Björk: Vessel 1994
Top 1 Billed Cast
Self
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Deepest Purple: The Very Best of Deep Purple is a compilation album by the British hard rock band Deep Purple, released in 1980. It features the original hits of Deep Purple before their 1984 reunion. Aided by a TV advertising campaign it would become Purple's third UK #1 album. It was at one point the longest album ever released as a single LP, but it was overtaken by Def Leppard's Hysteria album in 1987. This also marked the debut of "Demon's Eye" for the North American release, where it was replaced by "Strange Kind of Woman" on Fireball. The film, released on DVD with the 30th anniversary edition, features track by track Jon Lord interviews.
Jimi Hendrix - Live at the Isle of Wight(en)
His “Isle Of Wight” concert, which is presented on this disc, features many of Jimi’s best material, supported by his “Experience” band, with Billy Cox on bass and Mitch Mitchell on drums. “Freedom”, “Voodoo Chile”, “All Along The Watchtower”, “Red House”, and “Machine Gun” are only a few of the highlights on this disc. During this infamous concert, Jimi was also playing “New Rising Sun” and “Lover Man”, both of which are unfortunately missing from this recording for some reason.
Oils on the Water(en)
On January 13th 1985, Midnight Oil performed the Oils on the Water concert on Goat Island, Sydney, to celebrate radio Triple-J's tenth birthday, before a select crowd of 400 (half competition winners and half staff, media and friends, though other fans swam across). The concert was simulcast live on ABC TV and Triple J radio, released on video, then later remastered as part of the 2004 Best of Both Worlds DVD set. Oils on the Water was a classic Midnight Oil performance and setting with the band in fine high-energy form, caught in the light of the setting sun, against the backdrop of the Sydney Harbour Bridge.
Paolo Conte - Arena Di Verona(it)
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Procol Harum - Live Beat Club & MusikLaden(en)
Led by pianist / singer Gary Brooker, this 1971 Beat Club Workshop showcases the band at the height of their career. The show features BJ Wilson on drums, Chris Chopping on organ, Dave Ball on guitar, Allan Cartwright on bass, and Gary Brooker on piano and vocals. Superb musicianship and artistry come blazing through in these rare and exciting performances of artists and groups of the 60s, 70s, and 80s. These are the international stars that were part of the televised monthly music show Beat Club and MusikLaden. Filmed in Germany at the television studios of Radio Bremen, MusikLaden (originally known as Beat Club) became a TV classic not only for the fans, but also for the artists who took part. There was no time limitation on song length so artists were able to perform live concert versions of their most popular hit songs.
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Over to London this weekend for a concert by 70′s legends Supertramp, recorded by the BBC as part of their Sight and Sound series on November 17, 1977. Forming in 1969, Supertramp quickly rose in popularity and established themselves as one of the most popular of the crossover Art-Rock/mainstream bands. They became a staple on FM and had a string of huge selling singles and albums. Their popularity began to fade in the 1980′s as musical tastes changed with Art-Rock falling out of favor with New Wave. The band eventually went on extended hiatus and reformed later with personnel changes. But there was a time in the mid-seventies where you couldn’t turn on a radio without hearing at least one, if not several Supertramp songs in one sitting; all of which you knew by heart.
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Joseph Cornell: Worlds in a Box(en)
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
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