Il Conte di Almaviva
La Contessa di Almaviva
Cherubino
Marcellina
Basilio
Barbarina
Conductor
This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.
A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.
Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.
During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.
The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.
A colorful and comedic staging of the classic opera buffa by the Vienna State Opera.
37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.
A womanizing opera star is smitten by a young music student.
In January 2007, superstar soprano Natalie Dessay, joined on stage by acclaimed tenor Juan Diego Florez dazzled British audiences in Laurent Pelly's new production of Donizetti's "LA FILLE DU REGIMENT". The perfectly staged & cast production became the operatic event of the year, receiving rave press reviews & rapturous audience ovations.
When it comes to crime, Belgrade is same as any other modern metropolis, except for having its own serial killers. That blank is filled when a flower salesman begins strangling women. A popular, but very disturbed rock star soon becomes telepathically connected with the killer.
Adapted from the opera written by the composer Semen Hulak-Artemovsky.
Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.
A restaurant owner falls in love with an opera singer and, desperate to impress her, travels to Italy to learn how to sing.
LA PIETRA DEL PARAGONE (The Touchstone) concerns the Count Asdrubale who is wealthy and therefore of great interest to many women – notably Aspasia, Fulvia, and Clarice. Only Clarice, however, loves him for something other than his riches. There are also male hangers-on: the corrupt journalist Macrobio, the poetaster Pacuvio, and Giocondo, who is Asdrubale's true friend, but who has his own eyes on Clarice. To test his friends and would-be fiancées, Asdrubale pretends that he has been bankrupted. Sure enough, only Clarice and Giocondo stand by him, and when his fortune is "miraculously" saved, the three have the last laugh on everyone else... or do they? This production is set in what looks like the early 1960s. But the real innovation is the use of blue screen technology: using tiny cameras and sets, along gigantic screens hanging over the stage, a kind of video mixing makes the singers appear to inhabit any number of fanciful settings and perform a myriad of improbable actions.
Scenes from Ruggero Leoncavallo's opera with Canio, the clown, introducing actors who are seen in pantomime while the operatic voices are heard off-screen. Canio discovers his wife has been unfaithful but carries on with his performance.
During World War I, in an unnamed country, a soldier named Tamino is sent by the Queen of the Night to rescue her daughter Pamina from the clutches of the supposedly evil Sarastro. But all is not as it seems.
Pushkin folk tale as comedic opera whose sultry elements expand an Oriental influence. Korsakov portrays the story of Tsar Nicholas II, punished for his cowardice and despotism, using satire to condemn Russia's autocratic ruler.
Shortly after WWII, the DEFA Studios produced a series of operas and operettas which belonged to the classical German musical heritage. This enchanting film, the very first opera production of DEFA, stands out because of its lavish decor and costumes, its outstanding actors and their masterful voices of that time.
Recorded live from the Teatro Regio di Parma, 8 October 2011
Any new Met production of Verdi’s beloved tragedy La Traviata would be noteworthy, but Michael Mayer’s dazzling staging, which premiered during the 2018–19 season, was doubly significant as it marked Yannick Nézet-Séguin’s first performances as the Met’s Jeanette Lerman-Neubauer Music Director. On the podium for this Live in HD transmission, Nézet-Séguin leads a starry ensemble. As Violetta, the consumptive heroine fighting to find true happiness, soprano Diana Damrau delivers yet another compelling portrayal on the Met stage. Tenor Juan Diego Flórez sings his first Verdi role with the company, as Violetta’s ardent yet impetuous lover, Alfredo, and baritone Quinn Kelsey rounds out the principal cast as Giorgio Germont, Alfredo’s implacable father.
Gordon Anderson (CIA. Ninja. Ninja Hunter) must face his toughest challenge yet when King Ninja steals a top secret formula known as DAK10 that can activate the desire to kill...
A doctor is called to the home of a young man who wants to enlist in the Army.
Hayflower starts her summer holiday on a badminton camp which is ruined by Cynthia, a runaway chicken. Quiltshoe makes a new friend, Anita, who, to everyone's surprise, turns out to be a chicken. Under the leadership of constables Bellybutton and Goggleclock, a big chicken hunt is launched.
Everyone has their own emotional overwhelm regarding a bad smell. Lizete, an amateur interviewer, is eager to record the moments when it is revealed. Dealing with the topic of bad odour's influences on society, this is an animated short film for adults in the inquiring style of a documentary. The director continues to work on tragi-comic stories about our natural awkwardness while finding ourselves.
The single package-delivery woman Dora lives a somewhat reclusive life in a high-rise in Leipzig and gets through everyday life with her dry sense of humor. But her quiet, well-ordered life spins out of control when she has to hide her mysteriously fascinating Polish neighbor Jola – who believes to have accidentally killed someone. Dora is hesitant at first to take her in, but she cannot seem to shake her fascination with Jola. Dora's trust in the direct, impulsive woman grows – Jola seems to ask exactly those questions no one else dares to ask. When Dora finds out that the accusations against Jola have been lifted, she lies about the status of the police investigation in order to keep her Polish neighbor for herself.
After winning his second Olympic gold medal at the 1976 Montreal games, Cuban boxer Teófilo Stevenson was at his peak. American promoters offered him $5 million to turn pro and challenge world heavyweight champion Muhammad Ali. Stevenson refused the offer, asking "What is one million dollars compared to the love of eight million Cubans?"
On March 11, 2011, the Tōhoku earthquake and tsunami devastated the coastal communities of East Japan, claiming nearly 20,000 lives. Yasuo’s wife was never found, but his enduring love for her drives him to continue searching the sea. As the Japanese people observe the 12-year anniversary of this tragedy, Director Anderson Wright and Yasuo Takamatsu take a poignant look at the pain of loss, the strength of love, and the beauty to be found in remembrance.
In 1797, 14-year-old William Gibson sails from Dundee in Scotland to Gothenburg. This will be the start of a young man's journey on a road that led to the construction of a factory and a society, which is largely unique in our country's history. Jonsered's factories, which came to own a whole community and took care of everyone, from the cradle to the grave. The factory owned a nursing home with a maternity ward, a nursery for the youngest, a school that fostered the prospective workers, a girls' home for young workers, housing, a trade booth, a church with a factory-employed priest and, finally, an old age home for those who rested after a long working life.
Bunsei era, at a time when Edo culture is at its peak, and barely 50 years before the arrival of the Meiji Restoration in 1868. Sabu is a cheerful, honest young man who left his hometown with the dream of becoming a policeman. He is an informant to the policeman Saheiji of Asakusa in Edo and stays with him and his daughter Midori. One day, Sabu encounters the cool master swordsman Ichi, who makes a living giving massages, and they become partners in an unexpected way. Although Sabu is still an informant, he and the blind Ichi collaborate in a way that compensates for each other’s shortcomings. Sabu becomes Ichi’s eyes while Ichi becomes Sabu’s right-hand man and solves cases with his well-honed skills of deduction as they search for the truth in difficult cases in Edo. One case starts with the discovery of two dead bodies in the Sumida River. The bodies have diagonal slashes and were left in boxes.
During the Fascist Regime in Italy, three Dutch sisters, Alexandra, Judith and Kitty, try to make a career as popular singers.
After her son's tragic death, Helena abducts her employee, Lucian, and travels with him and her husband to scatter her son's ashes in Macedonia. Meanwhile, Lucian's lover struggles to provide for their son and break free from her dictatorial father.