Two years after she was raped, a woman agrees to meet with her rapist in the beautiful ruins of Intramuros. As they have the same blood type, her rapist asks her to donate blood for his operation claiming this will lengthen his life and will give him ample time to seek redemption. The woman refuses to do so as she rediscovers she is still a victim of unrequited love towards her rapist. Told in two separate perspectives, the story revolves around how the woman and man pick the pieces of their broken lives after the rape, meeting every so often at places that remind them of their past. They are confronted by the fact that they are both victims of each other: THE WOMAN struggles with loving no one but the man; THE MAN, struggles with his guilt knowing he can't love the woman the way she wants him to.
2011-07-17
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Mara is scared of water. She has a rare condition that keeps her from touching any forms of liquid. As a single mother, her only pearl is her frisky son Elim, who was later on diagnosed with a life threathening disease. The boy’s only request is to learn how to swim.
Consuelo, a ghost who has haunted Escolta for many years, finds a respite from her loneliness in Joey, a young man who has just died. As the two ghosts pass the time before Joey moves to the afterlife, Consuelo questions her reasons for staying put.
A self-made farmer and rice mill owner who faces a rebellion by his two sons when he installs his young mistress as the new woman of the house immediately after the death of his wife. Complicating matters further is the fact that the older son is already living with his common-law wife in the same house.
Mikey, a young, discreet, gay man from the affluent class, spends five years in a city jail while hearing his case for drug pushing. Inside prison, Mikey holds back to adapt to the culture and stratification among inmates. Eventually, Mikey becomes a ‘Mayor’ (ring leader) to a group of gay inmates called “Gang-da”. Together, they thrive to survive the dangers of several gang riots, the mundane, and the decay of human dignity.
A woman returns to the village of Kagbunga in the Bikol region carrying the ashes of her only son via the old train that circles her universe like the tandayag, the primordial serpent. In a filial act of mourning, she will reckon and reconcile the thin line that exists between tragedy and transcendence and prove and that even the most broken life can be restored to its moments.
A story of Ilyong, recently-dead man killed by the police, after he was caught stealing. This is the beginning of his story, his death. Soon after, he was brought into a sleazy funeral home, run by Violet, a greedy homosexual who has learned to survive by renting out the dead bodies in his funeral home to Simon. Along for the ride is Jojo, a police officer who is under the payroll of Simon and who supplies the dead bodies for Violet to take care of and make money from. Violet has two workers, On-on and Dyograd.
Ferry owner Benjamin has a regular passenger, Chedeng, who is studying to become a midwife. Chedeng has a friend and neighbour, Maria, and without either of them knowing about it they both have a relationship with Benjamin. When Mary finds out she’s pregnant, things get difficult.
A woman fell in love with a Japanese soldier, during the Japanese Occupation in the Philippines. The whole town turned against her.
Gene works for the local underworld syndicate but always treats his abductees with kindness. He begins a dangerous affair with ex-bar girl Dolor, who's routinely beaten by her rich husband. When the cops move in on Gene's gang and Dolor's husband winds up dead, the couple flees with the law and their enemies in hot pursuit.
A journalist investigates a woman with the name of China Doll. Soon, he discovers his knowledge of her turns out to be dangerous.
On a storm-ravaged island that has seen its share of tragedy, a person who had been assumed dead reappears and ignites a frenzy of reactions, ranging from ecstatic religious fervor to fear.
In a quaint provincial town, an elderly man awaits his inevitable fate.
Rashid Ali returns to his Maguindanao hometown after studying and working for more than 25 years in Barcelona, Spain. Idealistic, he dreams of using what he learned in Europe to improve the lives of his people. But nothing has changed since he left. Politicians remain corrupt, poverty is widespread, his people desperate.
Pandanggo has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.
Senator Gabriel Alcaraz is preparing to deliver a privilege speech alleging corruption in the highest levels of government. On his way to the Senate, he gets wind of a plot against him. The police seek to arrest him for his part in an operation decades ago. Suspecting that the administration isn’t willing to give him a fair trial, Alcaraz goes into hiding abroad, hoping to find a way to clear his name and eventually return to his family. Back home, an old colleague is put in charge of finding him, and his family suffers under the pressure of public scrutiny.
An ex-seminarian slash communist runs a hotel in Baguio. He then meets a handsome upcoming lawyer. A once-a-year trip to Baguio by the lawyer and conversations with the hotel owner develop into an affair which encompasses decades of socio-political changes in the country.
A young woman tired of being the rebound girl makes rules for herself to avoid that situation. But she is immediately challenged when she makes a connection with another heartbroken young man.
EDSA XXX takes us on a wild ride through the ups and downs, twists and turns in the life of one man’s downfall and the rise to fame of another. The present leader KULOG NEGRO has led the country to progress; his rallying call is championing poverty for the benefit of tourists and film festivals. But the well-meaning leader is a mere puppet in the political arena and someone has just decided that he has to go.
Trisha, a Filipino transgender woman, suddenly dies while being crowned in a beauty pageant. Her last wish was to be presented as a different celebrity on each night of her wake, but her conservative father wants to bury her as a man.