The Uprising

Sarfo(es)

The life of a racehorse, days before an important racing competition at the Hippodrome of Buenos Aires

Maria Bethânia: Música é Perfume(pt)

Brazilian singer Maria Bethania has a 40-year singing career. A documentary shows her concerts and famous family.

We Feed the World(de)

A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.

Sepultura Endurance(pt)

The long awaited documentary about Sepultura's incredible journey from Brazil to the world.

A Farra do Circo(pt)

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

O Rap Pelo Rap(en)

To do this documentary, the director Pedro Henrique Fávero featured 42 characters - among MCs, DJs and producers - to make a detailed map of its kind in the country. Without mincing words, they speak openly here about 8 topics proposed by the film and try to understand Hip Hop in Brazil. The result is a collection of stories from a lot of fighting, where there are many eternal start-end-start, overcoming the difficulties of being understood and feeling of belonging to a group and many clichés.

Você Também Pode Dar um Presunto Legal(pt)

Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.

Desarmados(pt)

Match 64: The Maracanã(en)

A documentary following the day life of fans in Brazil on July 13, 2014: the day when Germany and Argentina met up in the finals of FIFA World Cup.

Stunned, I Remain Alert(pt)

Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.

Nada a ver(fr)

Flow: For Love of Water(en)

From both local and global perspectives, this documentary examines the harsh realities behind the mounting water crisis. Learn how politics, pollution and human rights are intertwined in this important issue that affects every being on Earth. With water drying up around the world and the future of human lives at stake, the film urges a call to arms before more of our most precious natural resource evaporates.

We are fucked(nl)

In the Netherlands, 200,000 young people are concerned about the end of the world and the major climate disasters they may experience. They learn from Greta Thunberg that the world will end if we continue like this. Climate depression and eco-anxiety have recently become official diagnoses. Robin (26 die/them), Melih (16 he/him) and Armando (21 he/him) turn their concerns into action. How far will they go and how lonely is their struggle? Documentary about the biggest problem of our time and the pressure this puts on a growing generation.

Into the Amazon(en)

A documentary re-telling of the remarkable and dangerous journey taken by President Theodore Roosevelt and legendary Brazilian explorer Cândido Rondon into the heart of the South American rainforest to chart an unexplored tributary of the Amazon.

How to Die in Cinema(pt)

Memories of a parrot who participated in the filming of the classic Vidas Secas, in 1962, where it was featured along the puppy Baleia.

The Trial(pt)

The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.

Our Indians(pt)

Yndio do Brasil is a collage of hundreds of Brazilian films and films from other countries - features, newsreels and documentaries - that show how the film industry has seen and heard Brazilian indigenous peoples since they were filmed in 1912 for the first time: idealised and prejudiced, religious and militaristic, cruel and magic.

Que Esse Grito Não Seja em Vão!(pt)

Plano B(pt)

Benzeduras(pt)