It grew during a moist summer night. This strange outgrowth in the middle of Nanni’s face. Maybe the answer lies in the park, with sweet flowers surrounding him? Or unless it's under the skirt of Alouette, which shudders with mystery?
Itinerant projection-equipment repairman Bruno Winter and depressed hitchhiker Robert Lander - a doctor who has just been through a break-up with his wife and a half-hearted suicide attempt - travel along the Western side of the East-German border in a repair truck, visiting worn-out movie theaters, learning to communicate across their differences.
Krzysztof Zanussi's groundbreaking film chronicles a decade in the life of a young physics student whose absolute faith in the primacy of rationality and science is shaken by tragedy and affairs of the heart.
After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.
Dull and plain Catherine lives with her emotionally distant father, Dr. Sloper, in 1840s New York. Her days are empty — filled with little more than needlepoint. Enter handsome Morris Townsend, a dashing social climber with his eye on the spinster's heart and substantial inheritance.
The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.
An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning from 1948 until recent times. Combined with intimate memories of each member, the film attempts to portray the daily life of those Palestinians who remained in their land and were labelled "Israeli-Arabs," living as a minority in their own homeland.
A scruffy garbage boy becomes the pupil of famed gunfighter Talby, and the stage for confrontation is set when the gunman overruns the boy's town through violence and corruption.
Lola Montes, previously a great adventuress, is reduced to being the attraction of a circus after having been the lover of various important men.
What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.
After the Japanese defeat to the Russians, Kaji leads the last remaining men through Manchuria. Intent on returning to his dear wife and his old life, Kaji faces great odds in a variety of different harrowing circumstances as he and his fellow men sneak behind enemy lines.
The master of Italian horror, Lucio Fulci, stars as... Lucio Fulci, a filmmaker with a reputation for gruesome horror films. His body of work has started to plague his mental state, and he is haunted by the grotesque set-pieces his mind has conjured up during his career. His psychiatrist, Egon Schwarz, uses a hypnotised Fulci as an avatar to carry out his own disturbed fantasies, in hopes of ruining the master’s reputation once and for all.
Three penniless artists become friends in modern-day Paris: Rodolfo, an Albanian painter with no visa, Marcel, a playwright and magazine editor with no publisher, and Schaunard, a post-modernist composer of execrable noise.
Gwynplaine, son of Lord Clancharlie, has a permanent smile carved on his face by the King, in revenge for Gwynplaine's father's treachery. Gwynplaine is adopted by a travelling showman and becomes a popular idol. He falls in love with the blind Dea. The king dies, and his evil jester tries to destroy or corrupt Gwynplaine.
In the early days of Nazi Germany, a powerful noble family must adjust to life under the new dictatorship regime.
At the royal court, a prince is presenting the princess whom he is pledged to marry when a witch suddenly appears. Though driven off, the witch soon returns, summons some of her servants, and carries off the princess. A rescue party is quickly organized, but the unfortunate captive has been taken to a strange, forbidding realm, from where it will be impossible to rescue her without some special help.
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
Carol Hammond, daughter of a politician, has vivid nightmares involving sex orgies and LSD. In a dream, she murders a neighbor she envies and wakes up to a real investigation into her neighbor's murder.
Kaji is sent to the Japanese army labeled Red and is mistreated by the vets. Along his assignment, Kaji witnesses cruelties in the army and revolts against the abusive treatment against the recruit Obara. He also sees his friend Shinjô Ittôhei defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.