William Blake, an accountant turned fugitive, is on the run. During his travels, he meets a Native American man called Nobody, who guides him on a journey to the spiritual world.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
Dan and Tennessee are successful gold miners. Ace Brady learns of their success and sends Fox to rob them. During the robbery Fox shoots Tennessee and Ace arrives to arrest Dan for the murder. Dan escapes but is now a wanted man.
Lawyer Butler, wanting Jeff Carson's ranch, has the Sheriff and his gang frame the bank holdup on him. Then they kill a witness that could free Carson and blame the murder on his son Sunset. But Sunset escapes, frees his father, and then sets a trap to catch the real killers.
Shortly after Moody Pierson saves Sheriff Tim's life, Moody is arrested for murder. Tim doesn't believe he did it and lets him get away. Kicked out as Sheriff, Tim goes after the real kiler and this leads him to the town controlled by Red Slavins.
The players in an ongoing poker game are being mysteriously killed off, one by one.
In Arizona in the late 1800s, infamous outlaw Ben Wade and his vicious gang of thieves and murderers have plagued the Southern Railroad. When Wade is captured, Civil War veteran Dan Evans, struggling to survive on his drought-plagued ranch, volunteers to deliver him alive to the "3:10 to Yuma", a train that will take the killer to trial.
Substituting for Allan Lane, who'd been called away to active military service, Bill Elliot stars in the Republic "Red Ryder" western Marshal of Laredo. This time, Red comes to the aid of a frontier lawyer, who is suspected of being an outlaw
When a Chinese rebel murders Chon's estranged father and escapes to England, Chon and Roy make their way to London with revenge on their minds.
Bank robber Graham Dorsey spends a few hours with beautiful widow Amanda Starbuck, in which time his gang takes part in a disastrous holdup. Learning of his comrades' demise, Dorsey goes on the lam. Believing her short-term lover was killed by the law, Amanda decides to make the most of having had a liaison with the supposedly deceased desperado by writing a book about him. Much to his confusion, the still-living Dorsey watches as his name becomes legendary.
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
The Navajo Kid goes in search of the villains who murdered his foster-father and stole both ring and watch. The trail leads straight to Canyon City, Texas, and smooth cardsharp Honest John Grogan, who is in possession of both the stolen items. But Grogan has an ironclad alibi for the time of the murder, an alibi confirmed by none other than Sheriff Roy Landon.
The four sons of Katie Elder reunite in their hometown of Clearwater, Texas for their mother's funeral, and discover that the family ranch is now in the hands of Morgan Hastings, the town's gunsmith.
In this western, a cowpoke gets in an argument; a scuffle ensues leaving the cowboy to believe that he killed his opponent. He is so wracked with guilt that he travels to the ranch of the dead man's sister, gives himself a new name and begins helping her. Rustlers come; he stops them. Trouble ensues after she learns his true identity. A scuffle ensues. She wings him with a gun; he disarms her. Later she hears the real murderer bragging about his crime during a fight with the hero.
A cowboy investigating his brother's murder finds himself going up against a banker who holds the deed to the cowboy's family ranch.
Flame of the West has always attracted more attention than most of Johnny Mack Brown's Monogram westerns, if for no other reason than the offbeat casting of Douglass Dumbrille. Usually seen in villainous roles, Dumbrille herein offers a sincere, effective performance as a scrupulously honest US marshal named Nightlander. When he takes on a gang of crooked gamblers, Nightlander is shot down in cold blood, compelling frontier doctor John Poole (Johnny Mack Brown) to put his Hippocratic oath on the back burner and strap on the shootin' irons.
A melancholic gunfighter is drawn into a vengeful and tragic kidnapping plot by his widowed ex-lover.
In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.