Kamlabai
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Jai Bhim Comrade(hi)
Dalits, in the Indian caste system, belong to the lowest social sphere and are therefore subject to regular discrimination and violation of their basic human rights. Also referred as “untouchables,” this group was vindicated by B. R. Ambedkar, a Dalit who earned doctorate degrees abroad and fought for the emancipation of his people. In 1997 a statue honoring him was desecrated, unleashing the rage of the Dalit community, but instead of getting support by the authorities, ten persons were murdered. This documentary took 14 years to be made and it captures the music and poetry of this people, showing a tradition against superstition and religious bigotry that has strived since the times of Buddha.
Machines(hi)
This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
The Inner Eye(hi)
At the age of 54, Binode Bihari Mukherjee, an accomplished painter, lost his sight following an unsuccessful cataract operation. He continued to create art despite his loss of sight. The documentary explores Binode Bihari’s inner eye that guides his fingers to create art.
Forms and Designs(hi)
A short film that sets up an opposition between functional forms of industrial age and decorative ones from Indian tradition.
Mati Manas(hi)
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
Chaar Phool Hain Aur Duniya Hai(hi)
A meandering brook of moments from two afternoons spent with Vinod Kumar Shukla, his wife and son at their home in Raipur, saunters between the mingling geographies of past, present and future, drifting in and out of pauses – to ponder, to reflect, to reminisce, and to share.
Waves of Revolution(hi)
Film made during the repressive days of the Emergency in India documents the 1974-75 uprising of the people of Bihar in Eastern India.
Krishnanattam(hi)
Krishnattam or Krishnanattam (Play of Krishna) is a temple ritualistic art performed at Guruvayur Temple (Guruvayur 680101, Trishshur District, Kerala) by a troupe owned by Guruvayur Devasvam. The performance of Krishnattam is based on Krishnagiti, a poetic text in Sanskrit containing verses and stanzas, written by the Zamorin King Manavedan in 1654. The story of Krishna, described in Bhagavata, Mahabharata and Harivamsha is presented in Krishnattam as songs, dance and acting in a sequence of eight plays (Avataram, Kaliyamardanam, Rasakrida, Kamsavadham, Svayamvaram, Banayuddham, Vividavadham and Svayamvaram) in eight days.
Pride of India: Shama Zaidi(hi)
The film starts with the earliest form of cinema and how Shama Zaidi became an integral part of the evolution of Indian Cinema.
Dastaan-E-Rafi(hi)
The biography of one of the greatest playback singers of Hindi cinema, Mohammed Rafi is a trip down memory lane. Fans of Rafi will love Dastaan E Rafi, a biography of celebrated singer Mohammed Rafi that showcases the celebrated singer’s extraordinary journey. The award-winning film by Shemaroo traces his life from his birth in Amritsar, to his struggle in Bombay before he got his break and his rise to stardom.
Nayanthara: Beyond the Fairy Tale(en)
Celebrated actor Nayanthara looks back on her journey towards love and superstardom amidst personal struggles and triumphs in this intimate documentary.
Zero Se Restart(hi)
Offers an exclusive behind-the-scenes look at the making of the critically acclaimed film 12th Fail. Featuring Vikrant Massey and visionary director Vidhu Vinod Chopra, the documentary reveals the untold challenges, meticulous efforts, and sheer determination that shaped the movie's success. From Massey's commitment to authenticity-aging his costumes himself-to Chopra's relentless pursuit of excellence, Zero Se Restart captures the resilience and teamwork essential to creating cinematic magic.
India Cabaret(hi)
An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.
WOMB: Women of My Billion(hi)
A young woman, Srishti Bakshi embarks on a monumental journey, walking almost 4000km over 240 days, from Kanyakumari in the south, to Kashmir, in the North, along the way meeting and learning first hand about the experiences of many women from all corners of India. WOMB is a poignant and heart warming documentary exploring the social and political issues faced by women of today’s India. It is a unique testament to seemingly insurmountable challenges in these unprecedented times and the everyday sheroes who are battling to overcome.
Brand Bollywood Downunder(en)
When most people think about Australia, they picture massive sandy beaches, singlet-clad locals drinking beer, and kangaroos bounding through the dusty red outback. Saris, musical numbers, and masala are the furthest from anyone's mind - unless of course, you're one of the millions of Bollywood fans from around the world.
BOMgAY(hi)
Based on the poetry of R. Raj Rao, Bomgay is a collection of six vignettes that depict the underground and complex nature of the gay identity in urban India. Part Genet, part Bollywood, this film combines acidic verse and insightful imagery to reveal the emerging gay community in the post-liberalized India of the 1990s.
While We Watched(hi)
A turbulent newsroom drama that intimately chronicles the working days of broadcast journalist Ravish Kumar as he navigates a spiraling world of truth and disinformation.
To Be Continued(hi)
An ascetic walks through the narrow streets of a village every morning while his family is still asleep. In his semi-somnolent state he dreams about the history of the village mixing up myths, folklore and facts.
In the Name of God(hi)
The film explores the campaign waged by the Hindu right-wing organisation Vishva Hindu Parishad to build a Ram temple at the site of the Babri Masjid in Ayodhya, as well as the communal violence that it triggered. A couple of months after Ram ke Naam was released, VHP activists demolished the Babri Masjid in 1992, provoking further violence.
Father, Son and Holy War(hi)
Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.
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