Leave Yesterday Behind
Top 10 Billed Cast
Connie
Howard Stallings
Laura
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Samba migrated to France 10 years ago from Senegal, and has since been plugging away at various lowly jobs. Alice is a senior executive who has recently undergone a burnout. Both struggle to get out of their dead-end lives. Samba's willing to do whatever it takes to get working papers, while Alice tries to get her life back on track until fate draws them together.
Epitaph(en)
In the Dark Ages a lone knight, haunted by the spirit of death, braves a dark forest to lay his wife’s ashes to rest.
Herbstromanze(de)
A short vacation should let the 17-year-old, deaf-mute Veronika forget the death of her beloved father, so the plan of her mother Christina. The place of recreation, however, is not chosen happily, due to lack of money: Gut Vorwald in the Sauerland region belongs to the mature nobleman Benno von Caldern, to whom Christina once pledged herself in her youth before meeting her future husband and renouncing Benno. Under the golden roof of autumnal oak crowns, the feelings of the past return, not without dramatic consequences.
Giselle(en)
Giselle is the quintessential Romantic ballet. Its title role, one of the most technically demanding and emotionally challenging in the classical repertory, is here danced by Alina Cojocaru, partnered by Johan Kobborg as Count Albrecht. This tale of the transcendental power of love over death is evocatively portrayed through Peter Wrights sensitive staging and John Macfarlanes designs, which beautifully contrast the human and supernatural worlds mastered from a High Definition recording and true surround sound. Conductor : Boris Gruzin Orchestra : The Orchestra of the Royal Opera House
Miriam(fi)
After her aunts death, young Miriam gets a position with the Allnes family. They have a son, Hans. Miriam and Hans fall in love. But the Hans mother is jealous and disapprove.
In Therapy(pt)
In Rio de Janeiro, the forty and something years old Mercedes (Lília Cabral) goes to the psychoanalyst and tells the story of her life since she was a girl and lost her mother. Along the three years of analysis, her life changes and she divorces from her husband Gustavo (José Mayer) and has love affairs with the younger Theo (Reynaldo Gianecchini)
Melody of Love(en)
Historically significant as Universal's first 100% all-talkie, the production suffered from having a tight shooting schedule. Carl Laemmle was only able to rent the Fox Movietone sound-on-film recording system for one week, having to be filmed at night while the Fox Studio was closed down for the evenings.
Literature Girl(ja)
The protagonist of the story, Konoha Inoue, is a seemingly normal senior high 2nd year student. His high school life, other than a hinted incident 2 years ago, can be summed up as normal- if one can dismiss the secret fact that he used to be a female bestselling romance author. Due to that incident, however, he has now vowed never to write again. This continued on until he was forced to join the literary club by the literary club president, the 3rd year female student Amano Tooko, a beautiful girl who has a taste for eating literary works. Now he has been tasked with writing her snack every day after school. (Source: To Say Nothing of the Dog)
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Tan is expected to be like his dad but he would rather escape the narrow confines of his mother's world. His dreams look like they are coming true when he meets June, a free spirit who knows what she wants from life.
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Daaera(hi)
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Out of Africa(en)
Tells the life story of Danish author Karen Blixen, who at the beginning of the 20th century moved to Africa to build a new life for herself. The film is based on her 1937 autobiographical novel.
Synecdoche, New York(en)
A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.
Recommendations Movies
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The Four Feathers(en)
The fifth filming of the adventure classic about a British soldier in the 1880s who fights to regain his honor after being given four white feathers, symbols of cowardice.
Dinner at Fred's(en)
A young businessman with a skill for magic tricks breaks down en route to his fiancee's parents' house on Christmas and ends up spending the holiday with a very different kind of family.
Por Toda Minha Vida - Mamonas Assassinas(pt)
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The Yellow Car(sv)
On a tourist trip abroad the passengers on the coach witness an assassination attempt on the President Hurkas. One of the tourists has evidence against the perpetrators, and is killed when the coach reaches Sweden. Another passenger observes how one of the perpetrators is picked up by a yellow car. She is kidnapped and locked up in a mental hospital.
One Billion Happy People(pl)
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Brooklyn Girls Fight Club(en)
From the birthplace of boxing legend Mike Tyson, young women brawl in secret fight clubs to win $1000 and invaluable street cred.
Lovers of the Nile(fr)
During the Second World War, in 1943, Anne Frendo, a young dreamer and artist, living alone with her father in Tunisia, discovers, by chance, the lifeless body of a French soldier, parachuted in. At the invitation of her aunt, Sophie Frendo, an Egyptologist, she sets out on a journey that leads her to Sfax, Egypt, taking with her a letter that the soldier had begun to write, and which seems to be intended for her.
Visit Out of the Blue(de)
The multi-millionaire John Underhower travels from New York to Bavaria, where he’s bought a castle. The reason? He wants to prove there’s ghosts in the old building. John represents himself as a poor circus performer to his unsuspecting cousin Hyronimus, who works as a tour guide at the fortress. And Hyronimus has no shame in pretending to John, that he’s the proud owner of the castle. This little game soon leads to a lot of complications.
Monarda(en)
Walter Ungerer’s Monarda (2010) has been screening across the country as part of the 2011 Black Maria Film Festival, a traveling program of new experimental cinema. Like much of Ungerer’s work, the 10-minute Monarda explores the mystifying qualities of nature. Beginning with a shot of grass, Ungerer quickly abstracts his images through digital manipulation until they are barely recognizable. Traces of natural forms (leaves, twigs) ground what is an otherwise indescribable procession of images. Though the visuals evade literal synopsizing, there’s a simplicity and concision to the film that allows the viewer to get caught up in their own experience rather than get sidetracked on decoding the filmmaker’s intentions. Monarda instills a feeling of both apprehension and wonder in the viewer. It’s a disquieting film, but one whose subtle craft and atmosphere becomes more impressive over multiple viewings.
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