Antonio Paoli: Rey de Tenores y Tenor de Reyes

Rusalka(en)

Einstein on the Beach: The Changing Image of Opera(en)

The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

After the Boats Left(es)

New documentary by Mexican filmmaker Sonia Fritz about a forgotten town in Puerto Rico.

Arabella(en)

Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.

In Bocca Al Lupo(en)

The Paris Opera(fr)

A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.

Otello(it)

This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.

Confession of the Vanished(cs)

The film follows the staging of the opera Olimpiade while at the same time exploring the dramatic life of its composer Josef Mysliveček, a friend and teacher of W. A. Mozart.

Una identidad en absurdo Vol. 1(es)

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

Adolphe Appia Visionary of Invisible(fr)

The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.

Backstage Vienna State Opera(de)

This film takes us behind the scenes of the magical events of the world famous Vienna State Opera. These one-of-a-kind scenes and fast-paced, brilliant moments are intense, vivid, full of passion and captivating music.

Puerto Rico(es)

Presents a socio-economic analysis of present day Puerto Rico. Uses archival footage, re-enactments of historic events, and interviews with participants to recount the long history of U.S. involvement in Puerto Rico and the anti-colonial struggle.

The Sound of Identity(en)

In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.

Pavarotti, Birth of a Pop Star(fr)

Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.

Andrea Chenier(it)

Although Domingo was younger and Banackova looked more like the sweet and innocent young Madalena than the one played by Tomowa-Sintow in the ROH production, this production was not as good. It was not as tight and neat. The tempo set was far too slow for the time-period of the story. The stage setting was distracting. The lighting was too dark. Except Domingo, a natural actor who was always into his role and sings and acts with passion, none of the other performers came up with a convincing portrayal of the role he/she played.

El apagón: Aquí vive gente(es)

“El Apagón: Aquí Vive Gente” is a documentary directed by Bad Bunny and Blanca Graulau. This 23-minute film explores the socio-economic challenges in Puerto Rico, focusing on the effects of power outages and gentrification driven by the real estate and energy sectors. Through visuals and personal stories, the documentary highlights the experiences of Puerto Rican communities facing these issues.

Zaryadye Hall: A Diamond is Hatched(ru)

Concert and documentary celebrating the 1st Anniversary of Moscow’s Zaryadye Hall

Walter Hus, a Musical Journey(fr)

During his thirty-year career, Walter Hus, a Belgian composer and pianist, has taken a thousand musical faces. While he wanted to compose a new work, a crisis blocked his creation. During an exchange with his therapist, he comes to an existential question: "Who am I musically? » Through the portrait of this composer, as abundant as it is fascinating, the film aims to give access to his creative process and thus to the endurance and beauty of creation.

Three Letters: La Mamma Morta(en)

'La Mamma Morta’ is an aria from the opera Andrea Chenier that is also well-known for its use in a memorable sequence in the Oscar award-winning Philadelphia. Thirty years on, this new short film from WNO includes a brand-new recording of the aria featured alongside recreated scenes that better encapsulate the perspectives of people living with HIV today. To mark World AIDS Day 2023, the Welsh National Orchestra released a special new version of La mamma morta, featuring WNO Orchestra, soprano Camilla Roberts and Nathaniel Hall from Channel 4’s It’s a Sin. Released as part of the last rendition in the Three Letters project, this film aims to tackle societal stigma around HIV.

Diptych(fr)

A short film by Walerian Borowczyk in two parts. The first 'panel' follows the morning routine of Leon Boyer who, despite being almost 100 years old, still farms the land, drives a vintage car, and plays with his two dogs. The second panel shows shots of beautiful flowers and a cat, to a recording of Tino Rossi singing 'La romance de Nadir / Je crois encore entendre' from Bizet's opera 'Les pêcheurs de perles'.