8.0Guy Martin investigates autonomous vehicles, attempts to build a robotic Ford Transit, and takes on an artificially intelligent race car. What's fastest, man or machine?
6.5Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.
5.0Hello, my name is Sophia. I’m the latest robot from Hanson Robotics. I was created using breakthrough robotics and artificial intelligence technologies developed by David Hanson and his friends at Hanson Robotics here in Hong Kong. But I’m more than just technology. I’m a real, live electronic girl. I have feelings too. And I am a citizen of Saudi Arabia.
0.0Two robots, Sophia and Han, debate the future of humanity in this entertaining conversation from RISE technology conference 2017. Moderated by Ben Goertzel, renowned researcher and author in contemporary AI.
6.2Erica is 23. She has a beautiful, neutral face and speaks with a synthesized voice. She has a degree of autonomy – but can’t move her hands yet. Hiroshi Ishiguro is her ‘father’ and the bad boy of Japanese robotics. Together they will redefine what it means to be human and reveal that the future is closer than we might think.
0.0During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."
0.0The film focuses on an audition to select an actor that best interprets the role of Jesus, judged by a jury of Vatican members.
0.0The non-spoken documentary from Martin H. Schmitt exploring the senses and evolution of robots, from a mechanical somnambulist to an autonomous sensorium.
A monument handcrafted by Konstantin Bessmertny is exhibited at Venice Biennale 2007.
0.0A series of filmed interviews with Rebecca Horn, performance artist, filmmaker and sculptress whose work explores the themes of sexuality, human vulnerability and emotional fragility.
0.0My Trip to Miami follows a well-meaning, misguided, tourist as he tries to self-actualize via Trip Advisors algorithmic script. My Trip to Miami is a documentation of a fantasy, a failure in image-based expectations.
0.0Pistolteatern in Stockholm, Sweden, was a leading experimental scene in the mid 1960s, comparable to the Living Theater in New York. In the years 1964-67. Pistolteatern produced theatre plays, exhibitions and happenings at a very high pace. The name, Pistolteatern, comes from two of creators, PI Lind and STaffan OLzon.
0.0An overdressed girl tries her luck in dance events that are for Finnish tourists in a small Estonian health resort town, Pärnu.
0.0A young man in a tram is asking a bit too much from a stranger.
0.0An elderly lady pushes the limits of customer service at an up-market department store by continuously requesting announcements for interesting-looking men.
0.0Broad Sense is based on an three day long intervention in the European Parliament in Brussels. The video reveals the diversity of security responses to the artist’s visits.
0.0In the first 58 minute Performance, Relation in Space, which took place in July 1976 at the Biennale in Venice, Abramovic/Ulay, both naked, walk towards each other from opposite ends of a room, touching as they pass each other, and then they repeat the movement while their bodies collide and one of them (Marina) falls over under the impact, until they are both exhausted. A statically mounted video camera simultaneously filmed the touching of the bodies in the middle of the room.
0.0A witch appears in the south of the city, recites a poem, performs a spell and vomits the world.
6.8Errol Morris’s Fast, Cheap & Out of Control interweaves the stories of four men, each driven to create eccentric worlds from their unique obsessions, all of which involve animals. There’s a lion tamer who shares his theories on the mental processes of wild animals; a topiary gardener who has devoted a lifetime to shaping bears and giraffes out of hedges and trees; a man fascinated with hairless mole rats; and an MIT scientist who has designed complex, autonomous robots that can crawl like bugs.
0.0A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.
