From dropping backcountry cliffs and cornices to launching over 200 feet on a sled it takes a new level of progression to pull off. Super deep powder, backcountry big air, and new freestyle sick tricks such as the Corpse Air. Shot with 16mm film. Features Kyle Armbrust, Tyler Nelson, Heath Frisbee and more.
2003-10-14
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6.8Join award-winning film director, Thomas Opre, as he continues his quest to ride with and film the most dynamic snowmachiners in the world. The Sled Heads 4 snowmobile video will take you to: the Yukon with world record, sled distance jump holder, Ross Mercer; Revelstoke to capture intense POW with Cody Borchers; British Columbia to hang with X Games silver medalist Brett Turcotte; Norway with freestyle rider Aleksaander Noordgaard; to chopper footage of extreme back-country hill climber Randy Swenson; to Boondocker's Jared Sessions technical riding in Idaho; Colorado to catch Miss Extreme Kristy Martin in the powder; to Fernie, BC, to ride with our Be Extreme Contest winner Shawn Dinner. An intense mixture of incredible backcountry riding and sled documentary, Sled Heads 4 is one of those snowmobile videos that offers something for everyone!
Diving below the surface of mainstream snowmobile riding with some of the most daring athletes in the sport, this exciting collection of clips offers a look at what's really going down on the ice. Footage shot with a combination of 16mm film and digital technology mounted in a first-person point of view captures action-packed freestyle contests, stunning natural cliff drops and never-before-seen stunt footage.
2 Stroke Cold Smoke X The tenth film in the 2 Stroke snowmobile videos series. This is a must have. The best Film to date by Frontier Films. For Ten years Frontier Films has been working with some of the best riders in the world. 10 is no exception. Featuring Ross Mercers World Distance Record Jump! The deepest powder of the winter from Canada to Alaska. Rob Alford dropping Cliffs and powder descents that will give you the chills. Nothing but solid snowmobile riding by the craziest most talented riders in the world. Starring; Dan Phillips, Cody Borchers, Geoff Kyle, Ross Mercer, Christoph von Alvensleben, Randy Sherman, Kyle Armbrust and many more. Sections from the X-games where Chris Burandt takes gold, Sweden, Alaska, British Columbia and more secret spots! Shot on 16mm film, HD and DV. Running time approximately 45 minutes with lots of bonus features Fun for the whole family.
Our riders dedication to the ideals of snowmobiling is admirable and has become a way of life. They know it’s not a matter of if they get hurt, it’s a matter of when. Whether or not we are there with our cameras to capture the moment does not change the way these riders adhere to their unspoken duty of pushing the limits in the sport of snowmobiling. We filmed amazing things happening all over the world during the winder of 2005/2006. Canadians bombing huge drops and breaking their faces. Swedes hitting massive jumps in June on a Norwegian Glacier. Alaskans going for the world record distance jump. Turbo powered Apex’s dominating the highest peaks at the Big Dawg and Big Iron Shootouts, neck deep powder descents, and bone crushing crashes are just a few highlights. The film is dedicatedd to the riders, the fans, the haters, the soldiers, and those we have lost to the sport such as Jeremy Crapo.
Hits, whips and clips are what this snowmobile video dvd is about. For the 9th year in a row Frontier Films releases another incredible sledding film. Innovation is the force behind this snowmobile video dvd. From long distance jumps to a new variation of the backflip this film packs it all in. It also showcases the backcountry Redbull Fuel and Fury contest in Alaska where the best sledders in the world showed up to give it their all. Deep powder and big mountain cliff drops really round this film out. The athletes in this film search out the hits, ride their favorite whips and go big to get the clips! Starring; Ross Mercer, Christoph von Alvensleben, Kyle Armbrust, Randy Sherman, Cody Borchers, Geoff Kyle and many more of todays most talented sledders. This film is approximately 45 minutes long with an extra behind the scenes bonus film giving the viewer over 75 minutes of footage. Shot on 16mm film, digital video and even some High Definition Video for the highest quality film.
4.2After a harrowing snowmobile accident, a young couple is stranded in the woods and must survive while waiting for help to arrive. Events take a turn for the worse after the disappearance of Emma's boyfriend, leaving her on her own not only to battle the elements, but also to elude a mysterious hunter who is tracking her through the forest.
0.0Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
0.0Perhaps this is Robert Vas' most personal film; a portrait of his country - Hungary - as seen through the eyes of an exile. Robert Vas escaped from his homeland after the brutal crushing of the 1956 Hungarian Uprising by the Russians and he was never able to return. He portrays his country through the writings of Hungary's national poets and illustrates the film with images of the Revolution and of the society it would become in the years immediately following 1956. The film was transmitted on the 20th anniversary of the crushing of the uprising.
6.0A documentary about a convent of Russian Orthodox nuns in Estonia who have dedicated their lives to serving God.
0.0A visual artist and a musician create a series of works in which paintings and musical scores form cohesive pieces intended to be experienced together. The works interpret the excitement and monotony of life in the urban desert sprawl from the diverse perspectives of the native and the newcomer.
7.1Featuring unprecedented access inside the White House and State Department, The Final Year offers an uncompromising view of the inner workings of the Obama Administration as they prepare to leave power after eight years.
Dammbeck, himself an alumnus of the Leipzig Academy for Graphic and Book Design, presents the origins of the new German realism developed by the so-called Leipzig School, which took place in the context of socialist-realist dogma in the GDR before the Wall was built in 1961. After the Wall came down in 1989, what happened to the major Leipzig School painters Werner Tübke and Bernhard Heisig, who had been called “Dürer’s red heirs” by West German journalists in the 1970s? In the film, Tübke, Heisig, and former GDR officials who were involved with the cultural scene in Leipzig at the time talk about modernism, conformism, political pressure, party discipline, personal claims, and fading memory. The documentary paints an insightful, often critical picture of early East German art history.
5.0The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic innocence. The questions it addresses about the relationship between ethics and aesthetics make a valuable contribution to any discussion about art and power.
7.8Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.
0.0This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.
Two Meetings and a Funeral explores Bangladesh’s historical pivot from the socialism of the 1973 Non-Aligned Movement (NAM) meeting in Algeria to its ideological counterpoint, the emergence of a strong Islamic perspective at the 1974 Organisation of Islamic Countries (OIC) meeting in Lahore. Centred on Bangladesh’s navigation of these two historic meetings, as well as its fight for United Nations recognition (vetoed by China, acting as a proxy for Pakistan), the film considers the erosion of the idea of the Third World as a potential space for decolonialism, liberation theology and socialism. In particular, it looks at how a transnational Islamic ‘ummah’ concept was used against socialist forces.
0.0A two-channel installation utilizing both digital video and 16mm film, Commensal focuses on the controversial figure of Issei Sagawa, who gained notoriety in 1981 when, as a graduate student in Paris, he murdered a fellow student and engaged in acts of cannibalism. After his release from a mental institution, Sagawa returned to Japan, and later appeared in innumerable documentaries and sexploitation films. In contrast to earlier journalistic documentaries on Sagawa, the film suspends moral judgment and explores a realm that eludes classification as either “documentary” or “pure fiction,” to instead chart the ambiguous territory between crime, fantasy, and social realities, between an individual and the economy of his public persona.