The Seventh Cronicle

Teheran '43(ru)

This story starts in 1980 in Paris as the memories of Andrei Borodin, a Soviet agent, take the action back to 1943 during the Teheran meetings of Stalin, Roosevelt and Churchill. A high-ranking Nazi officer developed a plan to assassinate the three world leaders in order to undermine the Allied forces. He commissioned the German agent Max Richard to carry out his plan, but it failed miserably due to the quick action and thinking of Andrei. While in Teheran, Andrei met a French woman, Marie Louni, living in the city and they had a brief but intense affair. Nearly four decades later, the Nazi officer has been captured - but not for long. Freed by terrorists, the officer is hunting down the German agent who failed to carry out the planned assassinations. Max lives at Françoise, a young French woman, who hides him.

A Thousand(bs)

A young man by the name of Atif Kurtovic goes into a mine for the first time in his life to become a miner and to continue exactly where his now retired grandfather had left off. However, his fate is soon completely changed when he is picked as the face for the most valuable banknote in the country, the bill in the amount of one thousand dinars. Because of this, Atif soon finds himself on his way to Belgrade where Tito's personal photographer takes his picture and thus allows Atif to become a part of history. Into this story enters a young girl whose nickname, "Hiljadarka / A Thousand", is no accident and with whom Atif falls in love. When Tito announces his personal visit to Atif's hometown, there begins an adventure that they will all remember for the rest of their lives.

The Death of Stalin(en)

When dictator Joseph Stalin dies, his parasitic cronies square off in a frantic power struggle to become the next Soviet leader. As they bumble, brawl and back-stab their way to the top, the question remains — just who is running the government?

Stalin, the Red Tyrant(fr)

On March 9, 1953, Joseph Stalin was buried in Moscow in front of a million people. His funeral is that of a demi-God. Ultimate paradox for one of the greatest criminals in History who brought misfortune to his people while arousing collective admiration.

The Gift to Stalin(ru)

A Jewish child deported to Kazakhstan is saved and adopted by Kasym, an old Kazakh railway-man. Kasym gives him a Kazakh name, Sabyr, that in Kazakh language means humble. The child grows up in the small Kazakh village along with other deportees Vera, a traitor's wife, and Ezhik a Polish doctor. The Soviet militia harasses the poor peasants and Vera suffered the harassment of a bully cop: Bulgabi. Finally Vera accepts the marriage proposal of Ezhik but the jealous Bulgabi tries to prevent the marriage. The result is a fight in which Ezhik shoots himself accidentally. The old Kasym decides that Sabyr is now old enough to go to seek his real parents. At the end Sabyr, now an adult, decides to return to the village, but the village no longer exists because it was destroyed by a Soviet nuclear test.

Afterimage(pl)

In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he's eventually erased from the museums' walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.

Barbarossa: Hitler Turns East(hu)

Hitler's invasion of Russia was one of the landmark events of World War II. This documentary reveals the lead-up to the offensive, its impact on the war and the brinksmanship that resulted from the battle for Moscow. Rare footage from both German and Russian archives and detailed maps illustrate the conflict, while award-winning historian and author John Erickson provides insight into the pivotal maneuvers on the eastern front.

Children of the Revolution(en)

A man (Richard Roxburgh) the Australian government blames for 1990s political woes blames his mother (Judy Davis), a communist Stalin seduced in 1951.

Zhena Stalina(ru)

A historical drama about the tragic fate of Nadezhda Alliluyeva, a woman who remained in the shadow of her husband Joseph Stalin. In 1918, 16-year-old Nadezhda married 38-year-old Joseph Stalin, a close friend of the Alliluyev family. The love of Nadezhda and Joseph develops against the backdrop of important historical events - revolutions, wars, arrests, and every year Stalin seizes more and more power. Realizing the terrible essence of her beloved husband, Nadezhda still remains faithful to him. But how long can she withstand this struggle with herself?

Yugoslavia: How Ideology Moved Our Collective Body(sr)

A research-based essay film, but also a very personal perspective on the history of socialist Yugoslavia, its dramatic end, and its recent transformation into a few democratic nation states.

The Hitler–Stalin Pact(fr)

How could Hitler and Stalin, sworn ideological enemies, come to a secret pact in 1939? The captivating and detailed story of the diplomatic fiasco that led to the signing of the Nazi-Soviet pact and its devastating consequences.

Balkan Spy(sh)

Convinced that his subtenant is a spy and an enemy of the state, Ilija Čvorović falls into deep paranoia which leads to absurd and destructive chain of events.

Superfluous(sh)

Young farmer Mikajlo while on youth labour action falls in love with a student Nada and infatuated with her, he leaves the peasant brigade and Malena, a girl who as if she were overabundant, followed him to work the labour action. Mikajlo's courtship of Nada provokes laughter and ridicule, so ambitious 'Don Juan' returns to his brigade and the girl.

Noon(sh)

The lives of many people in one Serbian town are changed after Tito's breakup with Stalin.

Innocence Unprotected(sh)

A documentary about the famous athlete and movie enthusiast who made Serbia's first sound film, Innocence Unprotected. The Nazi occupation of Belgrade prevented the film from gaining wider acclaim. Director Makavejev intersperses clips of the original film with interviews of surviving cast and crew members, as well as newsreel and archival footage.

Monstrum(cs)

They Were Tito's Towns(sl)

Following the death of Josip Broz Tito (1892–1980), one city in each of the six republics and two autonomous regions of the Socialist Federal Republic of Yugoslavia had the honour to be named after the long-serving president. Having been chosen due to leftist ideas, proletarian character, industrialisation, urbanisation and modernity, they were often privileged. Now located across seven countries, not one of these cities is still named after Tito. We learn the stories of these cities from their residents who look back at the period under Tito’s name. Many of these stories are tragic since the majority of cities have been touched by war.

Stalin(en)

The life and career of the brutal Soviet dictator, Josef Stalin.

The Ruler(en)

Stalin’s statue in the garden of a nunnery provokes discussion – plenty of it – in a small Georgian village. Some of the locals used to know Stalin personally because he visited the village several times when he was young, and they continue to see him as a benign ruler from the good old days rather than the brutal dictator he was. Whenever an episode of purge shook the Soviet Union’s republics, they hid the statue in the woods. The church also plays an important role in people’s lives. All in all, the film reveals a fundamental conflict in Georgian society.

Men Don't Cry(bs)

The armed conflicts of the 1990s not only visibly destroyed the land of the former Yugoslavia, but also left the deepest wounds in the memory of each of its belligerent nations. There are as many different interpretations of that bleak past as there are countries affected. It is therefore hard to expect absolute harmony when, less than two decades since the war ended, a diverse group of veterans gathers at a remote mountain hotel for a therapy session over several days. On the contrary, such a dangerously volatile situation can suddenly ignite by just one thoughtless word, or a seemingly dirty look. That’s because the former soldiers, obstinately holding on to their fundamental masculinity and their prejudices, refusing to expose the inhumanity of the atrocities perpetrated. However, this quietness is just about to be broken and hidden emotions are to be faced.