Spring

H.P. Lovecraft - Ipotesi di un viaggio in Italia(it)

A documentary about the possible ties between H.P.LOVECRAFT and the Polesine region (Italy), stimulated by the casual discovery of a mysterious manuscript attributed to the great American horror writer died in 1937.

Manzanar(en)

Short film about the Manzanar Japanese American internment camp. Preserved by the Academy Film Archive in 2011.

Birders(en)

Bird watchers on both sides of the U.S.-Mexico border share their enthusiasm for protecting and preserving some of the world's most beautiful species.

Tertiary Sound(en)

ASMR: A feeling that disappears because it’s too subtle to notice, leaving a trace of a soft tingling sensation behind.

Early Years(en)

A portrait of Jamaican-born artistic polymath Barbara Samuels. Featuring an account of her first generation, diasporic experience in Southend and London, and her discovery of hippiedom and the personal freedoms offered by entry into creative life.

The Great American Mud Wrestle(en)

For one-night-only blood was spilled in the mud.

Hedda Hopper's Hollywood No. 2(en)

Hedda Hopper plays hostess at a party for her (grown) son William (DeWolfe Jr.). Hopper, attends the dedication of the Motion Picture Relief Fund's country home and goes to the Mocambo. There is also a sequence dedicated to the Milwaukee, Wisconsin world premiere of the first short in this series attended by more that a few film stars.

Have We Met Before?(en)

Short docudrama exploring the history of sex in the homosexual community from the 1970s to the present day, and how the internet has changed the way gay men meet forever.

Beyond Oil(fr)

Documentary on industrial lubrification.

In the Lost City(es)

The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.

Afrocentricity(en)

On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.

Twenty Years After(en)

This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.

We're in the Movies, Now!(en)

Promotion reel/souvenir of a 1939-40 meeting of the Paramount Studios sales people.

Alfonso Sánchez(es)

Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

You Don't Back Down(en)

In Nigeria, a young Canadian doctor serves in a local mission hospital and learns much from the experience. Stationed abroad under the Canadian University Service Overseas Plan, Dr. Alex McMahon and his schoolteacher wife find every day a fresh challenge. An interesting study of intercultural help.

Quest for the Ring(en)

Sarajevo Film Festival(en)

Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.

Foster Child(en)

Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.

Return to Crystal Lake: Making 'Friday the 13th'(en)

Because the World Never Stops(sv)

Shot live in the studio during the evening broadcast on Swedish public television, the film shows the news like you've never seen them before.