Twenty Years of Academy Awards

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    All the winners. Preserved by the Academy Film Archive in 2000.

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    1948-01-01

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Mountain Music
50%

Mountain Music(en)

1976-01-01

Mountain Music illustrates what happens when technology gets too advanced too soon. Preserved by the Academy Film Archive in 2012.

Once Upon a Time in the West
83%

Once Upon a Time in the West(it)

1968-12-21

As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.

Showman
60%

Showman(en)

1963-01-02

Albert and David Maysles (Gimme Shelter) directed this 53-minute documentary about movie tycoon Joseph E. Levine (1963). Preserved by the Academy Film Archive in 2012.

A Grand Day Out
75%

A Grand Day Out(en)

1990-05-18

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

The Wrong Trousers
78%

The Wrong Trousers(en)

1993-12-17

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno trousers created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.

A Close Shave
76%

A Close Shave(en)

1996-03-07

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

The Big Country
76%

The Big Country(en)

1958-09-30

Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.

Kid City
0%

Kid City(en)

1972-01-01

Documentarian Jon Boorstin follows architect Frank Gehry and his sister, Doreen Gehry Nelson, as they attempt a new method of teaching elementary school children in Los Angeles. With funding from the National Endowment for the Arts, the siblings work together on a pilot program of “design-based learning” that would restructure the typical classroom curriculum, replacing rote math or civics lessons with an imaginary city designed and built entirely by the students themselves. Restored in 2018 by the Academy Film Archive.

People Who Make Things
0%

People Who Make Things(en)

1970-01-01

A portrait of three Los Angeles area residents who create things with their hands. Angelo Austin decorates wedding cakes; Dean Jeffries designs, manufactures, and paints custom cars; and Pamela Weir-Quiton creates wooden dolls. Restored by the Academy Film Archive in 2016.

Miracle on 34th Street
74%

Miracle on 34th Street(en)

1947-06-04

Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.

Where Did Our Love Go
0%

Where Did Our Love Go(en)

1966-11-02

Warhol Factory days... serendipity visits, Janis and Castelli and Bellevue glances... Malanga at work ... glances at Le Mépris and North by Northwest... girl rock groups and a disco opening... a romp through the Modern. My second film. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.

Hall of Mirrors
70%

Hall of Mirrors(en)

1966-11-02

This film is an outgrowth of one of Sonbert's film classes at NYU, in which he was given outtakes from a Hollywood film photographed by Hal Mohr to re-edit into a narrative sequence. Adding to this found footage, Sonbert filmed Warhol's superstars Rene Ricard and Gerard Malanga in more private and reflective moments. -- Jon Gartenberg. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.

The Bad and the Beautiful
60%

The Bad and the Beautiful(en)

1968-05-03

One of the most profound themes coursing throughout Sonbert's work is that of love between couples in all its pitfalls and perfect moments. To express this theme between his protagonists onscreen as well as in the relationship between his ever-roving hand-held camera and the human subjects in his field of vision, Sonbert employed diverse cinematic strategies, including in-camera editing (in The Bad and the Beautiful), twin-screen effects (in Ted and Jessica), and montage of discrete shots filmed in distinct spaces (in Honor and Obey). -- Jon Gartenberg. Preserved by the Academy Film Archive in partnership with the Estate Project for Artists with AIDS in 1998.

Whiplash
0%

Whiplash(en)

1997-01-01

During the years preceeding his death, Sonbert channeled his energy into making Whiplash. His vision and motor skills impaired, he gave his companion, Ascension Serrano, detailed instructions about the assembly of specific shots and the music to be used as a counterpoint to the images. Before his death in 1995, he asked filmmaker Jeff Scher (a former student of Sonbert's at Bard) to complete the film. --Jon Gartenberg. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1996.

Soft Fiction
76%

Soft Fiction(en)

1979-11-16

Chick Strand's SOFT FICTION is a personal documentary that brilliantly portrays the survival power of female sensuality. It combines the documentary approach with a sensuous lyrical expressionism. Strand focuses her camera on people talking about their own experience, capturing subtle nuances in facial expressions and gestures that are rarely seen in cinema. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2015.

One Hand Don't Clap
60%

One Hand Don't Clap(en)

1991-08-28

Kavery Kaul’s engaging documentary traces the history of calypso and soca music from their birth in the African-East Indian traditions of Trinidad and Tobago through its worldwide diaspora, including its popularization in the 1950s by Harry Belafonte and the new independent distribution networks that arose to serve the expatriate community in the 1980s. North American restoration premiere at To Save and Project: The 19th MoMA International Festival of Film Preservation on January 27 and 31, 2023. Digital restoration by the Academy Film Archive and the Women’s Film Preservation Fund of New York Women in Film & Television; courtesy of Riverfilms.

Hoop Dreams
76%

Hoop Dreams(en)

1994-09-12

Every school day, African-American teenagers William Gates and Arthur Agee travel 90 minutes each way from inner-city Chicago to St. Joseph High School in Westchester, Illinois, a predominately white suburban school well-known for the excellence of its basketball program. Gates and Agee dream of NBA stardom, and with the support of their close-knit families, they battle the social and physical obstacles that stand in their way. This acclaimed documentary was shot over the course of five years.

Chicago Loop
0%

Chicago Loop(en)

1976-01-01

In three virtuosic sequences created entirely in-camera, Benning alternates contrary camera movements in a trio of Chicago locations with increasing rapidity to a point where they first fracture and then merge in the viewer’s eye. Preserved by the Academy Film Archive in partnership with Austrian Film Museum in 2013.

The Costume Designer
0%

The Costume Designer(en)

1950-07-13

This short focuses on the job of the costume designer in the production of motion pictures. The costume designer must design clothing that is correct for the film historically and geographically, and must be appropriate for the mood of the individual scene. We see famed costume designer Edith Head at work on a production. The Costume Designer was part of The Industry Film Project, a twelve-part series produced by the film studios and the Academy. Each series episode was produced to inform the public on a specific facet of the motion picture industry. Preserved by the Academy Film Archive in 2012.

A Cuban Fight Against Demons
50%

A Cuban Fight Against Demons(es)

1972-01-02

In 1672 Cuban revolutionaries launch an uprising against the Spanish who are occupying the country. Preserved by the Academy Film Archive in 2017.