This film observes, in a Montréal public school, the teaching of English to immigrant children. To thousands of children arriving in Canada from Greece, Italy, France, Germany or Japan, English is "a foreign language." Under able coaching they begin to understand and even enjoy the vagaries of the English language.
1958-11-02
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This 1959 documentary short is a frank portrait of the daily operations inside the Montreal General Hospital’s emergency ward.
St. Joseph's Oratory, a picturesque shrine silhouetted against Mount Royal, draws pilgrims by the thousands every year. They come from California by Greyhound bus, from Vancouver by plane, and on foot from many parishes surrounding Montréal. What is the fame of this shrine, that it attracts the devout and the curious alike? The story is told by Brother Placide Vermandère of the Order of the Holy Cross, who was personally acquainted with Brother André, after whom the shrine's famous temple is named. Cameras follow a procession of the League of the Sacred Heart through the streets of the city to the famous sanctuary and show many of the religious observances conducted in the church, including Mass attended by invalids who come in the hope of being healed of various afflictions.
The misbehaving public performs for the camera in a half-hour miscellany of misdeeds. In a behind-the-scenes look at the hour-by-hour operation of a large metropolitan police force, this film presents a fair sampling of what keeps Toronto's police officers busy twenty-four hours a day.
This short documentary features Canadian contralto Maureen Forrester as she sings at the Festival Casals, a musical event founded by the great Spanish cellist and conductor Pablo Casals and sponsored annually by the Puerto Rican government. Part concert film, part tourism film, Festival in Puerto Rico offers viewers candid glimpses of mid-20th century Puerto Rico intercut with performance footage of Forrester and her husband, violinist-conductor Eugene Kash.
An attempt to recapture the magic of childhood as the cameras follow children at play.
A light, humorous look at the motor car and the great North American itch for a place on the road. From the comparative peace of Honest Joe's used-car lot, this film hustles you onto our public speedways, where hot rubber erases any distance between all points. Slow-motion and pop-on-pop-off photography make this a provocative, revealing study of motormania unlimited. A 1960 black and white production. (Also released under the title 1/3 Down and 24 Months to Pay.)
A filmed homage to Sam Shepard, in a single fixed frame where the treetops sway under a moving cloud cover. Orchestrated by the camera in this forest environment, brief spoken and sung interludes evoke touching dedications punctuating the solitude of the scene.
The cast members reminisce about the show and present exclusive blooper footage never shown on television, as well as an update on their current activities.[1][2] The reunion took place at Fran Drescher's oceanside home in California. The entire cast was present except for Daniel Davis, who was performing in the musical La Cage aux Folles on Broadway at the time and was unable to attend. Also at the reunion were Drescher's mother and father, Sylvia and Morty, who made several appearances on the show. In the special, Daniel Davis, or "Danny", was said by Drescher to have gotten "lost". At the end of the special, "Danny" (actually Danny Bonaduce), makes an appearance.
Documentary about Buster Keaton's The 'High Sign' (1921) and Keaton's developing style.
A celebration of a great Jewish-American tradition. Beginning as places for Jews from Central and Eastern Europe to eat and meet, they expanded across America and eventually attracted as many non-Jews as Jews. Today, the number of Jewish Delis has shrunk dramatically and many of the survivors have adapted to changing times, sometimes in ways their forebears might not recognize.
Short documentary on the making of Buster Keaton's One Week.
Documentary about the development of Buster Keaton's The Haunted House (1921).
A short documentary on the works of Buster Keaton.
On a very dark night, in the boiling atmosphere of the recent Iranian uprising, a woman and a man travel through time and remember. Since September 2022, a large part of the Iranian population has been in revolt. Women and men are saying ‘no’. What is the content of this ‘no’? Totalitarian resentment condemns us to forget, but the film’s protagonists try to go back in time through their own memories-footages, and take us through the labyrinths of a society in search of its image. Memory-image is a weapon with which they hope to rescue a revolt, a liberation
An unprecedented examination of the impact the Star Trek experience has had on the franchise's most celebrated participants: William Shatner and Leonard Nimoy. These two stars have arguably embodied the brightest icons in the sci-fi universe; Shatner as passionate Captain James T. Kirk, and Nimoy as logical-minded, half Vulcan Mr. Spock.
Ever since the second grade when he first saw her in E.T. The Extraterrestrial, Brian Herzlinger has had a crush on Drew Barrymore. Now, 20 years later he's decided to try to fulfill his lifelong dream by asking her for a date. There's one small problem: She's Drew Barrymore and he's, well, Brian Herzlinger, a broke 27-year-old aspiring filmmaker from New Jersey.
In 2002, a 60-year old McCartney refocused the attention on his musicianship, staging a massive live concert in Cleveland, Ohio. The superstar, who went on to form the popular rock group Wings and had several hit records as a solo artist, performs a track list that covers all three phases of his long and prolific career, including the hits "Eleanor Rigby," "Live And Let Die," "Blackbird," "The Long And Winding Road," and "Mother Nature's Son." In addition to the 30 tunes that McCartney enthusiastically performs, seemingly immune to the ravages of time and aging, BACK IN THE U.S.A LIVE also includes candid behind-the-scenes footage of the rocker backstage and on the road.
Back Issues is the definitive documentary of porn magazine Hustler, from its nightclub inception as it adapts to pornography in the 21st century. Director Michael Lee Nirenberg's father was was one of the original art directors in the 1970s and 80s. Back Issues is a complete look at the personalities and features that made this the most offensive magazine of all time. The story is told by its publisher as well as the editors, cartoonists, models, attorneys, art directors and cultural figures for the first time ever.