
French television program discussing Jean Renoir's 1932 film "Boudu Saved from Drowning".
1969-12-16
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5.7Actress Sally Field looks at the dramatic life and successful career of the superb actress Barbara Stanwyck (1907-90), a Hollywood legend.
5.0A thirty-three-minute documentary featuring interviews with director Pier Paolo Pasolini, actor-filmmaker Jean-Claude Biette, and Pasolini friend Ninetto Davoli.
7.6Overknee boots that triggered a fashion wave, a legendary shopping spree to the iconic theme song - the 1990 romantic comedy "Pretty Woman" by Garry Marshall starring Julia Roberts and Richard Gere is still the genre's biggest box office hit. The modern fairytale about a rich man who falls in love with a prostitute and rescues her made millions dream and made 22-year-old Julia Roberts famous overnight.
0.0Documentary about the making of Pier Paolo Pasolini's The Canterbury Tales (1972), and particularly focusing on the many edits and cut scenes that were made before the film's release.
Pianist Richard Glazier offers a unique view of Broadway and Hollywood music using fascinating interviews, piano performances and commentary in this broadcast special.
7.9A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
7.3TCM host Robert Osborne discusses his life and career with guest interviewer Alec Baldwin in commemoration of Osborne's 20 years with the network.
6.0Short behind the scenes making-of documentary about the filming of the sinking house palazzo and the Venetian piazza chase from the James Bond movie Casino Royale (2006).
A documentary about James Bond in the Bahamas.
0.0A documentary about Ian Fleming.
6.3In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.
Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.
5.5Documentary featuring interviews with several of legendary Spanish director Luis Buñuel’s close friends and collaborators.
6.7Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.
0.0Documentary about the making of the film Salò by Pier Paolo Pasolini
5.8How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.
6.8Martin Scorsese’s electrifying concert documentary captures The Rolling Stones live at New York’s Beacon Theatre during their A Bigger Bang tour. Filmed over two nights in 2006 with an all-star team of cinematographers, the film combines dynamic performances with archival footage and rare glimpses behind the scenes, offering a vibrant portrait of the band’s enduring energy and legacy.
6.8A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.