Pat Passlof: …unexpected conversation…

KIM(hu)

The story of an exceptional painter talent, the Belgian-Hungarian Kim Corbisier who left a brilliantly powerful oeuvre behind after her tragically short and intense life. And a camera at her filmmaker friend. The mesmerising and often shocking footage of the camera bear witness to Kim's struggles with methadone addiction and, above all, her identity crisis caused by a series of unfortunate and criminal accidents in her family. After the unfinished attempts, with this film, the filmmaker is realising a project they had planned together 10 years ago.

Edward Hopper(en)

Hopper, one of America’s most admired artists, captured the shared realities of American life with poignancy and enigmatic beauty. His iconic images, set in unexceptional places, reveal the poetry of quiet, private moments. Hopper’s influences, which vary from French impressionism to the gangster films of the 1930s, are explored through archival photos, footage of locations he painted in New York and along the New England coast, and interviews with artists Eric Fischl and Red Grooms.

Cornell, 1965(en)

Lawrence Jordan's portrait of the reclusive artist Joseph Cornell.

The colorful world of Otakar Nejedly(cs)

Birth of a Nation(en)

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.

Hockney(en)

A documentary about the work and personality of artist David Hockney.

Rothko: Pictures Must Be Miraculous(en)

Mark Rothko, a master of abstract expressionism, created 835 paintings during his five-decade career.

Mistr Theodorik(cs)

Jack Kerouac's Road: A Franco-American Odyssey(fr)

Part documentary, part drama, this film presents the life and work of Jack Kerouac, an American writer with Québec roots who became one of the most important spokesmen for his generation. Intercut with archival footage, photographs and interviews, this film takes apart the heroic myth and even returns to the childhood of the author whose life and work contributed greatly to the cultural, sexual and social revolution of the 1960s.

Josef Váchal(cs)

Impromptu(xx)

A journey to the origins of cinema, starting with its forgotten fathers: the pioneers who achieved moving images before 1895, the official year of the Lumière cinematograph. Through five studies by Frédéric Chopin, 'Impromptu' is also a tribute to the end of the 19th century, to its immortal muses, and to the fascination with movement itself.

Thierry Le Luron, l'humour de ma vie(fr)

Heaven is a Traffic Jam on the 405(en)

56-year-old artist Mindy Alper has suffered severe depression and anxiety for most of her life. For a time she even lost the power of speech, and it was during this period that her drawings became extraordinarily articulate.

Josef Mánes II.(cs)

Caspar David Friedrich – Der Gedankenmaler der Romantik(de)

Alšův rok(cs)

Retratação(en)

Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.

Martin Blaszko III(es)

Martin Blaszko is considered one of the most important artists of geometric abstraction in Latin America. This documentary, which ends a trilogy, follows the setup of what ended up being his last art show, through only twenty sequences.

Brent Houzenga: Hybrid Pioneer(en)

A documentary about an Iowa artist who made his career from two antique photo albums that he found in the trash. It has been four years since he originally found the two photo albums and since then he has had featured exhibits around the country. This is the first film in the MADE IN IOWA documentary series.

The Beksińskis. A Sound and Picture Album(pl)

Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.