Stella

The Case of the Witch Who Wasn't(fr)

Two girl pen pals and a simple summer in the country. They befriend a woman rumored to be a witch, and end up as amateur detectives when her pet pig is stolen.

Insane Fight Club(en)

A group of friends have created a brand new subculture that is taking over the streets of Glasgow. They've established their very own fight club, but this is no ordinary wrestling event - this is brutal, riotous chaos. Fights don't always stay inside the ring, people are bounced off the side of buses and thrown off balconies in pubs. They now plan the biggest show of their lives. The stakes are high, will it bring them the fame and recognition they need to survive?

Return(en)

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

Leopard Fight Club(en)

Witness a remarkable coming-of-age story as we track a young leopard's journey from rookie to royalty in South Africa's lethal Big Five landscape. When we first meet Jack, he's clumsy, fearful, and weak, but he's a fast learner - and he'll need to be. He's destined for a showdown with the area's current leopard monarch, an alpha male with a real mean streak. We follow Jack as he hones his skills and builds up muscle for the ultimate catfight. It's a battle where only the winner will walk out alive.

Senhora Aparecida(pt)

In Aparecida, 50 Km from o’Porto, the atmosphere surrounding this years preparation of the yearly festivities is tense: the new priest aims to discouraje the "Promise payers" from doing it having themselves carried in open coffins through the village untill th chappel of the Appeared Lady. Superstition against Theological Argument, fidelity to the vows or reinterpretation… The conflict becomes unavoidable. It’s the local identity and its inhabitants identity that’s in stake. If this type of processions were common in the last century on the north of the Iberian Peninsula, this one, will probably be the last in Portugal. At the village of Senhora Aparecida the festivities of August are set. The main wooden bier that will carry the Saint may be 15 metres high. It is now being assembled and decorated. Those who escaped death now celebrate life. The Lady redistributes the power she's been given.

Fun(en)

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

Scooby-Doo: Agence toutou risques, vol. 2 : Le fantôme de la télé(fr)

Electric Blue 41(en)

Features nude fashion models, a nude Keisha exercising, centerfolds Sarah Young, Minnie Champ and Tammie, 95FFF Toppsy Curvy unveiling the twin assets that have made her a Superbra Superstar and the wraparound story "Lessons in Love" about an arrogant and self absorbed businessman being shown the err of his ways by a topless witch.

Animated American(en)

A toon hating executive has a hare raising experience when he meets an out of work toon rabbit.

Swan Lake(de)

Yolanda Sonnabend's Faberge'-inspired designs evoke a world of Imperial Russia in Anthony Dowell's acclaimed production for The Royal Ballet of 'Swan Lake', one of the world's best-loved ballets. Marianela Nunez as Odette/Odile and Thiago Soares as Prince Siegfried bring new vitality to a compelling story of tragic romance. Valeriy Ovsyanikov conducts the Orchestra of the Royal Opera House in Tchaikovsky's glorious romantic score.

Fantozzi Still Suffers(it)

After a hard day at work and a condominium-board meeting, accountant Ugo Fantozzi goes on a trip with his family. Unfortunately, he will face a nasty surprise upon his return.

Killer Tomatoes Eat France!(en)

After being busted out of jail by his tomatoes, Professor Mortimer Gangrene begins a new plot to take over the world by inserting his hapless lackey Igor into the throne of the King of France.

Lucia di Lammermoor(en)

Diana Damrau’s reputation as the world’s leading coloratura soprano has been built on her extraordinary technical virtuosity, her sensitive musicianship and her acute psychological insight. In this DVD of Katie Mitchell’s sometimes radical production of Lucia di Lammermoor from London’s Royal Opera House, she is, as the Financial Times wrote, “brilliantly convincing”. The British award winning director Katie Mitchell – took a revisionist approach to the drama, updating the action to the mid-19th century and applying a feminist slant as she added new and unexpected elements. The Financial Times wrote: “Mitchell shows us on stage personal traumas that a self-respecting woman in the early 19th century was meant to keep to herself. It is a messy, bloody list — nocturnal sex trysts, a knife murder, a miscarriage, a suicide in the bath … In all this Damrau is brilliantly convincing. Her rebellious Lucia is a woman of modern attitudes stuck in a still feudal Victorian world.”

Gently Down the Stream(en)

GENTLY DOWN THE STREAM is constructed from fourteen dreams taken from eight years' worth of my journals. The text is scratched directly on to the film so that you hear your own voice as you read. The accompanying images of women, water, animals and saints were chosen for their indirect but potent correspondence to the text.

Mazlíček(cs)

One Zip Too Far(nl)

In 'One Zip Too Far', Jon van Eerd portrays a campsite owner trying to keep his head above water in a world full of zippers, tow bars, and tent pegs. As if demanding guests and a snooty neighbor aren't bad enough, the campsite is also threatened with closure. In an attempt to keep the tent standing, our main character sinks deeper and deeper into a hilarious whirlpool of problems, fabrications, and misunderstandings. In this farce, Jon van Eerd is once again supported by a host of well-known personalities such as Pamela Tevens, known from 'Onderweg naar Morgen', and Lucie de Lange, who considered the farce the best reason to return to Dutch theaters.