Captain Jamison
Michael
An upper class melodrama.
1920-09-07
0
The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
Lisza Tapenko (Bara) is governess in the household of Prince Arbasoff (Charles Clary). After the death of his wife, Lisza and he become involved, but because of the difference in social station he refuses to marry her. Lisza's former lover, Vassya (Richard Ordynski), convinces her to join the revolution and she goes off to the group headquarters in Switzerland. But the prince's little boy begs to have Lisza come back, so he goes after her and marries her.
A wealthy young fellow during vacation becomes infatuated with a poor country girl.
Bertha Sloan loses her job as a sewing-machine girl and subsequently is employed as telephone girl with a lingerie manufacturing company. She soon falls in love with the assistant shipping clerk, Roy Davis, and is promoted to chief model for the firm, owing to the patronage of Morton, the wealthy and wicked manager. Bertha is about to take a position in Paris as designer when Morton lures her to his home.
To help his dying father, assistant bank cashier Arthur Mansfield enters a fake sum in the bank's account book, but before carrying out the pilferage, he confesses to cashier Slayton, his superior. Slayton, who needs money to pay for his unsuccessful speculations, goes at night to take the money that Mansfield planned to embezzle, so that Mansfield will take the blame.
Bessie Barriscale and Nigel Barrie play Ellen and Gibbs Josselyn, a young married couple who have spent several years in Europe while Gibbs, an artist, developed his talent. When they return to the States, they stay with Gibbs' father (Tom Guise) and stepmother (Kathleen Kirkham). Gibbs had never cared much for his stepmother, Lillian, but now he warms up to her -- a lot. Lillian is much younger than her husband and begins spending a suspicious amount of time with her stepson.
Marion Clark, a manicurist, is unimpressed by the wealthy but dissipated men who frequent her shop, preferring city editor Dick Strong, who lives in her boardinghouse. Dick's sister Gladys, however, is intrigued by the wilder side of life in New York and allows one of the boarders to take her to a lively party.
Japanese poet Akira living in Tokyo, loves American Ruth Vale, who was placed in the care of Akira's father when her missionary parents died. Ruth returns Akira's affections until she meets Edward, but the American proves an unfaithful husband. Three years later, Ruth is gravely ill while Edward amuses himself with his new lover, Adrienne Chester, but Akira comforts the dying woman with the promise that he will protect her little daughter Blossom.
Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.
Marianna Miller, who together with her sister Sarah pounds the pavements, looking for a job. After a period of starvation and deprivation Marianna is hired as secretary to duplicitous businessman Philip Hancock.
A respectable Paris jeweller becomes engaged to a celebrated performer of the Montmartre cafes.
The plot is the embodiment of everyday belief about the impact of a certain evil force on a person. The action develops in a peasant environment.
The story of two feuding Irish immigrant families living in a tenement.