After fifty years of military dictatorship Burma's first girl band faces a tough reality. When you're finally allowed to speak, what do you say? In a country undergoing massive change, five feisty young women break free of tradition in their search for an original voice.
2012-06-07
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LOOK AT US NOW, MOTHER! is about the transformation of a highly charged mother/daughter relationship from Mommie Dearest to Dear Mom, from hatred to love, as told through the filmmaker's story. The film is an unflinching look at the complex bond between mother and daughter. It reveals insights into family behaviors, patterns and generational, societal, cultural and individual histories. The film takes the audience on a journey spanning decades and continents, filled with conflict and emotional land mines. Told through biting humor and raw honesty, this is an intimate story about family dysfunctions and forgiveness.
Marion Hänsel directed this personal meditation on the joys and responsibilities of parenthood, in which a narrator reads Hansel's philosophic musings on raising her young son on her own, while carefully shot and selected footage of different cloud formations from around the world provide a striking visual backdrop. Catherine Deneuve read Hänsel's text in the original French-language version of Nuages; Charlotte Rampling did the honors for the English-language print, while Barbara Auer, Carmen Maura, and Antje De Boeck respectively lent their voices to the German, Spanish, and Dutch editions of the film.
Los Punks: We Are All We Have is an intimate documentary about the teens and young adults who find meaning in the thriving punk rock scene in the backyards of South Central and East Los Angeles.
New Zealand’s 4th Most Popular Parody Duo are back for a mutha-uckin’ special concert live at the London Apollo.
Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.
Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Featuring dozens of performances from the living rooms, backyards, and unconventional venues throughout Athens, GA, the first Athens Rising film takes a deep look at music, dance, food, stand-up comedy, strange theater, visual art, and the origins of AthFest.
Jean-Luc Godard and Anne-Marie Miéville talk about their films, while doing everyday tasks around their house.
It examines the daily life of the residents and cops at a Rio de Janeiro favela one year after the arrival of a Pacifying Police Unit.
Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.
A portrait of Swedish troubadour Cornelis Vreeswijk.
Chasing Asylum tells the story of Australia's cruel, inhumane treatment of asylum seekers and refugees, examining the human, political, financial and moral impact of current and previous policy.
“Once upon a time, before people came along, all the creatures were free and able to be with one another”, narrates the voiceover. “All the animals danced together and were immeasurably happy. There was only one who wasn’t invited to the celebration – the frog. In his rage about the injustice, he committed suicide.” Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming “once upon a time” into “there is”. “Afterwards, nothing will be as it was and the melody of life will have changed”, explains a voice off-camera. Golden Bear for Best Short Film 2016
The life of Irishman George Howard who buys an English theatre and strives to improve the standard of musical entertainment. Set in the late 19th and early 20th centuries and loosely based on fact.
By focusing on the experiences of 25-year-old Nadine Zaidan, who was one of the thousands of activists who gathered in Beirut’s Martyrs’ Square in the chaotic days immediately following the assassination of Prime Minister Rafiq Hariri in February of 2005, Beirut Diaries explores critical transformations and crucial questions facing contemporary Lebanon. With this insightful video diary, director Mai Masri chronicles the political ferment embodied in the March 11th Movement, also known as The Cedar Revolution, as people of all factions, ages and religious affiliations passionately debate such issues as Syria’s influence in Lebanese politics, the establishment of an international commission to investigate Hariri’s assassination and the organization of free parliamentary elections.
This heartfelt documentary from award-winning filmmaker Mai Masri explores the enduring friendship that evolves between two Palestinian girls—Mona, who was born and raised in the economically marginalized Shatila refugee camp in Beirut, and Manar, who lives in the Dheisha refugee camp under Israeli control. The two girls begin their friendship as penpals, sharing the similarities and differences of life in the two refugee camps. Mona and Manar are finally able to meet face-to-face at the Lebanese-Israeli border during Israel's withdrawal from South Lebanon. But when the second intifada suddenly erupts around them shortly thereafter, both girls must face heart-breaking changes in their lives.
After her husband was kidnapped in 1982 during the civil war in Lebanon, Wada Hilwani gathered together the families of the kidnap victims and formed the Committee for the Families of the Kidnapped and Missing. Decades after the end of the war, these families continue their painful search for the truth about their loved ones, and for justice against war crimes.