Lost in America

Nightcrawlers(en)

For five years, Stephen McCoy documented street life in Boston. This is what he captured.

Picture Proof(en)

Examines the intergenerational impact of addiction by chronicling the love, labor, loss, and uncertainty of one woman’s struggle to live a life of sobriety. Weaving together moments of glee, fulfillment, acceptance, sorrow, and disappointment, this documentary takes an intimate look at the bonds that hold one family together and a disease that threatens to tear them apart.

Tell Them We Were Here(en)

Tell Them We Were Here is an inspirational feature-length documentary about eight artists who show us why art is vital to a healthy society and reminds us that we are stronger together.

49 Up(en)

49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.

Dark Days(en)

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

Someone's Daughter, Someone's Son(en)

Now a successful filmmaker, Lorna Tucker was once a teenage runaway sleeping rough on the streets of London. For this frank, forceful and inspiring documentary, she returns to her former haunts and speaks to current and former homeless people about why, twenty-five years later, record numbers of people are still reduced to living on Britain's streets.

Unconventional: Living Life to the Max(en)

Max Ramsey, an advocate for those experiencing poverty, uses what he has gone through to serve the impoverished community of Milwaukee despite internal struggles and disapproval from the city.

This is an Address(en)

Stonewall veterans (including prominent trans activist Sylvia Rivera) and HIV-positive New Yorkers take up residency on the Hudson River piers as cranes raze vacant buildings for a new skyline.

Streetwise(en)

This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.

Outside(de)

The film explores the turbulent lives of homeless persons in Cologne, Germany. Through their personal belongings the homeless share with the viewer their memories and emotions, and provide insight into the secrets of survival on the street.

Someone Lives Here(en)

Chronicles the modern-day David and Goliath tale amidst North America's housing crisis. During the pandemic, Khaleel Seivwright, a young Toronto carpenter, builds life-saving shelters for unhoused people facing the winter outside. His actions attracted international acclaim but also staunch opposition from the city government, portraying a compelling narrative set against the backdrop of societal challenges and governmental resistance.

The Unemployed(sh)

SFRJ is officially a place where everyone have a job and a house. The story follows hard labored workers who can't find a job, who bathe in public bathrooms and sleep in homeless centers.

Black Film(sh)

Director invites six homeless men to his flat for a few days (surprising his wife). He asks officials and people on the street if someone can help them, this being SFRJ, a state officially without those left on their own.

Inside(ru)

There is a sterile megapolis outside. Chaos of pain and despair reigns there. People have lost their ability to be people and death is waiting for them everyday and everywhere. On contrary, "inside" is the place where they receive doctors' help. While saving the wretched, the doctors save all of us too.

Hotel 22(en)

Each night in Silicon Valley, the Line 22 transforms from a public city bus into an unofficial shelter for the homeless in one of the richest parts of the world.

La face cachée de l'aéroport CDG la nuit(fr)

What You’ll Remember(en)

Homelessness in the United States takes many forms. For Elizabeth Herrera, David Lima and their four children, housing instability has meant moving between unsafe apartments, motels, relatives’ couches, shelters, the streets and their car. After 15 years of this uncertainty, the family moved into their first stable housing — an apartment in the San Francisco Bay Area — in the midst of the coronavirus pandemic.

The Oasis(en)

Tough kids from tough backgrounds living dangerous lives - these are the young people of the Oasis, a grimy brick youth refuge in inner-city Sydney. No story is too horrific, no circumstance too dire, no kid too damaged for its tireless director, Captain Paul Moulds. Father figure, counselor, saviour and an orphan himself, Paul is nothing short of a legend amongst those who stumble in at breaking point with nowhere left to go. This raw observational documentary filmed over two years captures Paul's daily battle to save these lost children of the so-called "Lucky Country".

Carts of Darkness(en)

In the picture-postcard community of North Vancouver, filmmaker Murray Siple follows men who have turned bottle-picking, their primary source of income, into the extreme sport of shopping cart racing. Enduring hardships from everyday life on the streets of Vancouver, this sub-culture depicts street life as much more than stereotypes portrayed in mainstream media. The films takes a deep look into the lives of the men who race carts, the adversity they face, and the appeal of cart racing despite the risk.

Petit Rempart(fr)

Mariem, 53, a former estate agent, has been living at a shelter for several months. Surrounded by women in far more precarious circumstances than herself, she tries to regard her unprecedented social downfall as an immersion in real life. By the time she leaves, Mariem’s view of the world will have changed forever, enriched by all the women she has met along the way.