1967-05-01
5.5
"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage
A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.
Year 2006: Bebek, Alen, and Tifa come together to pay tribute to their old band, one and only - Bijelo Dugme (White Button). They performed in Toronto, Atlanta, Chicago, and New York City, in front of thousands.
A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.
Jürgen likes Lisie. And Lisie also has a crush on Jürgen. Anton, Lisie's little boy, frankly doesn't like Jürgen. But Lisie just puts the boy in Jürgen's Passat. When he begins to tell a moralizing anecdote, the world outside the car changes unexpectedly...
Based on Edward Lee’s seminal and wildly controversial 2003 novel, “EDWARD LEE’S THE BIGHEAD” directed by Michael Ling is set in the West Virginian backwoods where vicious monsters, both human and supernatural, go on a terrifying rampage in search of a special young woman. Their path of destruction uncovers long held secrets and puts the fate of the entire world in jeopardy.
Eric Buford (Eric Streit) was willing to do just about anything to break out of his small Southern town. When Andrea Patterson (Andrea Griffin) arrives to oversee the opening of a huge corporate mega store, Eric thinks that he finally has a ticket out of "Small town USA". Eric's plans change when he discovers Food Demon's plot to destroy all of the Mom & Pop businesses on Main Street, including his grandparents' grocery store. Before Eric knows it, he is thrust in the middle of angry mobs, shady land deals and greedy businessmen that consider murder to be all in a days work. After his grandpa is slain before his eyes, Eric joins forces with his fellow Main Street merchants in a quest to save their town. Their mission: Run corporate America out of town on a rail..and live to tell about it.
India's capital Delhi is the center-point of this story, depicted as a degenerate and corrupt city with Members of Parliament with big criminal rap sheets, ruling the roost, transferring or killing honest police officers, promotion their own corrupt cops, openly collecting weekly bribes (haftas) from local businesses, pimps, prostitutes ET AL, even openly holding an auction for bidders to bid for areas for black-marketing purposes. Lala Khurana is the uncrowned king of Delhi and he runs it with the help of a Member of Parliament, & the Director General of Police. His advocate Chintamani Chaubey wants him to contest the next elections, ensuring his win, and making his own laws, appointing his own police officers, who will do his bidding, carrying on without any checks and balance. Khurana likes this idea, but feels he is getting too old, but would like his son, Devendra Kumar, to run and be the next State Chief Minister.
Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.
In a scuzzy Hollywood strip joint, two lesbian strippers are jealous of the new girl, whose incredibly sexy dancing is getting all the customers' attention--and money--so they hatch a plot to make sure she doesn't appeal to men anymore.
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.