Ainslie Trailer

Un gallo en corral ajeno(es)

Édith Piaf : L'Hymne à la môme(fr)

Jean-Jacques Goldman - Souvenirs de Tournées(fr)

Untitled Anna and the Apocalypse sequel(en)

Following the events of the first film, Anna and her remaining friends venture beyond home into the wider zombie apocalypse.

Snow Day(en)

A pair of siblings make the most of a school snow day, while trying to avoid their nemesis, the Snowplowman.

The Yanks Are Coming(en)

A popular band joins the army with the idea of putting on shows for troops overseas. During rehearsals, a battle erupts and the musicians must exchange their musical instruments for guns and fight.

Rootwood(en)

Rootwood follows two students who host ‘The Spooky Hour’, a podcast about paranormal phenomena and urban legends. When they are hired by a Hollywood film producer to shoot a horror documentary about the curse of The Wooden Devil, they smell their chance to become famous. Together, with their friend, they enter Rootwood Forest and investigate the area to find out the truth about The Wooden Devil and his victims.

Dancer in the Dark(en)

Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, escaping life's troubles - even if just for a moment - by dreaming up little numbers to the rhythmic beats of her surroundings.

“He was born, he suffered, he died.”(en)

"The quote is Joseph Conrad answering a critic who found his books too long. Conrad replied that he could write a novel on the inside of a match-book cover, thus (as above), but that he "preferred to elaborate." The "Life" of the film is scratched on black leader. The "elaboration" of color tonalities is as the mind's eye responds to hieroglyph." - S.B. (Note: it seems possible that Brakhage misattributed this quote, which appears to be from William Faulkner and/or W. Somerset Maugham). Preserved by the Academy Film Archive in 2006.

Nodes(en)

"nodus knot, node - more at NET) ... 4a: a point at which subsidiary parts originate or center ... 5: a point, line, or surface of a vibrating body that is free or relatively free from vibratory motion." In the tradition of SKEIN this hand-painted film is the equivalent of cathexis concepts given me by Sigmund Freud (in his "Interpretation of Dreams"), 30 years ago, finally realizing itself as vision. (Quote: Web. 7th). Preserved by the Academy Film Archive in 2006.

Interpolations I-V(en)

"The full 35-millimeter frame allows for more detail and diversity than Brakhage's customary narrower gauges. In the first section, multicolored blobs contrast with fuzzy photographed lights; in the third, flickering specks become hundreds of tiny rods and later cracks in paint. Rhythmic complexity has long been a characteristic of Brakhage's work, but the series takes polyphony to new heights by creating different movements in different portions of the frame; there's a sense of shapes being generated and reabsorbed in a cosmic vision of eternal change." -- Fred Camper, Chicago Reader. Preserved by the Academy Film Archive in 2016.

Earthen Aerie(en)

This hand-painted, step-printed film begins with several seconds of blank white (interrupted by red and brief electric yellow) and then proceeds to multiply flecked earth and rock shapes and root-like forms which seem to suck horizontally inward and upward midst phosphorescent greens and blues increasingly flecked with light-yellows giving way to tree-top branch likenesses taking oblique shape against a phosphor sky. Preserved by the Academy Film Archive in 2016.

Divertimento(en)

This, painted in the hospital while recovering from cancer surgery in 1996, is - it seems to me - very related to De Kooning's Alzheimer's paintings. The mind, here, is seeking a "blank" and/or holding fast to tendrils of meaning which are stripped so bare as to be purely reflective of flesh tissue and irregular strands of cells. Preserved by the Academy Film Archive in 2016.

Female Mystique and Spare Leaves (for Gordon)(en)

Here are a couple films from the mid-'60s, given to Gordon Rosenblum at the time, which surfaced this year needing preservation. I don't know what to make of either of them except some insistent quality of "poem" each somehow is. Preserved by the Academy Film Archive in 2013.

Cricket Requiem(en)

CRICKET REQUIEM is a hand-painted and elaborately step-printed film which juxtaposes bent, sometimes saw-tooth, scratch shapes multiply colored in pastels on a white field juxtaposed with emerging, and sometimes retreating, bi-pack imagery of the faintest imaginable lines (solarized lines) etched in brown-black. This interplay continues until the latter imagery begins to dominate with increasing recurrence. Then suddenly there's a vibrant mix of thick black lines (which is "echoed" once again near end of film) that alters the increasingly colored bent lines and their thin-stringy accompaniment, with rhythms which suggest a stately and emphatic end. Preserved by the Academy Film Archive in 2016.

Donner Party: The Musical(en)

Snowbound and desperate, some of the Donner Party died of starvation. Some of them did not. They all sang.

Wicked in Concert: A Musical Celebration of the Iconic Broadway Score(en)

Wicked in Concert features re-imagined musical arrangements created for the event, performed by celebrity artists from the worlds of film, pop, music, and television.

Idiyan Chandhu(ml)

After a toxic childhood under an abusive father. Chandhu became an extremely violent person. But after a point, his aggressive ways become a headache for his family, and he decides to stay away from any sort of violence to keep a promise to his mother. But will that promise hold?

Codes of Conduct(en)

«CODES OF CONDUCT playfully upends the moral order by which man has historically seen fit to measure so called correct behaviour - by ironically re-positioning the rules, Rimmer uncovers their arbitrariness.» Osnabrück Media Arts Festival 1997. Preserved by the Academy Film Archive in 2013.

Lisbon Story(en)

A musical cabaret singer meets a British agent and goes with him to Nazi occupied France to save an atomic scientist.