Not to be confused with the 1929 film The Overland Telegraph, this Western from director Lesley Selander stars Tim Holt as a cowboy appropriately named Tim Holt. In order to hinder the construction of a new telegraph line for his own financial gain, scheming shopkeeper Paul Manning (George Nader) enlists the assistance of a gang of outlaws led by Brad Roberts (Hugh Beaumont in one of his many pre-Leave it to Beaver roles). Unfortunately for the bad guys, Holt and his cohort Chito Rafferty (Richard Martin) sense that there's foul play afoot and embark on an investigation.
The arrival of the telegraph put Pony Express riders like John Blair and his pal Smoky out of work. A race will decide whether they or stageline owner Drake get the government mail contract.
Billy Carson and Fuzzy Jones have just collected a reward and Fuzzy indulges in a dream of getting away from the hectic life he has been leading and wants to settle down. They arrive in Red Rock just as the newspaper is being sold at foreclosure and, despite the attempts by Lafe Barlow to intimidate him from bidding. Fuzzy finds himself the owner of a newspaper. Fuzzy meets Edith Martin, daughter of the former owner, and unthinkingly commits himself to carrying on her father's policy of bringing a telegraph line to Red Rock. For reason of his own, Barlow is against this and has his henchmen wage a campaign of terror against the ranchers and citizens. Before long, Billy who had been lazily indifferent to everything connected to Fuzzy and his newspaper, decides to take a hand on the side of the good guys.
Though Don "Red" Barry is the star of Jesse James, Jr., he plays a character named Johnny Barrett. The scene is a small western town, lacking telegraph service. Every time the locals try to set up communications with the Outside World, they are thwarted by an outlaw gang.
To increase profits for his shipping company, Lynch has goaded the Indians to attack both the telegraph line and the new railroad. When Lynch sells rifles to the Indians, Rod Farrell captures Lynch and his gang. But Lynch's Indian friends free him and this time Farrell finds himself the prisoner.
It is now an accepted fact that the best of Johnny Mack Brown's Universal westerns were directed by the talented Joseph H. Lewis. Boss of Hangtown Mesa may not be in the same league as the Brown-Lewis classic Arizona Cyclone, but it comes awfully close. This time around, hero Steve Collins (Brown) comes to the aid of Betty Wilkins (Helen Deverell), who has taken over the telegraph-line business established by her uncle John (Henry Hall). The latter was murdered by outlaws who don't cotton to having the territory linked up electronically with the rest of the world.
Johnny Mack Brown is sent to the badlands to round up an elusive outlaw gang.
A telegraph postal union worker has no luck when asks a pretty co-worker to marry him. She says he'd have to be a magician to get her to say yes. Things are complicated when, as a favor to a stuttering acquaintance, he takes his overweight girlfriend to the movies to propose to her by proxy. Unfortunately the pretty co-worker spots him with her in the theater, so he begins to learn magic tricks.
Buckley is an unethical reporter who manipulates the news for his own benefit as much as he reports it. When he is in Paris to get a medal for being rescued from his alleged kidnappers, he finds that his boss, Stevens, at the Chicago Globe is going with his old gal Dolly. When Stevens learns that Dolly is staying with Buckley in Moscow, he fires Buckley. To get his job back, Buckley and Lefty stage a great news story about the shooting of the last Romanoff, but the plan backfires and they are now in line to be shot by the Commissar.
In 1877, in a watch factory in a valley in north-western Switzerland, Josephine produces balance spindles, tiny parts that ensure the agitation movement ("unrueh") of the mechanical watches. She soon grows uneasy with the organisation of work and possession in the village and its factory and joins the anarchist worker movement of the local watchmakers. There she meets Piotr Kropotkin, a moony Russian traveller. The two of them meet at a time when new technologies such as time measurement, photography and the telegraph are transforming the social order and anarchist discourse is addressing emerging nationalism. During a walk in the woods, Josephine and Piotr ask themselves whether time, money and the government are not all but fictions.
Twenty-two years earlier Kirk Dean murdered his brother Fred Dean Sr. Now Fred Dean Jr. is looking for his father's killer. Unknown to Fred, Bill Barton who now works for Kirk, witnessed the murder.
Western remake of Jack London's The Sea Wolf. A sadistic mining camp owner "hires" scoundrels to work the mine. He just won't let them quit.
In a stagecoach stop far away in the Wild West the unexpected arrival of a man called "Colonel" will change all of the passengers' peaceful lives. He begins a macabre game, solely asking for one thing - to abide by his law and wait. But the night is long and the vultures perceive the smell of death that the stagecoach stop emits.
Set in rural South of Spain in the 19th century, tells the story of group of outlaws, from very different origins, trying to survive, hiding from the law enforcement officers in caves in a hilly area, and their struggle against the evil mining company that exploits the poor people of their home village.
Early Spanish western. Ramon Torrado’s westerns remain among the most obscure ones. Of his four westerns, all shot around 1964.
A Western set in the US around the turn of the century. Atkins leaves the city to return to the valley where he formerly lived. There he meets Native Americans who learn to trust him. They ask Atkins to buy weapons for them. On his journey Atkins meets Morris, whose interest in mineral resources puts Atkins loyalty to the Native Americans to the test.
Sergeant Carlos Olivarez (Buck Jones) becomes entangled in the machinations of an oil baron, havoc-wreaking bandits, and the femme fatale who ruined his brother.
Everybody at the ranch adjacent to Juan C.'s has a reason to hate him, because he's a bad bad man.
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.