Sir Arnold 'A.T.' Wilson
An educational documentary spanning two continents, opening up a much-needed debate about traditional African spiritual systems; their cosmologies, ideologies and underlying ethical principles. Modern science no longer refutes the origins of mankind being in Africa and similarities in the cosmological ideologies of African esoteric systems with those found many established world religions today, suggest that it was not only people that migrated, but also concepts and themes that then provided bedrock for the formation of other systems of belief.
"This feature documentary is considered to be the forerunner of the NFB's Challenge for Change Program. The film offers in inside look at 3 weeks in the life of the Bailey family. Trouble with the police, begging for stale bread, and the birth of another child are just some of the issues they face. Through it all, the father tries to explain his family's predicament. Although filmed in Montreal, the film offers an anatomy of poverty as it occurs throughout North America." - NFB
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment
A documentary about the legendary jazz singer Billie Holiday (1915-1959). There exist many myths and legends about the Jazz Singer Billie Holiday — one of the greatest voices of the last century. Most of them tell the story of the tragic victim of drugs, alcohol, men, color, or the circumstances of her upbringing. To some extent she contributed herself to these legends, especially in her autobiography "Lady Sings the Blues". In recent years, more and more records and reports have shown a different picture of her. These statements of confidants, colleagues and friends clean up with many of the legends and show a strong personality who has been anything but a pitiable victim. Billie Holiday was a strong-willed and determined person and a very complex personality who did not correspond to the classic victim type.
This is the story of the few people who went ahead, beyond racial prejudice. And their struggle to open the workplace to other people.
Père-Lachaise - one of the world's most famous and beautiful cemeteries - is the final resting-place of a gifted group of artists from all eras and corners of the world. Some - such as Piaf, Proust, Jim Morrison and Chopin - are worshiped to this day. Others have fallen into oblivion, or are visited occasionally by a single admirer. In Forever we see the mysterious, calming and consoling beauty of this unique cemetery through the eyes of people of flesh and blood. Many come for their 'own' beloved: husbands, wives, family and friends. Others Honor 'their' artist by leaving behind a personal message or a flower. While admirers share with us the importance of art and beauty in their lives, the graveyard gradually reveals itself as a source of inspiration for the living. Death offers little consolation except for the passing of time, the melancholia of a moss-covered tomb, and the beauty and power of a piece of music, a poem or a painting Written by Cobos
Welcome to Africville gives voice to what may have been marginalized members of an Afro-Canadian community in 1969. It's intention is to be a catalyst to thought and reflection about the lives and struggles of people from that community whose stories still go untold. It is the fictional account of a family. We listen to the stories of three generations of women and their friend Julius on the day their community is to be destroyed by the municipal government of Halifax. This story is a portrait of four individuals coping with universal uncertainties and insecurities.
A Way Out is a documentary about breaking the cycle of poverty in Canadian's oldest and largest "ghetto," Regent Park. In addition to talking about what it is like to grow up poor in North America, it explores the reasons behind one person finding a way out of poverty and others remaining. As a former resident of a low-income community, Christene Browne went back to find out what had happened to some of her old friends. Formal and impromptu interviews are conducted and the community is revealed through footage and stills.
American citizens who are normally marginalized, forgotten and left to fend against toxic dumps and other violations, come to understand that the only way to survive and save their communities is to challenge the system head-on.
With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.
Why can't I hear the sound of sewing machines anymore? A meeting with my family and the history of all their sewing machines.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
A city awakens. There are sights and sounds we do not experience if we sleep late.
British documentary filmmaker Chloe Ruthven’s grandparents were aid workers in Palestine. Growing up, she had avoided getting too involved in the subject, recalling how mention of the country made all the adults in her life angry. In her forties, after revisiting her grandmother’s book on the subject, she starts to research a documentary on the effects of foreign aid in the area and is shocked at the continued reliance on it there. Along the way she meets Lubna, a Palestinian woman who acts as her driver and fixer, and who is fiercely critical of Western aid efforts in her country. What begins as a quest to better understand her family history turns into a deeply emotional account of two women trying to understand one another. Ruthven’s determination to focus her film on deeply subjective analysis results in a unique joining of the acutely personal and complexly political. (Source: LFF programme)
A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
WrestleMania 32 was thirty-second annual WrestleMania professional wrestling pay-per-view (PPV) event produced by WWE. It took place on April 3, 2016, at AT&T Stadium in Arlington, Texas. This was the third WrestleMania to be held in the state of Texas after 2001 and 2009, and the first to take place in the Dallas-Fort Worth Metroplex area.
Survivor Series (2009) was a PPV which took place on November 22, 2009 at the Verizon Center in Washington, D.C.. It was the 23rd annual Survivor Series event. There were two matches that were deemed the main events of the program. The first was the triple threat match featuring The Undertaker defending the World Heavyweight Championship against the Unified WWE Tag Team Champions Chris Jericho and The Big Show. This was also followed by the another triple threat main event match with John Cena defending the WWE Championship against Triple H and Shawn Michaels. Four matches comprised the undercard of the event. The first was the team of WWE US Champion The Miz, Sheamus, Drew McIntyre, Jack Swagger, and Dolph Ziggler versus WWE IC Champion John Morrison, Matt Hardy, Shelton Benjamin, Finlay, and Evan Bourne. This was later followed by Kofi Kingston leading the team of Christian, MVP, Mark Henry, and R-Truth versus Randy Orton, CM Punk, William Regal, Cody Rhodes, and Ted DiBiase.
The announcement of a nation-wide lock-down due to the spread of COVID-19 pandemic disrupts the peace of a family. What follows is a series of bizarre events as one of them tries to invite the spirit of a family member.
Four men decided to enter in the oldest Fight Club of the History, The Florentine Football tournament. A father and son, a black guy, an old champion and outsider clerk will enter in an arena of the time to win their fears, to go over their limits, to be heroes for a day.
Small-town crook Cody (Mike Dwyer, Sandbar) was at the end of his rope when a mysterious stranger offered him the chance of his life. There was just one catch - in this game he would have to wager everything, including his life. Cody finds himself trapped amongst a band of outsiders and misfits - all fighting for their lives and a slice of the American dream. Fueled by a horde of masked sadists, Cody and the others will win a fortune or die a brutal death.
Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films
A 52-minute documentary on "Scarface," both the making of the film and its reception.
A rich merchant, Antonio is depressed for no good reason, until his good friend Bassanio comes to tell him how he's in love with Portia. Portia's father has died and left a very strange will: only the man that picks the correct casket out of three (silver, gold, and lead) can marry her. Bassanio, unfortunately, is strapped for cash with which to go wooing, and Antonio wants to help, so Antonio borrows the money from Shylock, the money-lender. But Shylock has been nursing a grudge against Antonio's insults, and makes unusual terms to the loan. And when Antonio's business fails, those terms threaten his life, and it's up to Bassanio and Portia to save him.
Three rival actresses and their crew, desperate and hating each other, reunite for a horror movie sequel when someone starts killing them off just like in their movie, in this bitchy, raunchy comedy mystery.
Onion Jack has bought a piece of land on which to settle, but the property is still in possession of the orphans of the original owner and is coveted by the local oil baron.
Gangster Pasha has brought up young Suraj as his own son, and has taught him all the skills needed for theft, break & enter, and acting as a hitman. Years later, Suraj has grown up and has become an expert in these skills. The law does catch up to him, and he is imprisoned. When he completes his sentence, he re-enters his world of crime with Pasha. One day he meets up with beautiful Aarti, and falls in love with her. Aarti too is attracted to him, and eventually falls in love with him. When Aarti finds out about his profession, she is dismayed and shocked, and will not have anything to do with him, unless and until he promises to give up on this career. Suraj does so, only to find Aarti's boyfriend Inspector Vijay to out to arrest him by hook or by crook on one hand, and on the other Pasha has ordered his death.
The result of a top secret project spearheaded by the Chinese government to create the ultimate soldier, Agent Nieh Ling (Khan) possesses superhuman strength and agility. She's also the only test subject that doesn't go insane as a result of the experiments she's subjected to, so when three of her fellow operatives embark on a rampage of violence in Hong Kong, Ling is dispatched to take them out. After a freak accident erases her memory, the super soldier is taken in by a wisecracking cop and his girlfriend, who nickname their high-kicking new pal "Chun Li." The suddenly-carefree Ling begins to enjoy the lighter side of life, but when her deadly targets surface, Ling and her new friends find themselves in the fight of their lives.
Being different is difficult within a school where bullying and torment are the norm. Tight storytelling and great performances, with select camera coverage allowing the characters to work the frame.