Herself
Herself
Herself
Herself
Herself
Elvis Costello performs for his hometown audience.
In 1953, Jacqueline Auriol, a French pilot, is about to go down in history along with her jet aircraft.
Ordinary housewife Ji-soo's (Lee Sun-joo) dream is to be loved by her husband. Her husband Tae-joo (Park Jeong-hwan) is a rough debt collector who is unhappy about his sex life with his wife. Gangster Chang-soo (Jang Yong-seok) who makes videos from motels using a hidden camera under Detective Kang (Yeo Hyeon-soo) who commits corruption, borrows money from Tae-joo to gamble with but can't pay him back in time. Ji-soo finds out she's pregnant and is glad she can finally earn some love from her husband but she discovers a video of her husband cheating in the car blackbox. She calms down and comes home early one day to find her husband cheating on her. However, the woman who is sleeping with her husband turns out to be her own mother (Lee Eun-mi-I). Ji-soo plans to take revenge and there is a man who is watching her in secret...
Luca Guadagnino left for Sicily from Milan to knock on the doors of his childhood friends and discuss with them their experience of this exceptional moment, which has united the entire world.
Camille is a completely ordinary woman. Former assistant in a pharmaceutical factory, her life never had any meaning for her. Disillusioned and deeply disappointed by the inaction of governments in the face of the ecological crisis, she decides to take action.
Waking up alone, cold, and scared, the Lost searches for hope in salvation.
The dreaded slave hunter Abu el Mot attacks the caravan and abducts the travelers, including Kara Ben Nemsi, his faithful companion Hadschi Halef Omar, the quirky scholar Ignaz Pfotenhauer and the English explorer Sir David Lindsay. Kara Ben Nemsi manages to escape with Hadschi Halef. To get help, they set off on a long journey full of impassable adventures...
No. 5 Reversal opens with a close up sequence of two women in animated conversation, followed by an aural page/station structure. The film combines elements of horizontal and vertical montage in the soundtrack, using white noise, and radio static as a fragmentation device. The visually striking black and white photography weaves lyrical, pastoral nature with the de- and re- construction of civilization. No. 5 Reversal ends with a filmic signature, an image of its maker framed in front of a window against a backdrop of ruins.
Fede just broke up with his longtime girlfriend. His two best friends, Memo and Carlos, attempt to cheer him up inviting him to go out and meet some new girls.
Trailblazing artists, activists, and everyday people from across the spectrum of gender and sexuality defy social norms and dare to live unconventional lives in this kaleidoscopic view of LGBTQ+ culture in contemporary Japan.
The story takes place in the pre-liberation southwestern borderlands, where two well-dressed young men are welcomed on a winding path in the deep mountains. They are Qi Yuanjing and Zhou Luo, spies sent by the police department, disguised as merchants to find out the reality of a group of cunning bandits. As twilight approaches, the two men make their way to the secluded Purple Cloud Taoist Temple. The Taoist master, Shou Jing, shows the two of them in, but the meticulous Qi Yuanjing discovers a series of suspicious things inside the Taoist temple. The Taoist master blinks at the queries raised by Qi. Before long, they saw horrific ghostly figures in a nearby attic. According to the Taoist priest's account, a tragic war once took place here two hundred years ago, so whenever it rained, ghosts would come out and roam around.
A research scientist discovers that his project is being secretly adapted for use by the military. When he objects, his co-workers start to die in mysterious accidents.