The First Sea
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letters to eleanore(en)
"letters to eleanore" is a poignant feature-length documentary that explores the intertwined journeys of two remarkable girls, Keith from Canto Grande in Lima, Peru, who bravely navigates life with cerebral palsy alongside her devoted mother, and Olivia from Litchfield, Minnesota, whose experiences highlight the stark contrasts in societal attitudes towards disability in their respective countries. As their narratives unfold, they are beautifully interwoven with the legacy of Eleanore and her family, whose life, untimely death, and the impact of her wheelchair ignited a powerful movement of hope for countless children and their families facing similar challenges. This film is not just a story of perseverance and love; it is a testament to the strength of community, brought to life through the collaborative efforts of volunteers, students, and communities across Peru and the United States, embodying a true grassroots style of storytelling that resonates with authenticity and compassion.
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La Trifulca I. Five Billion Dollar. A Trilogy(en)
An exodus of migrants settled in Tijuana and they hope to cross each day regardless of the consequences, the children tell us what they see, want and what they are willing to pay.
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One of the rooms inside the legendary Barba Azul Cabaret has become a shelter for the girls working there: the women's bathroom. Every night La Mami, who's in charge of the bathrooms, offers them the warmth and the advice they need to take on the challenge they face in the dance hall.
I Am FEMEN(ru)
Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.
Yanuni(en)
Indigenous chief Juma Xipaia fights to protect tribal lands despite assassination attempts. Her struggle intensifies after learning she's pregnant, while her husband, Special Forces ranger Hugo Loss, stands by her side.
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Ompung Putra Boru, a sixties indigenous Batak woman from Humbang Hasundutan, North Sumatra, retraces her life stories through photographs that interweave her past and present as a wife, mother, healer and indigenous land defender in two neighboring villages. Her multi-layered stories are juxtaposed with visual records of everyday life in the two villages, where people’s living space is still increasingly threatened by a giant pulp expansion.
La Trifulca II. Five Billion Dollar. A Trilogy(en)
The citizens of Tijuana show their annoyance, what they call Central American invaders that ran out of their countries, fleeing violence, poverty, now installed and waiting to cross the wall to the United States.
La Trifulca III. Five Billion Dollar. A Trilogy(en)
On the brink of social collapse, the city of Los Angeles California is full of protests in favor of immigrants and against deportations under the administration of Trump. On the border with Mexico, thousands of people try to cross every day.
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River of Tears and Rage(en)
River of Tears and Rage is a film culled from Kodao Productions' Facebook Live coverage of Baby River's wake and burial. Amid a raging coronavirus pandemic, a dead three month-old infant became a symbol of political repression by a regime denounced worldwide for its crimes against the people.
Architects of Denial(en)
Though both the historical and modern-day persecution of Armenians and other Christians is relatively uncovered in the mainstream media and not on the radar of many average Americans, it is a subject that has gotten far more attention in recent years.
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Once Upon a Time in Venezuela(es)
Once upon a time, the Venezuelan village of Congo Mirador was prosperous, alive with fisherman and poets. Now it is decaying and disintegrating—a small but prophetic reflection of Venezuela itself.
Our Children(de)
From an official perspective, marginal youth culture did not exist in East Germany. The topic of subcultures was taboo in the GDR, and groups such as goths, skinheads, anti-skins, punks and neo-Nazis were dismissed as social deviations promoted by western countries. Director Roland Steiner had access to such young East Germans in the late 1980s. Over the course of four years, he brought them before the camera in an attempt to understand what drew them to these groups.