
Where we come from shapes who we are, and how others see us. Home gives us a sense of belonging and stability. It’s so much more than just a physical structure. It’s our safety, our refuge, our launch pad. Yet, so many people in the U.S. face housing instability and homelessness. A shocking 76% of Americans live paycheck-to-paycheck. They are just one accident or injury away from losing everything. Losing a place to call their own. Our Journey Home explores how home shapes us and challenges our perceptions about people in need of public housing. The film examines the role we all play in supporting those who struggle in having a stable place from where they can grow and dream.
2015-10-06
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You can't dream when you're struggling to survive.
0.0Homelessness in the United States takes many forms. For Elizabeth Herrera, David Lima and their four children, housing instability has meant moving between unsafe apartments, motels, relatives’ couches, shelters, the streets and their car. After 15 years of this uncertainty, the family moved into their first stable housing — an apartment in the San Francisco Bay Area — in the midst of the coronavirus pandemic.
7.2A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
0.0A short documentary following the last 5 hours of a 59-years-old man, Ahmed before becoming homeless due to the late payments and bureaucracy by the Department for Work and Pensions.
0.0Mariem, 53, a former estate agent, has been living at a shelter for several months. Surrounded by women in far more precarious circumstances than herself, she tries to regard her unprecedented social downfall as an immersion in real life. By the time she leaves, Mariem’s view of the world will have changed forever, enriched by all the women she has met along the way.
7.349 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.
Three homeless teenagers brave Chicago winters, the pressures of high school, and life alone on the streets to build a brighter future.
10.0Located in Carcavelos, Quinta Nova de Santo António, or Quinta dos Ingleses, as it is recognized by the population, shelters a small community of people affected by the housing crisis. Natives and immigrants, deprived of a roof over their heads, carry on with their lives in search of better opportunities and a breeze of change. Guided by residents' voices, this documentary is based on the adaptability of human beings in the face of life's adversities and their constant pursue of happiness.
7.6Chronicles the modern-day David and Goliath tale amidst North America's housing crisis. During the pandemic, Khaleel Seivwright, a young Toronto carpenter, builds life-saving shelters for unhoused people facing the winter outside. His actions attracted international acclaim but also staunch opposition from the city government, portraying a compelling narrative set against the backdrop of societal challenges and governmental resistance.
5.1SFRJ is officially a place where everyone have a job and a house. The story follows hard labored workers who can't find a job, who bathe in public bathrooms and sleep in homeless centers.
5.1Director invites six homeless men to his flat for a few days (surprising his wife). He asks officials and people on the street if someone can help them, this being SFRJ, a state officially without those left on their own.
0.0In the spring of 2018, the filmmaker Maria Petschnig befriended Marc who at that time was living in his car in Brooklyn for more than a year, while also holding a day job. Petschnig started to record his life and struggle, his thoughts, routines, etc. over the course of two years.
0.0Residents of a Melbourne social housing community strive to reclaim their own hope and identity in the face of recent deaths and a larger societal question – can we meaningfully coexist?
6.0Johnny and Goyko were once homeless and are trying to tell their story in a film. It's not an easy road to rediscover the legitimacy of sharing your story. Together, we question the special bonds that documentary filmmaking creates.
10.0There is a sterile megapolis outside. Chaos of pain and despair reigns there. People have lost their ability to be people and death is waiting for them everyday and everywhere. On contrary, "inside" is the place where they receive doctors' help. While saving the wretched, the doctors save all of us too.
7.5This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.
8.3Djibi and Ange, two teenagers living on the streets, arrive at the Archipel, an emergency shelter in the heart of Paris. This documentary is a look at the Archipel, a shelter offering an innovative way to welcome families living on the streets.
0.0The film is set on the streets of Groningen and highlights the intimate and invisible parts of Joram, his work and his studio: the street. Both the residents and visitors of the street are captured by Joram's raw, confrontational and intimate portraits. In the film, Joram and the many people he portrays talk about Joram, his work and life.
The UN estimates street children worldwide at 150 million. In Latin America, they are 40 million. In Brazil, street boys and girls felt so enchanted by a camera that they took it as their own to express themselves and fight the silence.
6.9In the picture-postcard community of North Vancouver, filmmaker Murray Siple follows men who have turned bottle-picking, their primary source of income, into the extreme sport of shopping cart racing. Enduring hardships from everyday life on the streets of Vancouver, this sub-culture depicts street life as much more than stereotypes portrayed in mainstream media. The films takes a deep look into the lives of the men who race carts, the adversity they face, and the appeal of cart racing despite the risk.
6.5Each night in Silicon Valley, the Line 22 transforms from a public city bus into an unofficial shelter for the homeless in one of the richest parts of the world.