is put to the test.
Danish soldiers are sent to Afghanistan in 2009 for 6 months, to help stabilize the country against the Taliban. They're stationed on Armadillo military base in Helman province. Unlike other war movies, this is the real deal – no actors.
Documentary film by the Danish TV channel DR about sexual abuse and suicide in Tasiilaq, Southeastern Greenland.
This travelogue begins with the vast agricultural wealth of the country, whose farmers can produce four times the amount required to feed the country's population. As such, the export of these agricultural products is a vital part of the country's economy. This agricultural tradition extends to its food consumption, as Denmark's vast array of open faced sandwiches is world renowned. It also extends to flower production and the Dane's love of flowers, which are sold in public markets. Denmark has a strong social support system, as witnessed by the free and mandatory public schooling, free medical services for expectant mothers and children, the provision of cooperative housing and housing for seniors, and the provision of old age pensions without premiums.
A documentary with the three cinematographers known for breaking away cinema away from celluloid with the introduction of digital video.
The intention of the film is to give an impression of what small exotic Denmark looks like, what the strange Danes look like and how they are. Nearly 100 Danes are presented in the film, amongst them a racing cyclist, a Minister of Finance, a popular actor and 13 unmarried women from a provincial town. "There is too much fogginess and rain and melancholy in most of the pictures of Denmark," says Jørgen Leth. "But not in my film. I would like to show you some authentic, clear and beautiful pictures from this strange country."