Himself
Himself
Himself
Himself
Himself
2009-10-29
0
It shows the most important moments in the life of Agustin "El Tin" Delgado, maximum scorer of the Ecuadorian soccer team. Through testimonies of his relatives, friends and enemies, Red Card shows the story of this exceptional sportsman and the reality of how the Ecuadorians have penalized the African descents with a “red card”, not only within the stadiums, but in everyday life.
FRANKREICH WIR KOMMEN is a highly enjoyable documentary, obviously intended for TV, but showing at film festivals. It shows us the highlights of the 1998 World Cup Championships in France through the eyes of several interesting and diverse fans of the Austrian national team. Entertaining, even for those not interested in football.
A look back at the 1000 days of the John F. Kennedy presidency.
The story of four pioneering lesbian politicians and the battles they fought to pass a wide range of anti-discrimination laws.
Turkish film industry has been experiencing a breakthrough in the last ten years. According to 2015 figures, there is a bold uptrend in terms of viewers and film production. Yet without any regulations at work, this growth only made injustices in distribution bigger. While a single cinema chain controls more then 50% of the market, it also started to control distribution and production. In this monopolized environment, there seems to be no country for independent production. With the guidance of producers, distributors, and economists, the film traces the distortion created by the bad economy that has become an obstacle for freedom of choice.
A 32-year-old PhD candidate Onur finds himself in a dilemma whereby he needs to make a decision between doing paid military service and serving the army for 6 months. Throughout this decision making process Onur not only questions the ethical and political aspects of the choice he will make, but also the compulsory military system in his country. He has only 2 months to decide. Will he go or pay?
Stony Paths is the story of a walk across Anatolia. Arnaud Khayadjanian starts a trek in Turkey, on the land of his forefathers who survived the Armenian Genocide. Starting from a painting, from encounters and from accounts by his relatives, he goes on exploring the little known issue of the Righteous, all these anonymous people who saved lives in 1915.
Seven-year-old Polina and her 13-year-old sister Nastia live and breathe ballet. Both of them are studying at the Boris Eifman Dance Academy in frigid Saint Petersburg. They’re currently awaiting their grades to find out if they’ve done well enough to be promoted to the next year, with Nastia lovingly guiding he little sister through the process. But in the meantime, Nastia also has to deal with the high demands that the academy places on its students. The gorgeously styled shots are sometimes calm, even clinical, and sometimes warm, lively and funny.
In Finland, a small child is waiting for his time to begin. His heart is broken. A major heart surgery is expected. There is a fight against time. The boys parents are wandering in the corridors of the hospital. The heart is stopped during the surgery operation. Le Locle, a village in Switzerland acts as the heart of watch industry. Narrow streets of the village carry vital parts to watches and nowdays also into human bodies, for example pacemakers. Village is formed as a big factory line and appears as a time-twisting machine. There pieces are refined and workers hands turns the time on and off.
In Buenos Aires a group of acclaimed dancers create the first Contemporary National Company of Dance under their collective leadership. This is the story of four talented dancers, Ernesto, Bettina, Victoria and Pablo, along six years of their journey. We follow their lives, we attend their rehearsals and performances in the emblematic building of the National Library, along with their premiere and backstage in the historical National Theatre of Cervantes. They expose their dreams as dancers, individuals and members of our society, as we observe the fulfilment of their biggest dream: the demand of a National Dance Law. Amazing choreographies, beautiful folklore songs and original Latin-American contemporary music reveal the beauty of dance becoming life.
BALL is an investigative and humorous film about the supporting roles of football. What happens when you turn the camera beyond the pitch? We get caught up in rituals among judges and linemen, follow the zealous accuracy of the material and that of the photographers looking for the perfect image. We study the audience up close, big and small emotions build a mood at least as exciting as what happens on the pitch. On site in a football arena, we get to follow a match from different points of view but we never see the ball. A consideration of everything that happens around at a football game.
The Perechú family is afraid that the ancestral costume of their ancestors will disappear, but they see soccer as an opportunity to keep their culture and legacy alive.
In 1975 Dynamo Kiev became the first Soviet team to win a major European trophy. The team’s rapid rise was remarkable and attributed to one man: Valeri Vasilievich Lobanovskyi. His technique as a manager is now the stuff of folklore - not least for his imposing a fitness regime so brutal that his players looked upon the matches themselves as relaxing.
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.
While California is going bankrupt, one business is booming. "How Weed Won the West" is the story of the growing medical cannabis / marijuana industry in the greater Los Angeles area, with over 700 dispensaries doling out the buds. As a treatment for a wide range of conditions, cannabis is quickly proving itself as a healthier natural alternative to many prescription drugs.
Tenor saxophone master Sonny Rollins has long been hailed as one of the most important artists in jazz history, and still, today, he is viewed as the greatest living jazz improviser. In 1986, filmmaker Robert Mugge produced Saxophone Colossus, a feature-length portrait of Rollins, named after one of his most celebrated albums.
With cunning and courage the japanese warlord Tokugawa Ieyasu managed to unify Japan after 150 years of civil war.
The retirement movie for adult film actress Ai Uehara, directed by Katsuyuki Hirano. A big fan of Ai Uehara have to go on a 100-kilometer marathon to have sex with her.
Narrated by Welsh actor and football-fan, Michael Sheen, 'Written in the Stars' is the official film of the first FIFA World Cup to be held in the Arab World. The tournament was historic, unique and dramatic, culminating in one of the most unforgettable Finals in the history of sport. Argentina won their third trophy and Lionel Messi was crowned as the greatest player in history.
A creative documentary about becoming a parent... and how to reconceive yourself. Fiction director Josh Appignanesi turns the camera on himself and his wife as they undergo the ordeal of becoming parents in the era of man-children and assisted reproduction. Faced with fatherhood, Josh spirals comically into an envious career funk. But life-threatening complications emerge- the couple are tested to the brink, confronting shattering losses. It's a portrait of our generation going through a revolution in reproduction- forced to find new ways to think about ourselves as creative beings. We hear from Slavoj Žižek, John Berger, Darian Leader (20,000 Days) and Zadie Smith. Universal yet still taboo, it's a film for everyone who has children, wants them, or still feels like a child themselves.