A ne'er-do-well must man up to confront his brother's tormentors, and wise up in order to fight for the love of the right woman.
11 years old Brian is an imaginative boy who is dealing with the loss of his grandfather by constructing a fantastic series of rituals...
Mathieu Sapin's next graphic novel is about French independent cinemas. Taking us on a journey across France, he explores the challenges facing this fragile cultural ecosystem. On his way, Matthew discovers a community of enthusiasts and the diversity of French offerings that is admired the world over.
Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.
Millionaire Baretti pays a gang to rob an atomic bomb from an American silo, and then blackmails the American Government for a huge amount of money. German secret service (BND) agent 'Dynamite' will use his fists, guns and more to try to stop them.
Riding the Rails offers a visionary perspective on the presumed romanticism of the road and cautionary legacy of the Great Depression. The filmmakers relay the experiences and painful recollections of these now-elderly survivors of the rails. Forced to travel more by economic necessity than the spirit of adventure, the film's subjects dispel romantic myths of a hobo existence and its corresponding veneer of freedom. Riding the Rails recounts the hoboes' trade secrets for survival and accounts of dank miseries, loneliness, imprisonment, death, and dispossession. Sixty years later, the filmmakers transport their subjects back to the tracks, where the surging impact of sound and movement resuscitates memories of a shattered adolescence and devastating rite of passage.
No. 5 Reversal opens with a close up sequence of two women in animated conversation, followed by an aural page/station structure. The film combines elements of horizontal and vertical montage in the soundtrack, using white noise, and radio static as a fragmentation device. The visually striking black and white photography weaves lyrical, pastoral nature with the de- and re- construction of civilization. No. 5 Reversal ends with a filmic signature, an image of its maker framed in front of a window against a backdrop of ruins.
Set in 1973 and inspired by true events, 'Wild About Harry' follows the havoc wreaked in a teen girl’s life when she discovers that her widowed father is gay. Alternately comic and tragic and anchored by an impressive ensemble cast, the film captures both the freedoms and the homophobia of the time – all set against the backdrop of small town America on Cape Cod. British widower Harry Goodhart decides to make a fresh start and moves with his teenage daughters to Cape Cod in 1973. But Harry can't leave behind the secret that threatens to tear his family apart. Adjusting to their new lives proves difficult for the girls when they discover that the connection between their dad and his partner is more than just a working relationship.
Saravanan starts a construction company with his friend Prabhu, who has put in money that belongs to his employer Sundar, a loan shark and a goonda. When Sundar realizes this, he demands the money back but Saravanan is cheated by a middleman...
A mentally-handicapped young man, a sex-obsessed tortured artist, and their responsible but somewhat prideful brother are all grief-stricken in the wake of their mother's death. The three brothers live with their father, a withdrawn and abusive parent who offers no consolation to his mournful sons. The dysfunctional family's dynamic is further complicated when the father strikes up an eccentric sexual affair with a Chinese man who is nearly the same age as his own sons.
Madness play a set live from the "Rock En Seine" festival, 2009.
This is a comedy about people who work in the theater, live for the theater, think of nothing but the theater. The director seems crazy, the art director has idiotic ideas, and the acting coach is eccentric: they even look like brothers, related by their common obsession for the theater, linked as one with the actors. The new project is Mozart's Don Giovanni, in which the director insists to give it a brand new interpretation and an avant-garde treatment. Now, he has to deal with the violent objection from the actors, the musicians, the singing coach, the stage manager, and even the cafe bar attendants and the cleaners. The situation is further complicated as the director is such a womanizer like Don Juan... and his lovers and kids keep bugging him throughout the rehearsal...
After Emiliano dies from poisoning, a vault in Zürich opens to reveal a video tape of edited fragments from surveillance cameras that captured the most important day in Emiliano's life. That day he learned that what matters most in life are not beginnings or endings, what matters most is one defining moment: his peculiar encounter with Juan when he recruited him to assassinate a former presidencial candidate.
In "All Through the Night," perhaps the single most famous story from the original comic book series, a psychotic killer dressed as Santa escapes Christmas Eve and terrorizes a middle-class home where murder has already made a holiday appearance: a homicidal wife plunges a fireplace poker into her husband's skull. (It was also adapted in the 1972 British anthology movie Tales from the Crypt). Kirk Douglas stars as a blood-and-thunder World War I general who discovers his son is a coward in the grim "Yellow," the most dramatically acute of the trio. Digital magic morphs Humphrey Bogart into "You, Murderer," a high-concept, rather gimmicky tale of murder, double crosses, and poetic justice as seen through a dead man's eyes. Isabella Rossellini (daughter of Bogie's Casablanca costar Ingrid Bergman) and John Lithgow costar as plotting lovers.
Zouhair militates with these friends to participate in a demonstration against the war, but they have other priorities... "The New Horizon Competition" Prize at the Al Jazeera International Documentary Film Festival 2010.