#7
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Overview
Essentially a slow evolution from black to white, this film is an articulation of the old idea of Aristotle's that colours arise from the clash between light and dark. The colours of #7 are based on the opposition of pigment and light, and are all produced by stamping paint directly onto the negative.
Release Date
1996-01-01
Average
6
Rating:
3.0 startsTagline
Genres
Languages:
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