Blondie organizes Housewives of America to perform home-front wartime duties, including guarding the local dam... Blondie for Victory was twelfth in Columbia's series of comedy films based on Chic Young's popular comic strip Blondie. Anxious to do her bit for the war effort, Blondie joins the Housewives of America, a home defense league. Husband Dagwood soon finds that Blondie is neglecting her responsibilities at home in favor of her war work; also disgruntled are Dagwood's chauvinistic boss Mr. Dithers and a newlywed husband whose wife is never home thanks to the defense league.
A maniac killer returns to the scene of a ten-year-old crime, only to find the ghost of a murdered servant girl waiting to exact her revenge.
Documentary about a new mom's quest to understand and promote the cargo bike movement in a gas-powered, digital and divided world.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Esmeralda, a beautiful gypsy street dancer, arouses the desire of men, especially of Claude Frollo, the archdeacon of Notre Dame. The latter asks Quasimodo, the deaf and deformed bell-ringer of the cathedral, to kidnap the girl. Quasimodo, who has been adopted by Frollo and obeys his every word, captures the gypsy but she is saved thanks to Phoebus, a handsome captain, and his archers. Arrested by Phoebus, the hunchback is condemned to be flogged at the pillory. When Esmeralada, moved to pity by his lot, gives him water to drink, Quasimodo falls in love with her. Later, Phoebus is stabbed to death and Esmeralda is wrongly accused of the murder. Sentenced to hang, she is saved by Quasimodo who offers her asylum and... the love of his heart.
In his 70th year, Alfred Hitchcock came to the National Film Theatre in London to talk to fellow director Bryan Forbes and to answer questions from an audience of film enthusiasts.
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
In the mountains of the Basque Country, a mother and her daughter take shelter in a ruined hut that seems uninhabited.
Hanum, a reporter from Vienna, who was assigned to create an article entitled "Is the world better without Islam?" To answer this, Hanum had tomeet the victims of the 9/11 tragedy in New York, Azima Hussein.
Drama descends upon two tennis-obsessed women as the tension moves from off the court and into the café.
Jonah has it all, a loving relationship, a good group of friends, and a roommate that won't let him leave.
Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".