A quartet of powerful, hard-hitting short films that lay bare the disturbing reality of everyday life in the Democratic Republic of Congo.
2010-03-18
0
A documentary about the end of the colonial era in Africa, portraying acts of animal poaching, violence, executions, and tribal slaughter.
Rumba Rules, New Genealogies offers an enjoyable, rough-edged glimpse into the music scene of Kinshasa, with impromptu shots drawing the viewer into jam sessions on plastic chairs, and the quest for perfection at the studio.
The Democratic Republic of Congo in Africa is one of the world’s most resource-rich countries. A wide range of rare minerals can be found here in abundance, all commanding high prices in world commodity markets. Diamonds for jewellery, tantalum, tungsten and gold for electronics; uranium used in power generation and weaponry and many others. Congo has copious deposits of raw materials that are in high demand internationally but remains one of the poorest countries in the world. For our translator, Bernard Kalume Buleri, his country’s history of turmoil is very personal; like most Congolese people, he and his family fell victim to the unending mineral based power struggle. Born in the year of his country’s independence, he has lived through war and seen his homeland torn apart by violent looting and greed. His story is a damning testament, illustrating how nature’s bounty, instead of being a blessing, becomes a deadly curse.
In urban America, the bush of Africa, the war zone of the Congo, and in closed nations there are women who are living outside their own cultures, society, and comfort level to care for orphans, build schools, liberate addicts, feed the poor, and love the broken. These ordinary women are reaching into hopeless situations of people and creating hope.
Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.
Some kids in Brussels play a game based upon objects that were brought back from the Congo and which were used during the Hutereau expedition.
An investigation of the emotional and economic value of Africa's most lucrative export: filmed poverty. Deep in the interiors of the Congo, Dutch artist Renzo Martens single-handedly undertakes an epic journey and launches an emancipatory program that helps the poor become aware of what is their primary capital resource: Poverty. After three years of traveling through the Democratic Republic of the Congo he asks the question: "Who owns poverty?
Sven Nykvist, best known as Ingmar Bergman cinematographer, made this film as a tribute to his father who was a missionary in Kongo in the early 20th century. The story of his father Gustav Natanael Nykvist is told through his own photos, letters, and films. Director & cinematographer: Sven Nykvist. Narrators in the English dubbed version: Liv Ullmann & Sean Connery. Produced by Ingmar Bergman (Cinematograph AB). Digitally restored in 2022.
35 Cows and a Kalashnikov is a joyously made triptych about warrior-farmers, colorful dandies and voodoo wrestlers in Ethiopia, Brazzaville and Kinshasa. It paints a loving and attentive portrait of African pride and beauty.
As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.
In June 2010, French actress Marion Cotillard spent a week in the heart of the tropical forests of the Democratic Republic of Congo with members of Greenpeace France and Greenpeace Africa. She delivers in video a strong testimony on the looting of Congolese forests which benefits a few industrial groups, often European.
In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.
Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)
Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War. In 1960, the UN became the stage for a political earthquake as the struggle for independence in the Congo put the world on high alert. The newly independent nation faced its first coup d'état, orchestrated by Western forces and Belgium, which were reluctant to relinquish control over their resource-rich former colony. The US tried to divert attention by sending jazz ambassador Louis Armstrong to the African continent. In 1961, Congolese leader Patrice Lumumba was brutally assassinated, silencing a key voice in the fight against colonialism; his death was facilitated by Belgian and CIA operatives. Musicians Abbey Lincoln and Max Roach took action, denouncing imperialism and structural racism. Soviet Premier Nikita Khrushchev intensified his criticism of the US, highlighting the racial barriers that characterized American society.
Documentary about African political leader Patrice Lumumba, who was Prime Minister of Zaire (now Congo) when he was assassinated in 1961.
Lao Yang is head of logistics of the group. He is responsible for the equipment, building materials and food (mainly chickens) to arrive in the isolated Chinese prefab camp. The Congolese government was supposed to deliver these things but so far the team hasn't received anything. With Eddy (a Congolese man who speaks Mandarin fluently) as an intermediate, Lao Yang is forced to leave the camp and deal with local Congolese entrepreneurs, because without the construction materials the road works will cease. What follows is an endless, harsh, but absurdly funny roller coaster of negotiations and misunderstandings, as Lao Yang learns about the Congolese way of making deals.
Wherever war breaks out, men with guns rape. During the decades of conflict in the Democratic Republic of Congo possibly hundreds of thousands of women and girls were brutally raped. In WEAPON OF WAR military perpetrators unveil what lies behind this brutal behavior and the strategies of rape as a war crime. An ex-rebel explains how he raped. Like for many ex-soldiers, starting a normal life again is a struggle filled with trauma. In an attempt to reconcile with his past, he decides to meets one of his victims in an attempt to obtain forgiveness. Captain Basima is working as a priest in Congo's army and confronts perpetrators of rape. He urges them to change. Just like he did.
April, 1994. Genocide in Rwanda. 800,000 dead. A catastrophe that upset the balance in the entire region. The Great Lakes region of Africa ended the year with a bloodbath. This documentary shows the intrigues, the dramatic effects, the treasons, the vengeances that prevailed over those years and whose only goal was to maintain or increase each faction’s area of influence. In just ten years, the population saw all their hopes vanish: The dream of an Africa in control of its own destiny, alimentary self-sufficiency, the end of interethnic conflicts