The Wolfman
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Yugo(es)
A and N, a couple of peasants create an informal metallurgy workshop in the outskirts of Bogotá in the hope of a better life. The social, environmental and organic consequences they must endure in order to adapt to the industrial capitalism that storms Latin America affects dramatically their relationship and their history.
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When Rock stumbles upon the magical Paper, it's love at first sight. But when the wrath of Scissors threatens the well-being of Paper, Rock must stop at nothing to save what he loves most, no matter the cost. “Broken: Rock, Paper, Scissors” is a student animated short film, produced at Ringling College of Art & Design.
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A scientist makes a reckless decision to carry on with an illegal surrogacy experiment, using her own body.
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While investigating the murder of a friend, a drag artist and an activist find themselves caught in an old war between those who feed on the blood of the fearful and those who feed on the blood of the hateful.
There Is Nothing to Be Scared of(ru)
A group of six young Russian boys at a summer camp tell each other scary stories while waiting to fall asleep one night.
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Once upon a time there was a house that did not bother anyone, but there were always residents to complain.
The intruder(es)
A couple descends through a forest in the surroundings of Valparaíso. Suddenly, old ghosts begin to appear between them: the trees and the water begin to sing provoking the emergence of a dreadful element.
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After having contemplated the final scene and the credits of the movie “Your light disappears”, a man, absolutely moved, feels how his emotions materialize in his face.
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The Palestinian Film Archive contained over 100 films showing the daily life and struggle of the Palestinian people. It was lost in the Israeli siege of Beirut in 1982. Here interviewees describe from memory key moments from the history of Palestinian cinema. These scenes are drawn and animated. Where film survives, the artist’s impressions are corroborated. This is a film about reconstruction and the idea that cinema is an expression of cultural identity – that cinema fuels memory.
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