Marginal

Sylvia Kristel – Paris(en)

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

Cairo Drive(ar)

A documentary that explores the life of one of the world's most populated cities from its streets. Shot in 2009-2012 (before and during the Egyptian revolution, and ending with the most recent presidential elections), the film explores the country's collective identity, inherent struggles, and the sentiments that lead through the historic changes taking place in Egypt today. For his third documentary, Egyptian/ American filmmaker Sherief Elkatsha rides through the congested streets alongside a diverse cast of characters-from taxi drivers to ambulances, from traffic cops to private citizens-capturing the unspoken codes of conduct, frustrations, humor, fatalism, and life-or-death decisions of driving in a city where the only rule is: there are no rules.

New York Portrait, Chapter I(en)

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.

New York Portrait, Chapter II(en)

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.

New York Portrait, Chapter III(en)

"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)

Traffic with the Devil(en)

This "Theater of Life" series short looks at traffic problems in Los Angeles, California, as described and experienced by Sgt. Charles Reineke, a traffic enforcement officer with the Los Angeles Police Department.

Será tu tierra(es)

City of Outlanders(ko)

"Gunsan is a city of outlanders that has experienced waves of deterioration and revivals. Gunsan, a sparse area prior to 1910, opened doors for workers from all over Korea after it was exploited for rice harvesting during the Japanese colonial period. After liberation, the American military moved in along with large conglomerates that came to build factories, but they are now all shutting down. What remained from this history made the topography and landscape of the town. In the film, cameras float around the lonely landscape of Gunsan. A dancer from Switzerland named Anna mourns the scenes of Gunsan with sorrowful gestures, new musicians in town write a piece of music called City of Outlanders in lament

Nighthouse(es)

Shot in Havana and processed at Phil Hoffman's Film Farm, Marcel Beltrán Fernández's Casa de la noche explores those same histories from the point of view of an insider, as a lived experience that is evocatively mirrored through ripped and torn celluloid.

Bill Cunningham New York(en)

Doubling as a cartography of the ever-changing city, Bill Cunningham New York portrays the secluded pioneer of street fashion with grace and heart.

Bergen - A City West of Reason(no)

A poetic and beautiful tribute to the city of Bergen, Norway. Based on archive footage from the last century and packed with Bergen music from Grieg to Vaular.

Bikes vs Cars(en)

Bikes vs Cars depicts a global crisis that we all deep down know we need to talk about: Climate, earth's resources, cities where the entire surface is consumed by the car. An ever-growing, dirty, noisy traffic chaos. The bike is a great tool for change, but the powerful interests who gain from the private car invest billions each year on lobbying and advertising to protect their business. In the film we meet activists and thinkers who are fighting for better cities, who refuse to stop riding despite the increasing number killed in traffic.

Oyler(en)

A Cincinnati public school fights to break the cycle of poverty in its Urban Appalachian neighborhood, where senior Raven Gribbins aims to become the first in her troubled family to graduate and go to college. When Principal Craig Hockenberry's job is threatened, it becomes clear it's a make-or-break year for both of them.

Cidades Fantasmas(pt)

In Humberstone (Chile), little was left of the saltpeter's prosperity. Near the old Fordlandia (PA), squatter houses are the last signs of the city built by Henry Ford. Armero (Colombia), had its population wiped out by the eruption of the Nevado del Ruiz volcano in 1985. Twenty-five years after a flood, ruins of Villa Epecuén (Argentina) expose the remains of the old water station.

Jetman Dubai : Young Feathers(en)

We mark a new milestone in the chapter of human flight. Join Jetman Yves Rossy and his protege, Jetman Vince Reffet as they explore the limits in the city of dreams. "The real dream is to be completely free"

Urbanized(en)

A documentary about the design of cities, which looks at the issues and strategies behind urban design and features some of the world's foremost architects, planners, policymakers, builders, and thinkers.

Moving City(ja)

A city person discovers twelve paths with a different sense of time. What makes us come alive? Will we go on the same way?

Room(en)

A Texan begins a cross-country journey in hope of finding the empty loft she keeps seeing in visions.

Rotterdam 2040(en)

Rotterdam 2040 is a film about the city’s future, departing from the principle of Gyz La Rivière that you can’t look ahead without considering your past (something that hasn’t always been Rotterdam’s strongest feature). At high speed, La Rivière reconstructs the history of Rotterdam from the time before the bombings until now, and expands the developments to the year 2040 (100 years after the bombing and the 700th anniversary of the city). La Rivière made a specific choice to expose his personal vision, which is sometimes radical or a little absurd. So no experts and no talking heads, but an assault of old and new imagery, held together by La Rivière as the narrator of the film. Although Rotterdam 2040 deals with architecture and urban renewal, it is actually a film about people. The subjective experience of the city by its (future) occupants mainly determines the parade of architectural blunders and suggestions for the future. All tongue-in-cheek of course.

Velocity Into Execution(en)

In continuous motion with no end or barrier in its way.