Britten: The Rape of Lucretia

Brainland(en)

In 1935, renowned Portuguese neurologist Egas Moniz visits psychiatrist Sobral Cid, trying to convince him to use his patients as subjects for an experimental treatment: frontal leukotomy. The film is a film adaptation of a scene from the play Brainland, which explores three key episodes in the history of 20th-century neuroscience. Each episode addresses dilemmas related to clinical ethics.

Lohengrin(de)

After Tristan und Isolde (2016), Parsifal (2017) and Die Meistersinger von Nürnberg (2018) this is the fourth installment of the exclusive, multiyear partnership between Deutsche Grammophon and the Bayreuth Festival, in which the Yellow Label is the exclusive audiovisual partner of the mythical Wagner festival, releasing each edition's new production on Blu-ray. This year, we are proud to release on Blu-ray the celebrated production of Lohengrin which was premiered on 25 July 2018, featuring an illustrious cast including Piotr Beczala and Anja Harteros in their house debuts, as well as the acclaimed return of Waltraud Meier to the Bayreuth Festival. The New York Times praised Piotr Beczala’s Lohengrin as “outstanding”, Anja Harteros [making] her impressive Bayreuth debut” as Elsa, and Ortrud “played with dominant presence by the incomparable Waltraud Meier”.

let me come in(en)

Bill Morrison’s experimental short features decayed film reels from the lost, German silent film Pawns of Passion (1928).

Amadeus(en)

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

The Phantom of the Opera(en)

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Salome(de)

This filmed version of Strauss' shocker features Teresa Stratas as opera's most depraved teenager, and she's as perfect a Salome as one would ever hope to see or hear. Stratas inhabits the role, exploring the character's sensuousness as she vainly woos Jochanaan, her venomous hatred when she's rejected, the crazed look in her eyes when she demands his head--on a silver platter, no less. Such complete identification with a role, especially of a character so malignant helps make this 1974 Salome stand out among the many fine DVDs of the opera.

Médée(fr)

A lonely mother and her son go to the opera where a performance of Cherubini’s opera Medea is given. It is the mother’s birthday and she wanted to surprise her son by inviting him to the opera. But, the son’s plan were different and he is quite upset about it. His mother tries to break the silent barrier behind which he hides. A semblance of discussion begins, not without humour. Tension is present but, as the performance goes on, both find themselves astounded, captured, alone in the opera house.

Arabella(en)

Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.

Rigoletto(it)

In Rigoletto, the deformed figure of the hunchbacked jester at the Mantuan court acts as a foil to his cynical and powerful master, an unscrupulous philanderer contrasted with his cruel and unforgiving fool. Rigoletto encourages and welcomes the Duke's conquests, pitilessly mocking his victims until he discovers that the Duke has abducted the one person he genuinely loves, his own daughter. As a result, the character of the court jester is transformed into a tragic figure who, in spite of his evident immorality and malice, allows us to sense the devotion he feels for his daughter and his horror at being destroyed by the same despotic world as that which he himself has helped to create.

Interrupted Melody(en)

Interrupted Melody is the inspirational filmed biography of world-renowned Australian soprano Marjorie Lawrence. She’s a foremost Wagnerian, equal to the vocal and physical demands of the composer’s oeuvre. And she’s a beacon of triumph to anyone who fights back when personal tragedy strikes.

The Metropolitan Opera: Il Trovatore(en)

Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.

Hänsel und Gretel(de)

Engelbert Humperdinck's beloved musical fairy tale HÄNSEL UND GRETEL is brought to life by Sir Georg Solti and an illustrious cast - all part of a shimmering production that continues to enchant audiences of all ages.

Jenůfa(cs)

When a beautiful young woman in rural Moravia becomes unexpectedly pregnant, she learns that love is sometimes only skin-deep. Janáček took Gabriela Preissová's grim tale of infanticide and redemption, and condensed it into a masterful, spine-chilling drama. The tragic plight of the protagonists is presented with unsentimental realism that cannot help but trigger a response of deep compassion. Premiered at the National Theatre in the composer's hometown of Brno 115 years ago, the opera took him nine years to complete and is the first in which his distinctive voice can clearly be heard.

Janacek: Jenufa(cs)

"Yenufa" is an outstanding phenomenon in the music of the 20th century. Drawing on Moravian folklore, Janáček faithfully and deeply conveyed the drama of a peasant girl. The composer followed the path of Mussorgsky, revealing the spiritual life of people through the recreation of intonations of living speech. The libretto is based on a drama written in a naturalistic manner. Free from naturalism, Janáček's music has powerful emotional strength and psychological truth. It was written during a difficult period in the composer's life (illness and death of his daughter).

Poulenc's The Human Voice / Bartók's Bluebeard's Castle(en)

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…

Berg: Wozzeck(en)

Based on real events and drawing on Georg Büchner's revolutionary play, Alban Berg's Wozzeck turns a grimly tragic narrative of violence and murder into one of the most powerful and original operas of the 20th century. Berg's uncompromising portrayal of brutality and madness generated much controversy, but the significance of Wozzeck was soon recognised; its compelling lyrical expansiveness, large-scale dramatic gestures and remarkable musical structures producing music of overwhelming emotional intensity. The Financial Times declared this to be 'a beautiful, moving, engrossing production… this is a consummate Wozzeck, blending clarity, lyricism, compassion and crushing force.'

Alban Berg - Wozzeck(de)

The soldier Wozzeck (Christian Gerhaher) flits through a world that he is unable to decipher. The doctor torments him with absurd medical experiments; the captain humiliates and ridicules him. And Wozzeck’s lover, Marie (Gun-Brit Barkmin), with whom he has a child, cuckolds him with the drum major. Wozzeck becomes a murderer, stabbing Marie to death. Georg Büchner’s drama fragment, on which Alban Berg based his first opera, is an unflinching case study of social injustice and human suffering. But it is also a grotesque piece that thrives on exaggeration – and in which only a fine line separates the unfathomable from the ridiculous. Accordingly, director Andreas Homoki forgoes all realism.

Positive(en)

Twenty-two year old Neuroscience student Wendy is in the midst of a transition from pre-med to performance when she is thrown into quarantine with her 17 year-old sister, April. Suddenly sharing a full-sized bed, the sisters struggle to make peace with their newfound living quarters. But, while editing April’s college essays, Wendy discovers her purpose–to help April find hers. Over fourteen days, the girls grow from acquaintances to artistic allies as they realize their unstoppable potential to pursue their passion. Based on a true story, this film was shot in Houston with an entirely Texan cast & crew. Creator Abby Tozer donated $2500 to the Cynthia Woods Mitchell young performing artists' scholarship.

The Metropolitan Opera: Norma(it)

Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. Her kindness turns to fury when she discovers that Pollione has taken Adalgisa, a novice priestess, as his new lover. When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.

The Metropolitan Opera: The Exterminating Angel(en)

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

The Metropolitan Opera: Capriccio(en)

Renée Fleming is Countess Madeleine, the beautiful, enigmatic woman at the center of Strauss’s sophisticated “Conversation Piece for Music.” She is being courted by two men: Joseph Kaiser sings the composer, Flamand, and Russell Braun is Olivier, the poet. The stellar cast also includes Peter Rose as the theater director La Roche, Sarah Connolly as the actress Clairon, and Morten Frank Larsen as the Countess’s brother. John Cox’s elegant production places the action in the 1920s. Andrew Davis conducts.

The Flag of Iron(zh)

Loyal gang member Iron Panther takes the heat for his boss after a dustup with their rivals, only to end up betrayed in this vintage kung fu yarn.

István, a király - Csíksomlyó(hu)

Nobody - Little Monster's Summer(zh)

Prequel of the film Nobody, 浪浪山的小妖怪, introducing us to the pig as one of the main characters!

USA Holiday(en)

Madhuri was thrilled when her brother Jimmy accepted her invitation for a holiday in the USA. Jimmy boarded a Jet Airways flight and landed at Dulles International Airport, where Madhuri greeted him with open arms. Joining them were her friends Katrina and Priyanka, ready to make the trip unforgettable. Their adventure began at the breathtaking Niagara Falls, where the misty spray left them laughing and drenched. In New York, they marveled at the city lights and strolled across the iconic Brooklyn Bridge. Washington, D.C., offered monuments and history, while Las Vegas dazzled them with its neon nightlife. The journey ended with a serene hike through the stunning Valley of Fire State Park. Every moment was filled with laughter, pictures, and stories that turned into lifelong memories. As they sat under the stars on their final evening, Jimmy smiled and said, "Life is a journey, and this one has been incredible. But the journey never stops.

The Dachshund(de)

They’re small, clever, and incredibly strong-willed: dachshunds. Their soulful gaze wins hearts and fuels their lasting popularity. Once royal hunting dogs, they now take on unusual jobs—like Strolchi, a miniature dachshund who sniffs out woodworm in historic buildings. The bond between humans and dachshunds goes back to Celtic times. Archaeologists have even found joint burials of people and dachshund-like dogs. Versatile and charming, they thrive as city pets, hunting companions, and even racers—like those at the annual Wiener Race in Kirchheimbolanden. Beloved far beyond Germany, dachshunds have fans in France too, with events like Paris’s “Sausage Walk.”

UFC 125: Resolution(en)

UFC 125: Resolution was a mixed martial arts event held by the Ultimate Fighting Championship on January 1, 2011 at the MGM Grand Garden Arena in Las Vegas, Nevada, United States. The main event was a lightweight bout between Frankie Edgar and Gray Maynard.

Zamanback(kk)

Azat blames his father for not achieving financial success in his youth and drinking a lot. After a quarrel caused by these problems, Azat finds himself in 1994, the year when his parents had just married. As a result, he tries to avoid a repeat of their fate and thinks, by interfering with their wedding, that he has the opportunity to change his life.

Public Sex, Private Lives(en)

Public Sex, Private Lives is an intimate look at the professional and private lives of porn performers Lorelei Lee, Princess Donna, and Isis Love. Capturing moments of joy and struggle, this film follows the characters as they navigate their lives as artists, daughters, mothers, writers, and women who have made careers in the adult industry. Asked to defend their choices to their families, communities, and even the United States Government, these women share their unique motivations and shifting visions for the future.

La muerte de Alfredo Montes(es)

Real Men(en)

An investigation into the myth of the screen hero and its importance to men, mainly in the Western world. How the professional image is built in Hollywood, how men search for their own identity and how the self is constantly analyzed and compared to the role models appearing on the screen.

The Uncle(es)

Ignacio has one obsession: creating a play about his uncle Jaime Guzmán, an ideologist of the 80's constitution and collaborator of the Pinochet military-civic dictatorship. But things get out of control...

The Hornet's Sting and the Hell It's Caused(en)

This is the story of Rose and Freya. Rose is a photographer who specializes in bondage, degradation, dehumanization, and murder. She lures unsuspecting men and women into her grasps and breaks them down until there is nothing left. Freya is her latest victim. A very naive small-town girl.

Mine(en)

Devoid of any human presence, Mine depicts a place exploited by man and then abandoned, serving as a testimony of complex historical and political situations.

And Who Does Not Like Handel, He Will Get a Pendel(ru)

The story of an expat musician that sounds like a bad dream. The film was shot in Hollywood in January 2018. The author of the idea of the film and the lead actor is cellist Evgeny Tonkha, composer Anna Drubich.

Robert Altman's Players(en)

Behind-the-scenes documentary about a fundraiser which was staged for Robert Altman's film "The Player" (1992).

Galapagos: Beyond Darwin(en)

Galapagos: Beyond Darwin is a 1996 documentary narrated by actor Roscoe Lee Browne. It premiered on the Discovery Channel on Sunday, August 18, 1996.[1] It was directed by Al Giddings.