Suzan Pitt: Persistence of Vision

The Mysterious Man(fr)

Fox Terriers and Rats(fr)

Fox terriers kill rats in an aviary while excited spectators watch on.

Young Solitude(fr)

Claire Simon portrays an important time for any individual, from 16 to 18 years of age. Set in the Paris suburbs in high school (for those lucky enough to go), teenagers chat after and even during class, sitting in the hallway or outside on a bench, looking at the city below them.

One or Two Questions(es)

In 1986, the Uruguayan Parliament passed a law granting amnesty for all crimes and human rights violations committed by the military and police during the dictatorship (1973-85). This law of impunity prevented the clarification demanded by the relatives of those who had disappeared and been murdered by the former regime. A public initiative arose calling for a referendum in which the law be subject to the vote of the people. Unas preguntas uses U-matic footage, mostly of interviews recorded on the streets of Uruguay between 1987 and 1989, to present a time capsule of the period.

The Waldheim Waltz(de)

Ruth Beckermann documents the process of uncovering former UN Secretary General Kurt Waldheim’s wartime past. It shows the swift succession of new allegations by the World Jewish Congress during his Austrian presidential campaign, the denial by the Austrian political class, the outbreak of anti-Semitism and patriotism, which finally led to his election.

Wild Relatives(en)

The film follows the matrix of hierarchies and relationships involved in a transaction of seeds between the Norwegian town of Longyearbyen in Svalbard, an island in the Arctic Ocean, and the Bekaa Valley in Lebanon.

Yours in Sisterhood(en)

What might be revealed in the process of inviting strangers to act out and respond to 1970s feminism forty years later? Between 2015 and 2017, hundreds of strangers in communities all over the US were invited to read aloud and respond to letters from the 70s sent to the editor of Ms. Magazine–the first mainstream feminist magazine in the US. The intimate, provocative, and sometimes heartbreaking conversations that emerge from these spontaneous performances make us think critically about the past, present, and future of feminism.

American Hollow(en)

This documentary follows the lives of the Bowling family as they fight to survive in dirt-poor Appalachia. Matriarch Iree has given birth to 13 children, but only two have left to seek better lives in Ohio while the rest have married and started their own impoverished families near home. Uneducated and unskilled, all are unemployed, and domestic violence and alcoholism pose serious problems. The filmmakers explore the family's relationships through interviews and footage of their daily lives.

A Letter to Freddy Buache(fr)

This short film is Godard’s message to the people of Lausanne, specifically journalist and critic Freddy Buache, addressing his reasons why he will not make a film about their town’s 500th anniversary. Rather than cynical or defensive, Godard's bemused narration of the footage of Lausanne is imaginative and even playful, a rumination on cinema's possibilities.

Older, Stronger, Wiser(en)

In this short documentary, five black women talk about their lives in rural and urban Canada between the 1920s and 1950s. What emerges is a unique history of Canada’s black people and the legacy of their community elders. Produced by the NFB’s iconic Studio D.

Playing Cards(fr)

Three friends are playing cards in a beer garden. One of them orders drinks. The waitress comes back with a bottle of wine and three glasses on a tray. The man serves his friends. They clink glasses and drink. Then the man asks for a newspaper. He reads a funny story in it and the three friends burst out laughing while the waitress merely smiles.

ESSENTIEL — A Portrait(en)

His work illustrates people. Densha Tattoo reflects on craft, inspiration and the scene. — What is the essence of a human being? One stitch at a time. A portrait about the tattoo artist.

My Life As I Live It(en)

In her second film, MY LIFE AS I LIVE IT (1993), Essie Coffey returns to her home in Dodge City where she and the A-Team are running in the shire elections. Inter-cutting between 1993 and 1978, the film presents the fascinating contrasts of a society in transition. Some of the kids we met in the earlier film now have families of their own and are involved in education, art and sports. Others are drifting, trying to cope with alcohol and depression. Most significantly, community programs offer the possibility of dignity and self-determination. In this film, Essie shows us the Community Development Employment Program (CDEP) making a real difference. Although the CDEP has now come under attack from the Federal government, MY LIFE AS I LIVE IT portrays the CDEP as providing meaningful work and services to an impoverished remote community.

Ekmek Parasi – Geld fürs Brot(tr)

The vege­ta­bles come from the garden behind the house, the fish comes out of a can, and money for bread is earned at the factory. It’s because of this money that they came here. Women from Turkey stand side-by-side with women form Meck­len­burg at the conveyor belt of a fish-proces­sing factory in Lübeck. Their hands are stained brown, the pungent smell of fish clings to them, and their arms and backs ache. If these jobs were done by men, machines would have been invented long ago to replace them. But female labour is cheap and the women do not complain. They have learned to work – and therein lies the source of their pride. (Source: https://www.artechock.de/film/text/filminfo/g/ge/gefubr.htm)

In Our Mothers' Gardens(en)

In Our Mothers' Gardens celebrates the strength and resiliency of Black women and Black families through the complex, and often times humorous, relationship between mothers and daughters.

In Search of Maria(es)

Based on the only four surviving shots of the first Colombian silent film, MARÍA (1921), by directors Máximo Calvo (Colombia) and Alfredo del Diestro (Spain), IN SEARCH OF ‘MARIA’ combines historical research, interviews, and scenic reconstruction to rescue the memory of a lost film.

One(en)

Collected as part of the Fluxfilm Anthology (a multi-reel compendium of 37 short films assembled by Fluxus founder and central operator George Maciunas), One captures the lifespan of a single match recorded at 2,000 frames per second using a 16mm high-speed camera. The frame rate is then decelerated to the standard 24fps for presentation. The film emphasizes each gesture, sway and flare of flame as the small pinewood carrier ignites across the landscape of the filmstrip and screen, signalling the drama and poetics of this ”minor” event before the fire is extinguished. One also stands as an unassuming beacon, immortalizing on film the essence of some of Ono’s early concerns as an artist. At the slightest touch of fire, they burst into flame. Strike everywhere. Strike often.

Irma(es)

Irma is an intimate musical portrait of Irma Gonzalez, the former world champion of women's professional wrestling. Filmed in Ciudad Nezahualcoyotl - a notorious district of Mexico City - Irma contradicts everything we have come to expect from stories reported from Mexico. Featuring music written and performed by Ms. Gonzalez, Irma's story surges with love and deceit, masculine strength, feminine charms, and an extraordinary sense of humor.

The Question(en)

Born at just 23 weeks and weighing 1 pound, Tyrese's head was the size of an egg. If he survived the night, the doctors said he would live in a vegetative state without the ability to see, speak or think - but he proved them wrong.

Monsieur(fr)