Uma Rua Chamada Triumpho 1969/70

Morir un Poco(es)

A film-truth document. It presents the life of Luis, a man who wanders the streets of the city, going to and from work, contemplating the windows of a world he can never have and that invite him to consume, to dream.

Copacabana, Mon Amour: A Restauração(pt)

A documentary on the restoration of Rogério Sganzerla's 1970 film "Copacabana, Mon Amour".

Les Charlots en folie(fr)

Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.

Fulano de Tal(pt)

To Cross; One Nail, Metal Spit(en)

Filmed over a period of 3 years, this video work is a meditation on the borderline of the river Tejo, between Marvila and Barreiro. A psychogeographic piece that seeks out a feeling of doubt, inertia, and waiting. "Two sides, along the boundary line All the weight of the water above Metal arms extended to the heavens As if the sky was tilting to meet them And those giants again; Four by four . . . . all in a line, up against the tide."

The Ridiculous(pt)

Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.

Killed the Family and Went to the Movies(pt)

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

Aquela Rua Tão Triumpho(pt)

The ghosts of Boca do Lixo. Ido Oliveira still walks through Triumpho St.

Cocoon(pt)

A lonely journalist lives locked in his apartment, consumed by the fear of being the next victim of a serial killer who targets media professionals. Semi-finalist – Serbest International Film Festival (SIFF), 2025

Aliens do terceiro mundo e o sequestro de Dona Irene(pt)

After receiving a letter calling for a secret conspiracy meeting, a woman is mistaken for a controversial policy and kidnapped by a pair of revolutionaries with no money for Uber. The three end up living together and witnessing the end of the world, the alien invasion and military intervention together.

Não matei ninguém e mesmo assim fui ao Cinema(pt)

MEDÉIA(pt)

How I Learned to Love the Numbers(de)

A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.

Filmmakers of Our Time: François Truffaut or the Critical Spirit(fr)

Ingmar Bergman: The Magic Lantern(en)

The first of two documentaries about Ingmar Bergman produced to mark his 70th birthday. Includes behind the scenes "home movies" from Bergman's personal archive, interviews with Bergman recorded over his 40 years in the film industry and passages from his autobiography read by Max von Sydow and Bergman himself.

Icons(sk)

A film about Slovak icons painted in the period of the late 15th to the early 19th centuries, when original Byzantine icon was ending in Slovak folk art.

Keeping a Distance(sk)

Documentary illustrating the classic principles of Byzantine iconography on the examples of sixteen icons from a museum of ancient Greek art.

Seasons(en)

Poetry meets technology in this film about the cycle of the seasons. Narrated by William Shatner, and accompanied by a special digital "surround" recording of Antonio Vivaldi's The Four Seasons, the film takes audiences on a breathtaking trip through the eruption of spring, the growth of summer, the harvest and festivity of autumn, and the dormancy of winter. The beauty of the seasons is interspersed with a look at the earth as a planet, the sun as a star, and the human quest to understand the relationship between the two.

Yesterday Was Everything(en)

A band struggles to reconcile for a reunion tour a decade after a contentious break-up and a fatal accident.

50 años de... Canciones(es)