KCBT
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K'i Tah Amongst the Birch(en)
Filmmaker/activist Melaw Nakehk’o has spent the pandemic with her family at a remote land camp in the Northwest Territories, “getting wood, listening to the wind, staying warm and dry, and watching the sun move across the sky.” In documenting camp life—activities like making fish leather and scraping moose hide—she anchors the COVID experience in a specific time and place.
Thursday(en)
Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.
Undocumented in the Pandemic(en)
With The Marshall Project and the Pulitzer Center, a look at one immigrant mother’s struggle to keep her children safe and housed, with her husband detained by ICE in a facility where COVID is spreading. Also in this two-part hour, Love, Life & the Virus.
Nuxalk Radio(en)
A day in the life of 91.1, Nuxalk Radio, a radio station built to help keep the Nuxalk language alive while broadcasting the laws of the lands and waters.
Before Stonewall(en)
New York City's Stonewall Inn is regarded by many as the site of gay and lesbian liberation since it was at this bar that drag queens fought back against police June 27-28, 1969. This documentary uses extensive archival film, movie clips and personal recollections to construct an audiovisual history of the gay community before the Stonewall riots.
Whose Is This Song?(bg)
Adela Peeva explores the national origin of a song common amongst a set of countries, and finds that the answer is not as simple as one might think.
A Daughter’s Memory(id)
Indonesia, 1965: hundreds and even thousands of people are arrested without warrant. Some did come back, the others lost without trace. Svet, one of the survivors of the Indonesian dark history recounts the memory she had of her father, whom she believes to be responsible for the 1965 tragedy.
We Are Not Princesses(ar)
We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.
What Remains(es)
In 2013, self-defense groups originated in the state of Michoacán with the aim of eradicating cartels from their communities. But it was not until 2014, when in Nueva Italia, Michoacán, the self-defense groups looted and burned properties linked to drug trafficking, including the only existing cinema in the town. "Now what are we going to do if we don't have a cinema?" Asks one of the voices in the documentary.
The Seer and the Unseen(en)
A magic realist fable about invisible elves, financial collapse and the surprising power of belief, told through the story of an Icelandic woman - a real life Lorax who speaks on behalf of nature under threat.
¡Al fútbol!(es)
Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.
Howard Zinn: You Can't Be Neutral on a Moving Train(en)
You Can't Be Neutral documents the life and times of the historian, activist and author of the best selling classic "A People's History of the United States". Featuring rare archival materials, interviews with Howard Zinn as well as colleagues and friends including Noam Chomsky, Marian Wright Edelman, Daniel Ellsberg, Tom Hayden and Alice Walker.
The Revolution Will Not Be Televised(en)
Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.
Meat Joy(en)
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."