The Champions
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When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Georgia O'Keeffe(en)
Georgia O'Keeffe appears on camera for the first time to talk candidly about her work and her life in this 1977 documentary.
Gertrude Stein: When You See This, Remember Me(en)
The thoughts, words, and compelling presence of Gertrude Stein flows richly through this portrait of the author's Paris years from 1905 through the 1930s.
Mary Cassatt: Impressionist From Philadelphia(en)
This documentary portrait is the first to celebrate the only American member of the French Impressionist school and the first American woman to become a famous painter. 'Mary Cassatt Impressionist From Philadelphia' is not only a biography of the artist’s life and work; the film sees both in the context of the status of the woman painter in Victorian America in the second half of the 19th century.
Scott Joplin: King of Ragtime Composers(en)
A short 1977 documentary about the originator of the ragtime rhythm.
Coming to Know(en)
Two young women discuss how they discovered their interest in women. In a straightforward, candid manner, they relate early experiences through which they became aware of being gay. A short 1976 film.
The Walls Come Tumbling Down(en)
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My Really Cool Legs!(en)
My Really Cool Legs! follows a group of pediatric amputee athletes who challenge themselves beyond their disability. Led by their amputee mentor and coach, these kids dance and ski, ice skate and run, refusing to let their disability define who they are and what is possible.
Franz Schubert's Last Three Piano Sonatas(fr)
Alfred Brendel, one of the greatest of all pianists, plays and reflects on Franz Schubert’s last three piano sonatas. As he points out, Schubert can’t have known that he was soon to die, so they probably do not embody the air of resignation and finality future generations have sentimentally insisted they bear. They were however long neglected, all but forgotten, and only in more recent times have they come to be treasured and performed. The repose and wisdom of the maestro, together with the patient observation of one who is no stranger to the idea of the irrevocably lost, of the erasures of history, and of the value of fragile objects passed carefully from generation to generation, is a joy.
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Cat's Cradle(pt)
We wanted to make a film about a teenage mother. We met Joana in a casting that took place in Setubal, in the Bela Vista neighborhood. She appeared to us as a porcelain doll, small, fragile, pale, with a little hair bow. Little by little, she crumbled apart, revealing a charming complexity. We were conquered by the duality of strength and fragility, freedom and incarceration, joy and sorrow. The intimacy and complicity we were able to establish with her made this film possible. In Cat's Cradle, we share her with everyone else.
The Do Gooders(en)
British documentary filmmaker Chloe Ruthven’s grandparents were aid workers in Palestine. Growing up, she had avoided getting too involved in the subject, recalling how mention of the country made all the adults in her life angry. In her forties, after revisiting her grandmother’s book on the subject, she starts to research a documentary on the effects of foreign aid in the area and is shocked at the continued reliance on it there. Along the way she meets Lubna, a Palestinian woman who acts as her driver and fixer, and who is fiercely critical of Western aid efforts in her country. What begins as a quest to better understand her family history turns into a deeply emotional account of two women trying to understand one another. Ruthven’s determination to focus her film on deeply subjective analysis results in a unique joining of the acutely personal and complexly political. (Source: LFF programme)
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Mahaleo(mg)
Mahaleos voices and music have accompanied the people of Madagascar ever since the collapse of the colonial regime. Yet, even after 30 years of success, the groups seven musicians still keep their distance from the world of show-business, and remain deeply committed to helping their countrys development; their professions range from surgeon to farmer, physician to sociologist and member of parliament. Accompanied by the groups rhythmic melodies, the film follows the singers through their daily lives, giving us a glimpse of the far-reaching social and economic problems of the Malagasy people. The combined talents of the Brazilian, Cesar Paes, and the Malagasy, Raymond Rajaonarivelo, have produced a work that is both ethereal and concrete, poetic and political.
Masks(pt)
The film sought to portray a relatively unknown and isolated rural world and, through a highly politicized discourse, affirmed the genuineness of “folk culture.” Representative of the new documentary film movement that developed in Portugal after the revolution, the movie encouraged the local retrieval of the Caretos tradition. A ritual that seemed to be doomed by the conjoined impact of emigration, the colonial war and the crisis of agriculture was thus brought back to life. - Paulo Raposo
Will There Be a Theatre Up There?!(ka)
The main character of this documentary is one of Georgia's most popular actors, Kakhi Kavsadze, who walks us through this chronicle of the Kavsadzes, a family of famous Georgian folk singers and actors.
69 - Praça da Luz(pt)
Prostitutes of old age make their living in Praça da Luz, in São Paulo. Unusual and surprising accounts of five women who reveal in detail their experiences in all these years of profession.
My Love Awaits Me By the Sea(ar)
Hasan Hourani, a Palestinian poet and illustrator, died aged 29 in Jaffa while trying to rescue his nephew from the sea. Shortly after, the filmmaker Mais Darwazah discovers his drawings and poems and feels drawn to Hourani's world— a universe outside space and time; a place of wonder, discovery, and freedom. Motivated by this kinship, Darwazah embarks on a journey to her homeland, Palestine: a place she has never known.
Mayan Renaissance(en)
Mayan Renaissance is a feature length film which documents the glory of the ancient Maya civilization, the Spanish conquest in 1519, 500 years of oppression, and the courageous fight of the Maya to reclaim their voice and determine their own future, in Guatemala and throughout Central America. The film stars 1992 Nobel Peace Laureate and Maya Leader Rigoberta Mencu Tum. All of the images, voices, expert commentary and music in the film come directly from Central America, the heart of the Mayan World.
Olympia: Part One – Festival of the Nations(de)
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X-Men Origins: Wolverine(en)
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Snitch(en)
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