(Himself)
(Himself)
(Himself)
7.5People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.
7.1Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
7.1An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
6.5Megacities is a documentary about the slums of five different metropolitan cities.
4.7Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
7.3A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
6.4Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.
7.4In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.
0.0Journalist Maggie O’Kane returns to Iraq five years after Desert Storm to try to understand why she was not able to report the war freely and to investigate some of the stories which did not stand up.
Exploring the daily life of a Damascene ambitious woman, while the Muslim Barbie, Fulla, is invading the daily life of everyone!
A young Syrian woman doesn't share her parents' beliefs, but she's still been locked up inside their belief system all her life. Because she is a young woman, her parents almost never allow her to leave the house, let alone participate in activities against the Syrian regime. But she rebels anyway. She writes and sings protest songs in secret, in the hope that they will encourage others to start thinking for themselves, and to believe in a better tomorrow with more freedom. For 37 minutes, we watch and hear about what motivates this young woman. Neither she nor the people around her ever appear identifiable on-screen. Even the voices are manipulated to keep the chance of recognition to a minimum.
Four friends tired of protests are thinking about another way to shake up capitalist society. Driven by fiction, they decide to blow up a Brussels shopping center. How to think the attack? What roles do they need to play in order to imagine taking action? Is their friendship reconcilable with such a radical act?
0.0In the midst of a catastrophic steel industry collapse, a remarkable grassroots community effort leads to a national healthcare program that helps more than 200 million children...and counting.
0.0Three delivery riders in Metro Manila record a day in their lives, revealing the challenges they face as digital app-based workers. As the day ends, the riders take a breather and talk about a range of topics - including how to counter tech-driven exploitation.
6.8Working largely uncredited in the Hollywood system, storyboard artist Harold and film researcher Lillian left an indelible mark on classics by Alfred Hitchcock, Steven Spielberg, Mel Brooks, Stanley Kubrick, Roman Polanski and many more.
5.0A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.
Against the backdrop of unprecedented gun violence, Reggie Yates travels to Chicago to investigate gun crime in President Obama's adopted hometown.
10.0A man wakes up in an endless white void, unable to remember how he got there, he soon encounters an A.I. who takes the man through old memories of himself until he realizes his tragic purpose in the white room.
The Yakimanka Center for Contemporary Art is one of the most important institutions of contemporary art in the 90s in Moscow. It was here that the first open platform for all forms of self-expression was created. New artists, gallery owners and curators appeared here, the main events of the artistic life of the last decade of the twentieth century took place.
0.5Periya Thambi (Vijayakumar) and Chinna Thambi (Rajan P. Dev) are brothers and owners of a company. Gopalakrishnan (Jayaram) is from a poor family, despite being a graduate, he cannot find a job. To support his family, he becomes the driver of Periya Thambi and Chinna Thambi. Periya Thambi's daughter Lakshmi (Devayani) and Chinna Thambi's daughter Priya (Mantra) fall in love with Gopalakrishnan. What transpires later forms the crux of the story.
5.0The demonic Nicholas Diabolus is put on trial accused of interfering with people's lives.
10.0On a sunny day, the glorious Bike God walks across the Earth's soil and faces one of his greatest enemies, the Car God, in an epic battle that will go down in history.
6.7Ghost nation? Violent home? Traumatised country? What does the horror of one of the most famous writers of our time hide? What does his fictional America expose? To what extent does cinema feed itself off his unique vision and expression of fear? In other words: what kind of America is Stephen King telling us about?
5.2After Italian capitulation in WW2, German forces are rushing to take control of the Dalmatian coast, forcing thousands of people to take refuge. One partisan boat, filled with refugees, tries to reach a safe area, but because of a storm it must stop near a small island. While the crew tries to repair it, a German gunboat comes from nearby.
7.0Anjelica loves everything old-fashioned and vintage, but when she buys an antique bathtub from a dead person's estate, she learns that some old things have more soul than others.
9.5The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.
6.0In a professional school a girls and boys brigades are competing to finish the big order in time.
7.0A man babysits his girlfriends kid, and after a short while screams come from her room. Apparently she believes there's a monster under her bed.
8.0Balanced on the edge of what is visible, everything comes from nothingness and returns to nothingness. Strands of consciousness trying to convene with each other. Forms of personal significance in a time of crisis, set free into random motion through chance operations. Recurring details point towards a center.
3.7When Miranda makes bad decisions about her love life, a possessed tampon enters to take care of business.
2.7A young boy must prove his masculinity to his father while he pines for a young man in the homophobic Guyanese countryside.