Amir Mohammad
Calamity by four-year old might be another title for this tense, humorous drama. In the story, a four year old boy (Mohammed Aladpoush) is left at home with his baby brother while his mother goes out shopping. She has told him to give the baby his bottle while she is away. However, the boy has a different idea about what he should do, and consumes most of the bottle himself. The hungry baby's cries arouse the neighbors to try and get into the apartment, but it is locked, and the four-year old can't (or, more likely, won't) let them in. Despite a number of near-disasters, the enterprising young boy manages things just well enough (with the occasional help of shouted advice from frantic neighbors) so that serious calamities are avoided.
2000-01-20
5.8
When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.
A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.
When Camille falls ill, she is forced to live with Philibert and Franck.
Volcanologist Harry Dalton comes to the sleepy town of Dante's Peak to investigate the recent rumblings of the dormant volcano the burg is named for. Before long, his worst fears are realized when a massive eruption hits, and immediately, Harry, the mayor and the townspeople find themselves fighting for their lives amid a catastrophic nightmare.
Veteran Secret Service agent Frank Horrigan is a man haunted by his failure to save President Kennedy while serving protection detail in Dallas. Thirty years later, a man calling himself "Booth" threatens the life of the current President, forcing Horrigan to come back to protection detail to confront the ghosts from his past.
When Sarah lucks into a sweet one-bedroom at Asilo Del Mar Apartments in Los Angeles, she thinks she's hit the jackpot. It's got plenty of space, friendly tenants, group BBQs and even a cute neighbour next door. All is not what it seems: loud noises start keeping her awake at night; her cat is missing; everyone seems to be a little too helpful and friendly, except for the weirdo, Lester. Soon, Sarah learns she didn't choose this apartment — it chose her.
In the mid-1980s, the U.S. is poised on the brink of nuclear war. This shadow looms over the residents of a small town in Kansas as they continue their daily lives. Dr. Russell Oakes maintains his busy schedule at the hospital, Denise Dahlberg prepares for her upcoming wedding, and Stephen Klein is deep in his graduate studies. When the unthinkable happens and the bombs come down, the town's residents are thrust into the horrors of nuclear winter.
Residents of a shanty town are faced with its destruction. With the help of the local trickster, Paja "the Bighead" moves with his family to an empty flat in New Belgrade blocks. Everything goes fine until the real owner knocks at the door.
This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.
In the aftermath of a massive earthquake in California, a rescue-chopper pilot makes a dangerous journey across the state in order to rescue his estranged daughter.
An idle part-time college lecturer is annoyed by the yapping sound of a nearby dog. He decides to take drastic action.
After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.
This story concerns a hapless civil servant who gets more than he bargains for when he moves into an apartment in Limerick with a gay fashion student and becomes a star on the catwalk. A contemporary story embracing the essence of what it is to be young in today's Ireland.
Walter Lee Younger is a young man struggling with his station in life. Sharing a tiny apartment with his wife, son, sister and mother, he seems like an imprisoned man. Until, that is, the family gets an unexpected financial windfall.
A long-time married couple who've spent their lives together in the same New York apartment become overwhelmed by personal and real estate-related issues when they plan to move away.
Mathias Gold is a down-on-his-luck New Yorker who inherits a Parisian apartment from his estranged father. But when he arrives in France to sell the vast domicile, he's shocked to discover a live-in tenant who is not prepared to budge. His apartment is a viager—an ancient French real estate system with complex rules pertaining to its resale—and the feisty Englishwoman Mathilde Girard, who has lived in the apartment with her daughter Chloé for many years, can by contract collect monthly payments from Mathias until her death.
An aspiring Jewish actor moves out of his parents' Brooklyn apartment to seek his fortune in the bohemian life of Greenwich Village in 1953.
Two straight guys pretend to be a gay couple to secure a posh Miami apartment, but fall for their gorgeous roommate. Hilarity ensues as they strive to convince everyone of the ruse while secretly trying to win her heart.
Shahab and Leila invite a friend, whom they have met online, to their wedding party. There, the friend gets killed. Leila’s father, Farhang Salari, is a police officer and he starts investigating this issue. Only after one night, Shahab’s cousin, who was a member of their chatroom, gets killed as well. Seemingly, she wanted to give some information about the murderer to Leila before her death. The series of the homicides continues with short intervals, so that Farhang and other officers have difficulty pursuing it…
In a small valley, riders pursue and kill a man. A horse thief, so his assassins claim. But for his ten year old son Issa, the disappearance of his father causes an avalanche of problems. With the family name stigmatized, Issa is bullied by the other children in the village. While his mother fights to clear her husbands name, Issa is left to his own devices. But unexpectedly, his solitude gives birth to his freedom, his real passion, horses.
The Follies of M tells the story of the Provincial Parish of M, famed for it's quantity and variety of architectural follies and introduces the misshapen residents who indulged in suck reckless construction projects.
A regiment of soldiers demonstrate their skills.
In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory
Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)
Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.
In 1960, in Moscow, numerous cases of infection with purple pox were recorded. According to doctors, the virus came from eastern countries. In order not to create panic among the population, they tried to hide the fact of the epidemic. Doctors tried to cope with the disease, but the number of deaths increased, and information inexorably leaked into society ...
A businessman who wants to be rich loses out on family and social life. He marries a girl who loves him only because she would prove profitable to his business. He realizes what he lost after the death of his mother.
Mexico does not have the necessary social and governmental support for those who study arts, specifically music. With the help of two saxophonists we enter the life of musicians in Mexico, as well as discover the reason why they decided to study these careers, something that would seem a daring on their part, but perhaps it is what is needed in Mexico
Money talks. Teens in Los Angeles discuss money: getting it, spending it, and learning to live without it.
A love story of the 21st century. Hoping for change, Ema runs away from her family and leaves her husband. She hides at the apartment of her hairdresser, a gay guy Tony, even though she barely knows him. At the beginning they are merely two strangers, connected by their mutual effort of escaping from their families. They get closer and help each other to overcome the internal, as well as external, obstacles of their lives. Their liberating friendship almost becomes a love affair, despite the fact it cannot be fulfilled. This liberation creates an intense bond between them: a new escape, a new quest. This is a love story of two people and their attempts to escape the trap of their own desires of belonging to somebody.