Ouaga, the Capital of Cinema

Stallone, profession héros(fr)

The Hunters(en)

An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.

Divine Carcass(fr)

This film follows the fortunes of an old Peugeot off loaded in Cotonou, Benin. As it changes hands we get a glimpse into the lives of its successive owners.

Bokassa Ier, empereur de Françafrique(fr)

Secret of the Ninth(ar)

Documentary about the Egyptian club Al-Ahly achieving the title of the African Champions League for the ninth time (2020) after failing to achieve the title since 2013, and the film revolves in several chapters between failure and fear until we reach the title.

Never Be Boring: Billy Wilder(de)

A funny walk through the life story of Billy Wilder (1906-2002), a cinematic genius; a portrait of a filmmaker who never was a boring man, a superb mind who had ten commandments, of which the first nine were: “Thou shalt not bore.”

Speaking of Buñuel(es)

Surrealist master Luis Buñuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre.

The Screen Director(en)

A documentary short film depicting the work of the motion picture director. An anonymous director is shown preparing the various aspects of a film for production, meeting with the writer and producer, approving wardrobe and set design, rehearsing scenes with the actors and camera crew, shooting the scenes, watching dailies, working with the editor and composer, and attending the first preview. Then a number of real directors are shown in archive footage (as well as a predominance of staged 'archive' footage) working with actors and crew.

Walter Mittelholzer - Eine Schweizer Pioniergeschichte(de)

The Wind(ar)

The tragedy of the Syrian people: War, conflict, loss, migration, exile, asylum, detention, drowning… A deserted place. Abandoned people. Abandoned country. The doors slammed shot; the doors are now locked - the keys thrown away...for what seems forever.

Looking for Mr. Dice(lv)

In 2004, a successful banker known as "Mr. Dice" mysteriously disappeared off the face off the earth, along with millions of dollars from investors and friends alike. Desperate to find answers, his best friend Kaspars Roga embarks upon a journey, ultimately leading into the heart of Africa where Mr Dice has reinvented himself… this time as the owner of the diamond mine, begging the question - were they ever really friends? Or was he a pawn in Dice's greater scheme?

Islands of Forgotten Cinemas(hr)

A poetic documentary about the lost film culture in the small villages on the Croatian islands during the SFR of Yugoslavia.

A Luta Continua (The Struggle Continues)(en)

A Luta Continua explains the military struggle of the Liberation Front of Mozambique (FRELIMO) against the Portuguese. Produced and narrated by American activists Robert Van Lierop, it details the relationship of the liberation to the wider regional and continental demands for self-determination against minority rule. It notes the complicit roles of foreign governments and companies in supporting Portugal against the African nationalists. Footage from the front lines of the struggle helps contextualize FRELIMO's African socialist ideology, specifically the role of the military in building the new nation, a commitment to education, demands for sexual equality, the introduction of medical aid into the countryside, and the role of culture in creating a single national identity.

Symbiopsychotaxiplasm: Take One(en)

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

Capturar (Las 1001 novias)(es)

A Story from Africa(en)

Following the 1884–85 Berlin Conference resolution on the partition of Africa, the Portuguese army uses a talented ensign to register the effective occupation of the territory belonging to the Cuamato people, conquered in 1907, in the south of Angola. A STORY FROM AFRICA enlivens a rarely seen photographic archive through the tragic tale of Calipalula, the Cuamato nobleman essential to the unfolding of events in this Portuguese pacification campaign.

Johnny Clegg, le Zoulou blanc(fr)

Ôrí(pt)

A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.

Likhaya(en)

A look at the rampant HIV epidemic rate in Swaziland.

In the Shadow of Hollywood: Race Movies and the Birth of Black Cinema(en)

This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.