GiedRé au Paléo Festival 2016

Gnarls Barkley - Live From The Astoria(en)

Ali vs Stevenson: The Greatest Fight That Never Was(en)

After winning his second Olympic gold medal at the 1976 Montreal games, Cuban boxer Teófilo Stevenson was at his peak. American promoters offered him $5 million to turn pro and challenge world heavyweight champion Muhammad Ali. Stevenson refused the offer, asking "What is one million dollars compared to the love of eight million Cubans?"

Tomorrowland : 20 ans d'émotions(fr)

Tax Me If You Can(fr)

Welcome to the enchanted world of capital evasion. The keys to fortune: knowing how to hide, find accomplices and take advantage of all the flaws. The rest of us mere mortals are left with austerity policies and the joy of living in an increasingly unequal world... How far will predators go in this widespread plundering of our economies? How is the political staff complicit? How are we braking? Between Paris and Geneva, Washington and Luxembourg, from Société Générale to HSBC, via Mac Donald, Ikea and Google ... we will track down the circuits of tax evasion and decipher the mechanisms of tax fraud.

The Royal Dutch Marine Corps(nl)

Het korps Mariniers is a documentary about the Royal Dutch Marine Corps, which Paul Verhoeven made while being assigned to the Marine Film Service as a documentary filmmaker.

Fly(es)

Fly is the story of a bird that has a deformed wing that prevents it from migrating. Abandoned by his flock, he sinks in despair. Everything changes the day Pio-Pio appears. This defenseless chick gives him joy and a sense of purpose in life. Until one day destiny makes him do things that he would't even do for himself, such as flying.

Air Fryers: Are They Worth It?(en)

Denise Van Outen lifts the lid on Britain's air fryer obsession and asks the questions on everyone's lips... how do they work, what can we cook in them, and can they really save us time and money?

Felix Finds a Way(en)

Felix tries to help run a farm.

The Happy Prince(en)

A royal statue makes friends with a small swallow.

Jennifer Lopez: Let's Get Loud(en)

"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

1, 2, 3, Whiteout(fr)

In a future present, a rebellious Veronique finds herself working for an inventor who has dedicated himself to the cause of a positive darkness; he is working to counter the tide of a bright, diffuse, and technologically oriented time as represented in the film by man-made light. Veronique's brother Alix works for an agency that is attempting to thwart the process.

The Hanna-Barbera Hall of Fame: Yabba Dabba Doo II(en)

In this retrospective on creators Hanna and Barbera, Bill Bixby hosts a behind-the-scenes look at technical and sound artistry. Segments spotlight families and famous women in cartoons as well as romance.

I Am Sybil(en)

Explores the gripping true story behind the best-selling book and cultural-sensation case of Sybil, one of the first mainstream cases of dissociative identity disorder (or multiple personality disorder, as it was then known), which spurred questions in the public consciousness around identity and mental health.

Mississippi Mass Choir: The Essential Collection(en)

For more than 20 years, the 160-voice award-winning Mississippi Mass Choir, founded by Jackson Legionnaire Frank Williams, has been praising the Lord and spreading the good word. The Essential Collection is an assemblage of highlights from their two-decade run. Among the 10 live performances included here are the inspirational "It's Good to Know Jesus," "Hold On Old Soldier," "It Wasn't the Nails" and "Jesus Paid It All."

I tromboni di Fra' Diavolo(it)

The Grave Digger(en)

Ever since I started making films it has bothered me in a certain sense that film images are far too concrete, because technically they try to imitate the sense of space characteristic of everyday life. So the story ignites the imagination only to be slowed down by the images and stops the viewer from taking a flight of fantasy. I have always been searching for an intrinsically different tool in filmmaking. One that could record space in its temporal progression. I would never have thought it existed!